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HARVARD 

COLLEGE 
LIBRARY 




HOMERIC HYMNS 



• Of ATHENE 



THE 

HOMERIC HYMNS. 

A NEW PROSE TRANSLATION 



AND ESSAYS, LITERARY AND MYTHOLOGICAL. 

ANDREW LANG 



WITH ILLUSTRATIONS 



NEW YORK 

LONGMANS, GRETEN, AND CO. 

LONDON: GEORGE ALLEN 



rfb 



q^ 




Grh ^2,772. 3 



HARVARD 

UNIVERSITY 

LIBRARY 

\OCT201963 



Printed by 

Ballantynb, Hanson 6* Ca 

Edinburgh 



TO 

HENRY BUTCHER 

A UTTLE TOKEN OF 
A LONG FRIENDSHIP 



PREFACE 

' I O translate the Hymns usually called 
" Homeric " had long been my wish, 
and, at the Publisher's suggestion, I under- 
took the work. Though not in partnership, 
on this occasion, with my friend, Mr. Henry 
Butcher (Professor of Greek in the University 
of Edinburgh), 1 have been fortunate in re- 
ceiving his kind assistance in correcting the 
proofs of the longer and most of the minor 
Hymns. Mr. Burnet, Professor of Greek in 
the University of St. Andrews, has also most 
generously read the proofs of the translation. 
It is, of course, to be understood that these 
scholars are not responsible fof the slips 
which may have wandered into my version. 



vu 



viii PREFACE 

the work of one whose Greek has long " rusted 
in disuse." Indeed I must confess that the 
rendering " Etin " for ireKwp is retained in spite 
of Mr. Butcher, who is also not wholly satis- 
fied with "gledes of light," and with "shiel- 
ing" for a pastoral summer station in the 
hills. But I know no word for it in English 
south of Tweed. 

Mr. A. S. Murray, the Head of the Classi- 
cal Department in the British Museum, has 
also been good enough to read, and suggest 
corrections in the preliminary Essays ; while 
Mr. Cecil Smith, of the British Museum, 
has obligingly aided in selecting the works 
of art here reproduced. 

The text of the Hymns is well known to 
be corrupt, in places impossible, and much 
mended by conjecture. I have usually 
followed Gemoll {Die Homerischen Hymneti, 
Leipzig, 1886), but have sometimes preferred 
a MS. reading, or emendations by Mr. 



PREFACE ix 

Tyrrell, by Mr, Verral, or the admirable 
suggestions of Mr. Allen. My chief object 
has been to find, in cases of doubt, the 
phrases least unworthy^, of the poets. Too 
often it is impossible - to be certain as to 
what they really wrote. 

I have had beside me the excellent prose 
translation by Mr. John Edgar (Thin, Edin- 
burgh, 1 891). As is inevitable, we do not 
always agree in the sense of certain phrases, 
but I am far from claiming superiority for 
my own attempts. 

The method employed in the Essays, the 
anthropological method of interpreting be- 
liefs and rites, is still, of course, on its trial. 
What can best be said as to its infirmities, 
and the dangers of its abuse, and of system- 
making in the present state of the evidence, 
will be found in Sir Alfred Lyall's "Asiatic 
Studies," vol. ii. chaps, iii. and iv. Readers 
inclined to pursue the subject should read 



xii CONTENTS 



PAGB 

X. TO ATHENE 222 

XI. TO HERA 223 

XII. TO DEMETER 224 

XIII. TO THE MOTHER OP THE GODS . 225 

XIV. TO HERACLES THE LION-HEART . 226 
XV. TO ASCLEPIUS 22/ 

XVI. TO THE DIOSCOURI 228 

XVII. TO HERMES 229 

XVIII. TO PAN .230 

XIX. TO HEPHiESTUS 233 

XX. TO APOLLO 234 

XXI. TO POSEIDON 235 

XXIL TO HIGHEST ZEUS 236 

XXIII. TO HESTIA 237 

XXIV. TO THE MUSES AND APOLLO . . 238 
XXV. TO DIONYSUS 239 

XXVI. TO ARTEMIS 240 

XXVII. TO ATHENE 243 

XXVIII. TO HESTIA 244 

XXIX. TO EARTH, THE MOTHER OF ALL . . 246 

XXX. TO HELIOS 248 

XXXL TO THE MOON . .250 

XXXII. TO THE DIOSCOURI • 252 

XXXIII. TO DIONYSUS 254 



LIST OF ILLUSTRATIONS 

Bust of Athene FrofUispiece 

F&nninga vtue^fmndai Aiktns, now in ike British Museum 

Hermes with the Boy Dionysos . , facing page 35 

Siaiue by Praxiteles^ found at Olym^a 

Mourning Demeter .... facing page 54 

Marble statue /rem Cnidos, In the British Museum 

Silver Denarius of C. Vibius Pansa {about 

90 B.C.) page 56 

Obv. Head (^ Apollo'. Rev. Demeter searching/or Persephone 

% 

Demeter and Persephone sending Tripto- 

lemos on his Mission . fadngpage 92 

Metrble reU^/ound at Eleusis^ now m Athens 

Silver Stater of Croton (adout 400 b.c.) page 103 

Obv. Hercules^ the Founder, Rev. Apollo shooting the Python 
by Ute Delphic Tripod 

Leto with her Infants, Apollo and 

Artemis 'facing page 104 

From a veue in the British Museum {Sixth Century b.c.) 

Hermes making the. Lyre . fadngpage 136 

Bronu reli^in the British Museum (Fourth Century b.c.) 

Aphrodite fadngpage 166 

Mearble statue in the Louvre 



• •• 

Xllt 



xiv UST OF ILLUSTRATIONS 

Syracusan Medaluon by EuAiNETOS . /t^ 183 

Obv. H4md f^P ent^ A mt . Rcr. VikfmimtCkmriti 



Dionysus Sailing in his Sacred Ship . „ 213 

/mieritr Des^gm mt m. Kjlix ij Sjukims m Mmmidk 



Pan, WITH Goat and Shepherd's Crook fadt^page 230 

Ttrrm-ctttm. limtmiitjrmm Tmmmgrm. im ike BriHdk Mmtemm 



Apollo, Artemis, and Leto in Proces- 
sion Joeing pagi 241 

MmrUerth^mtke 



The Dioscuri coming to the Feast of the 

Thsoxenia Ad^/H' 252 

F^rtm m mur m tkt ArUuA Mmatmm {Sixik Ctmimy B.C.) 



ESSAYS INTRODUCTORY 

TO 

THE HOMERIC HYMNS 



vr 



THE 

SO-CALLED HOMERIC HYMNS 

" T^HE existing collection of the Hymns is 
* of unknown editorship, unknown date, 
and unknown purpose," says Baumeister. 
Why any man should have collected the little 
preludes of five or six lines in length, and of 
purely conventional character, while he did 
not copy out the longer poems to which they 
probably served as preludes, is a mystery. 
The celebrated Wolf, who opened the path 
which leads modern Homerologists to such an 
extraordinary number of divergent theories, 
thought rightly that the great Alexandrian 
critics before the Christian Era, did not re- 
cognise the Hymns as " Homeric." They did 
not employ the Hymns as illustrations of 
Homeric problems ; though it is certain that 
they knew the Hymns, for one collection did 



HOMERIC HYMNS 



exist in the third century B.C.* Diodorus 
and Pausanias, later, also cite ** the poet 
in the Hymns," " Homer in the Hymns " ; 
and the pseudo - Herodotus ascribes the 
Hymns to Homer in his Life of that author. 
Thucydides, in the Periclean age, regards 
Homer as the blind Chian minstrel who 
composed the Hymn to the Delian Apollo : 
a good proof of the relative antiquity of 
that piece, but not evidence, of course, that 
our whole collection was then regarded as 
Homeric. Baumeister agrees with Wolf that 
the brief Hymns were recited by rhapsodists 
as preludes to the recitation of Homeric or 
other cantos. Thus, in Hymn xxxi. i8, the 
poet says that he is going on to chant "the 
renowns of men half divine." Other pre- 
ludes end with a prayer to the God for 
luck in the competition of reciters. 

This, then, is the plausible explanation 
of most of the brief Hymns — they were 

^ Baumeister, p. 94, and note on Hymn to Hermes, 51, 
citing Antigonus Carystius. See, too, Gemoll, Di€ Homerischen 
Hymmn^ p. 105. 



THE LONGER HYMNS 



preludes to epic recitations — but the question 
as to the long narrative Hymns with which 
the collection opens is different. These were 
themselves rhapsodies recited at Delphi, at 
Delos, perhaps in Cyprus (the long Hymn 
to Aphrodite), in Athens (as the Hymn to 
Pan, wbo was friendly iii the Persian in- 
vasion), and so forth. That the Pisistratidae 
organised Homeric recitations at Athens is 
certain enough, and Saumeister suspects, in 
xiv., xxiii., xxx., xxxi., xxxii., the hand of 
Onomacritus, the forger of Oracles, that 
strange accomplice of the Pisistratidae.. The 
Hymn to Aphrodite is just such a lay as 
the Phaeacian minstrel sang at the feast 
of Alcinous, in the hearing of Odysseus. 
Finally Baumeister supposes our collection 
not to have been made by learned editors, 
like Aristarchus and Zenodotus, but com- 
mitted Confusedly from memory to papyrus 
by some amateur. The conventional attri- 
bution of the Hymns to Homer, in spite of 
linguistic objections, and of many allusions 
to things unknown or unfamiliar in the 



HOMERIC HYMNS 



Epics, is merely the result of the tendency 
to set down '^ masterless " compositions to a 
well-known name. Anything of epic charac- 
teristics was allotted to the master of Epic. 
In the . same way an unfathered joke of 
Lockhart's was attributed to Sydney Smith, 
and the process is constantly illustrated in 
daily conversation* The word vfivo^^ hymn, 
had not originally a religious sense : it 
merely meant a lay. Nobody calls the 
Theocritean idylls on Heracles and the 
Dioscuri "hymns," but they are quite as 
much "hymns" (in our sense) as the 
"hymn" on Aphrodite, or on Hermes. 

To the English reader familiar with the 
Iliad and Odyssey the Hymns must appear 
disappointing, if he come to them with an 
expectation of discovering merits like those 
of the immortal epics. He will not find that 
they stand to the Iliad as Milton's ''Ode 
to the Nativity" stands to "Paradise Lost." 
There is in the Hymns, in fact, no scope 
for the epic knowledge of human nature in 
every mood and aspect. We are not so 



GODS AND MEN 



much interested in the Homeric Gods as 
in the Homeric mortals, yet the Hymns 
are chiefly concerned not with men, but with 
Gods and their mythical adventures. How- 



ever, the interest of the Hymn to Demetef 
is perfectly human, for the Go ddess is in 
sorrow, and is mingling with men^ The 
Hymn to Aphrodite, too, is Homeric in its 
grace, and charm, and divine sense of human 
limitations, of old age that comes on the 
fairest, as Tithonus and Anchises ; of death 
and disease that wait for all. The life of the 
Gods is one long holiday ; the end of our 
holiday is always near at hand. The Hymn 
to Dionysus, representing him as a youth in 
the fulness of beauty, is of a charm which 
was not attainable, while early art repre- 
sented the God as a mature man ; but 
literary art, in the Homeric age, was in 
advance of sculpture and painting. The 
chief merit of the Delian Hymn is in the 
concluding description of the assembled 
lonians, happy seafarers like the Phaea- 
cians in the morning of the world. The 



8 HOMERIC HYMNS 

confusions of the Pythian' Hymn to Apollo 
make it less agreeable ; and the humour 
of the Hymn to Hermes is archaic. All 
those pieces, however, have delightfully fresh 
descriptions of sea and land, of shadowy 
dells, flowering meadows, dusky, fragrant 
caves ; of the mountain glades where the 
wild beasts fawn in the train of the winsome 
Goddess ; and the high still peaks where Pan 
wanders among the nymphs, and the glens 
where Artemis drives the deer, and the 
spacious halls and airy palaces of the Im- 
mortals. .The .Hymns are fragments of the 
work of a school which had a great Master 
and great traditions : they also illustrate many 
aspects of Greek religion. 

, In the essays which follow, the religious 
.aspfict_of-the_HyiansJs chiefly dwelt upon: 
I "endeavour to bring out what Greek religion 
had of human and sacred, while I try to 
explain its less majestic features as no less 
human : as derived from the earliest attempts 
at speculation and at mastering the secrets 
of the world. In these chapters regions are 



GREEKS AND SAVAGES 



visited which scholars have usually neglected 
or ignored. It may seem strange to seek 
the origins of Apollo, and of the renowned 
Eleusinian Mysteries, in the tales and rites of 
the Bor2^ and the Nanga ; in the beliefs and 
practices of Pawnee^ and Larrakeah, Yao 
and Khond. But these tribes, too, are human, 
and what they now or lately were, the remote 
ancestors of the Greeks must once have been. 
All races have sought explanations of their 
own ritual in the adventures of the Dream 
Time, the Akherittga, when beings of a more 
potent race, Gods or Heroes, were on earth, 
and achieved and endured such things as 
the rites commemorate. And the things thus 
endured and achieved, ^ I try to show, 
are everywhere of much the same nature ; 
whether they are now commemorated by 
painted Ravages in the Bora or the Medicine 
Dance, or whether they were exhibited and 
proclaimed by the Eumolpidas in a splendid 
hall, to the pious of Hellas and of Rome. 
;My attempt may seem audacious, and to 
many scholars may even be repugnant ; but 



10 HOMERIC HYMNS 

it is on these lines, I venture to think, that 
the darker problems of Greek religion and 
rite must be approached. They are all 
survivals, however fairly draped and adorned 
by the unique genius of the most* divinely 
gifted race of mankind. 

The method of translation is that adopted 
by Professor Butcher and myself in the 
Odyssey, and by me in a version of Theo- 
critus,' as well as by Mr. Ernest Myers, who 
preceded us, in his Pindar. That method 
has lately been censured and, like all 
methods, is open to objection. But I 
confess that neither criticism nor example 
has converted me to the use of modern 
colloquial English, and I trust that my 
persistence in using poetical English words 
in the translation of Greek poetry will not 
greatly offend. I cannot render a speech 
of Anchises thus : — 

"If you really are merely a mortal, and 
if a woman of the normal kind was your 
mother, while your father (as you lay it 
down) was the well-known Otreus, and if you 



QUESTION OF STYLE ii 

come here all through an undying person, 
Hermes ; and if you are to be known hence- 
forward as my wife, — ^why, then nobody, 
mortal or immortal, shall interfere with my 
intention to take instant advantage of the 
situation." 

That kind of speech^ though certainly long- 
. winded, may be the manner in which a con- 
temporary pastoralist would address a Goddess 
*' in a coming on humour." But the situation 
does not occur in the prose of our existence, 
and I must prefer to translate the poet in a 
manner more congenial, if less up to date. 
For one rare word "Etin" (nriX^p) I must 
apologise: it seems to me to express the 
vagueness of the unfamiliar monster, and is 
old Scots, as in the tale of " The Red Etin 
of Ireland." 



THE HYMN TO APOLLO 

THE Hymn to Apollo presents innupierable 
difficulties, both of text, which is very cor- 
rupt, and as to the whole nature and aim of 
the composition. In this version it is divided 
into two portions, the first dealing with the 
birth of Apollo, and the foundation of his 
shrine in the isle of Delos ; the second con- 
cerned with the establishment of his Oracle 
and fane at Delphi. The division is made 
merely to lighten the considerable strain on 
the attention of the English reader. I have 
no pretensions to decide whether the second 
portion was by the author of the first, or 
is an imitation by another hand, or is con- 
temporary, or a later addition, or a. mere 
compilation from several sources. The first 
part seems to find a natural conclusion, about 
lines 176-181. The blind singer (who is 



la 



MR. VERRALLS THEORY 13 

quoted here by Thucydides) appears at that 
point to say farewell to his cherished Ionian 
audience. What follows, in our second part, 
appeals to hearers interested in the Apollo of 
Crisa, and of the Delphian temple : the Pythian 
Apollo. 

According to a highly ingenious, but 
scarcely persuasive theory of Mr. Verrall's, 
this interest is unfriendly.^ Our second part 
is no hymn at all, but a sequel tacked on 
for political purposes only: and valuable for 
these purposes because so tacked on. 

From line 207 to the end we have this 
sequel, the story of Apollo's dealings as 
Delphinian, and as Pythian ; all this following 
on detached fragments of enigmatic character, 
and containing also (305-355) the interca- 
lated myth about the birth of Typhaon from 
Hera's anger. In the politically inspired 
sequel there is, according to Mr. Verrall, no 
living zeal for the honour of Pytho (Delphi). 
The threat of the God to his Cretan ministers, 

^ foumal of HelUnic Society^ vol. xiv. pp. 1-29. Mr. Verrall's 
whole paper ought to be read, as a summary cannot be adequate. 



14 HOMERIC HYMNS 

— " Beware of arrogance, or . . ," — must be 
a prophecy after the event. Now such an 
event occurred, early in the sixth . century, 
when the Crisaeans were supplanted by the 
people of the town that had grown up round 
the Oracle at Delphi. In them, and in the 
Oracle under their management, the poet 
shows no interest (Mr. Verrall thinks), none 
in the many mystic peculiarities of the shrine. 
It is quite in contradiction with Delphian 
tradition to represent, as the Hymn does, 
Trophonius and Agamedes as the original 
builders. 

Many other points are noted — such as the 
derivation of " Pytho " from a word meaning 
rotj — to show that the hymnist was rather 
disparaging than celebrating the Delphian 
sanctuary. Taking the Hymn as a whole, 
more is done for Delos in three lines, says 
Mr. Verrall, than for Pytho or Delphi in three 
hundred. As a whole, the spirit of the piece 
is much more Delian (Ionian) than Delphic. 
So Mr. Verrall regards the Cento as "a re- 
ligious pasquinade against the sanctuary on 



MR, VERRALVS THEORY 15 

Parnassus/' a pasquinade emanating from 
Athens, under the Pisistratidae, who, being 
Ionian leaders, had a grudge against ''the 
Dorian Delphi," "a comparatively modern, 
unlucky, and from the first unsatisfactory" 
institution. Athenians are interested in the 
"far-seen" altar of the seaman's Dolphin 
God on the shore, rather than in his inland 
Pythian habitation. 

All this, with much more, is decidedly 
ingenious. If accepted it might lead the way 
to a general attack on the epics, as tendenz 
pieces, works with a political purpose, or 
doctored for a political purpose. But how 
are we to understand the uses of the pasqui- 
nade Hymn ? Was it published, so to speak, 
Xo amuse and aid the Pisistratidae ? Does 
such remote antiquity show us any examples 
of sucli handling of sacred things in poetry ? 
Might we not argue that Apollo's threat to 
the Crisaeans was meant by the poet as a 
friendly warning, and is prior to the fall of 
Crisa? One is reminded of the futile in- 
genuity with which German critics, following 



1 6 HOMERIC HYMNS 

their favourite method, have analysed the 
fatal Casket Letters of Mary Stuart into letters 
to her husband, Darnley ; or to Murray ; or 
by Darnley to Mary, with scraps of her diary, 
and false interpolations. The enemies of the 
Queen, coming into possession of her papers 
after the affair of Carberry Hill, falsified the 
Casket Letters into their present appearance 
of unity. Of course historical facts make this 
ingenuity unavailing. We regret the circum- 
stance in the interest of the Queen's reputa- 
tion, but welcome these illustrative examples 
of what can be done in Germany.* , 

Fortunately all Teutons are not so ingeni- 
ous. Baumeister has fallen on those who, 
in place of two hymns, Delian and Pythian, 
to Apollo, offer us half-a-dozen fragments. 
By presenting an array of discordant conjec- 
tures as to the number and nature of these 
scraps, he demonstrates the purely wilful 
and arbitrary nature of the critical method 
employed.* Thus one learned person believes 

^ Henderson, " The Casket Letters," p. 67, 

' Baumeister, " Hymni Homerid," i860, p. 108 tt seq. 



BAUMEISTEKS THEORY 17 

in (i) two perfect little poems ; (2) two larger 
hymns ; (3) three lacerated fragments of 
hymnS| one lacking its beginning, the other 
wofuUy deprived of its end. Another savant 
detects no less than eight fragments, with in- 
terpolations ; though perhaps no biblical critic 
ejusdem farinm has yet detected eight Isaiahs. 
There are about ten other theories of similar 
plausibility and value. Meanwhile Baumeister 
argues that the Pythian Hymn (our second 
part) is an imitation of the Delian ; by a 
follower, not of Homer, but of Hesiod. Thus, 
the Hesiodic school was closely connected 
with Delphi ; the Homeric with Ionia, so 
that Delphi rarely occurs in the Epics ; in 
fact only thrice (I. 405, 0. 80, X. 581). The 
local knowledge is accurate (Pythian Hymn, 
103 5^^.). These are local legends, and 
knowledge of the curious chariot ritual of 
Onchestus. The Muses are united with the 
Graces as in a work of art in the Delphian 
temple. The poet chooses the Hesiodic and 
un-Homeric myth of Heaven and Earth, 
and their progeny : a myth current also in 

B 



i8 HOMERIC HYMNS 

Polynesia, Australia, and New Zealand. The 
poet is full of inquiry as to qrigins, even ety- 
mological, as is Hesiod. Like Hesiod (and 
Mr. Max MQller), engines rerum ex nominibus 
explicat. Finally, the second poet (and here 
every one must agree) is a much worse poet 
than the first. As for the prophetic word of 
warning to the Crisaeans and its fulfilment, 
Baumeister urges that the people of Cirrha, 
the seaport, not of Crisa, were punished, in 
Olympiad 47 (Grote, ii. 374). 

Turning to GemoU, we find him maintain- 
ing that the two parts were in ancient times 
regarded as one hymn in the age of Aristo- 
phanes.^ If so, we can only reply, if. we 
agree with Baumeister, that in the age of 
Aristophanes, or earlier, there was a plentiful 
lack of critical discrimination. As to Bau- 
meister's theory that the second part is 
Hesiodic, GemoU finds a Hesiodic reminis- 
cence in the first part (line 121), while there 
are Homeric reminiscences in the second 
part. 

^ DU Homerischen Hymnen^ p. Ii6 (1886). 



HYMN AND EPIC 19 

Thus do the learned differ among them- 
selves, and an ordinary reader feels tempted 
to rely on his own literary taste. 

According to that criterion, I think we pro- 
bably have in the Hymn the work of a good 
poet, in the early part ; and in the latter part, 
or second Hymn, the work of a bad poet, 
selecting unmanageable passages of myth, 
and handling them pedantically and ill. At 
all events we have here work visibly third 
rate, which cannot be said, in my poor 
opinion, about the immense mass of the Iliad 
and Odyssey. The great Alexandrian critics 
did not use the Hymns as illustrative material 
in their discussion of Homer. Their instinct 
was correct, and we must not start the con- 
sideration of the Homeric question from these 
much neglected pieces. We must not study 
obscurum per obscurius. The genius of the 
Epic soars high above such myths as those 
about Pytho, Typhaon, and the Apollo who 
is alternately a dolphin and a meteor : soars 
high above pedantry and bad etymology. In 
the Epics we breathe a purer air. 



20 HOMERIC HYMNS 

Descending, as it did, from the myth- 
ology of savages, the mythic store of Greece 
was rich in legends such as we find 
among the lowest races. Homer usually 
ignores them : Hesiod and the authors of 
the Hymns are less noble in their selec- 
tions. 

For this reason and for many others, we 
regard the Hymns, on the whole, as post- 
Homeric, while their collector, by inserting 
the Hymn to Ares, shows little proof of dis- 
crimination. Only the methods of modern 
German scholars, such as Wilamowitz Mollen- 
dorf, and of Englishmen like Mr. Walter 
Leaf, can find in the Epics marks of such 
confusion, dislocation, and interpolations as 
confront us in the Hymn to Apollo. (I 
may refer to my work, "Homer and the 
Epic," for a defence of the unity of Iliad 
and Odyssey.) For example, Mr. Verrall 
certainly makes it highly probable that the 
Pythian Hymn, at least in its concluding 
words of the God, is not earlier than the 
sixth century. But no proof of anything 



REUGION 21 



like this force is brought against the anti- 
quity of the Iliad or Odyssey. 

As to the myths in the Hymns, I would 
naturally study them from the standpoint of 
anthropology, and in the light of compari- 
son of the legends of much more backward 
peoples than the Greeks. But that light at 
present is for me broken and confused. 

I have been led to conclusions varying 
from those of such students as Mr. Tylor 
and Mr. Spencer, and these conclusions 
should be stated, before they are applied 
to the Myth of Apollo. I am not inclined, 
like them, to accept "Animism," or "The 
Ghost Theory," as the master-key to the 
(nrigin of religion, though Animism is a 
great tributary stream. To myself it now 
appears that among the lowest known races 
we find present a fluid mass of beliefs both 
high and low, from the belief in a moral 
creative being, a judge of men, to the pettiest 
fable which envisages him as a medicine- 
man, or even as a beast or bird. In my 
opinion the higher' belief may very well be 



22 HOMERIC HYMNS 

the earlier. While I can discern the processes 
by which the lower myths were evolved, and 
were attached to a worthier pre-existing 
creed, I cannot see how, if the lower faiths 
came first, the higher faith was ever evolved 
out of them by very backward savages. 

On the other side, in the case of Australia, 
Mr. Tylor writes : *' For a long time after 
Captain Cook's visit, the information as to 
native religious ideas is of the scantiest." 
This was • inevitable, for our information has 
only been obtained with the utmost diffi- 
culty, and under promises of secrecy, by 
later inquirers who had entirely won the 
confidence of the natives, and had been initi- 
ated into their Mysteries. Mr. Tylor goes 
on in the same sentence : '' But, since the 
period of European colonists and mission- 
aries, a crowd of alleged native names for 
the Supreme Deity and a great Evil Deity 
have been recorded, which, if really of native 
origin, would show the despised black fellow 
as in possession of theological generalisations 
as to the formation and conservation of the 



BORROWED BEUEFS 23 

universe, and the nature of good and evil, 
comparable with those of his white supplanter 
in the land." ^ Mr. Tylor then proceeds to 
argue that these ideas have been borrowed 
from missionaries. I have tried to reply to 
this argument by proving, for example, that 
the name of Baiame, one of these deities, 
could not have been borrowed (as Mr. Tylor 
seems inclined to hold) from a missionary 
tract published sixteen years after we first 
hear of Baiame, who, again, was certainly 
dominant before the arrival of missionaries. 
I have adduced other arguments of the same 
tendency, and I will add that the earliest 
English explorers ;tnd missionaries in Virginia 
and New England (1586-1622) report from 
America beliefs absolutely parallel in many 
ways to the creeds now reported from 
Australia. Among these notions are "ideas 
of moral judgment and retribution after 
death," which in Australia Mr. Tylor marks 
as " imported." * In my opinion the 

^ Journal Anihrop, InsL, Feb. 1892, p. 290. 
* (Op, cit., p. 296.) See "Are Savage Gods Borrowed from 
Missionaries?" (Nintteenth Century t January 1899). 



24 HOMERIC HYMNS 

certainty that the beliefs in America were 
not imported, is another strong argument for 
their native character, when they are found 
with such striking resemblances among the 
very undeveloped savages of Australia. 

Savages, Mr. Hartland says in a censure 
of my theory, are "guiltless" of Christian 
teaching.^ If Mr. Hartland is right, Mr. 
Tylor is wrong ; the ideas, whatever else 
they are, are unimported, yet, ie^ Mr. 
Tylor, the ideas are comparable with those 
of the black man's white supplanters. I 
would scarcely go so far. If we take, how- 
ever, the best ideas attributed to the blacks, 
and hold them disengaged from the accre- 
tion of puerile fables with which they are 
overrun, then there are discovered notions 
of high religious value, undeniably ana- 
logous to some Christian dogmas. But the 
sanction of the Australian gods is as power- 
fully lent to silly, or cruel, or needless 
ritual, as to some moral ideas of weight 
and merit. In brief, as far as I am able 

* Hartland, ** Folk-Lore," ix. 4,312; x. I, p. 51. 



APOLLO 25 

to see, all sorts of ideas, the lowest and 
the highest, are held at once confusedly 
by savages, and the same confusion survives 
in ancient Greek belief. As far back as we 
can trace him, man had a wealth of religious 
and mythical conceptions to choose . from, 
and different peoples, as they advanced in 
civilisation, gave special prominence to dif- 
ferent elements in the primal stock of beliefs. 
The choice of Israel was unique : Greece 
retained far more of the lower ancient 
ideas, but gave to them a beauty of grace 
and form which is found among no other 
race. 

If this view be admitted for the moment, 
and for the argument's sake, we may ask how 
it applies to the myths of Apollo. Among 
the ideas which even now prevail among the 
backward peoples still in the neolithic stage 
of culture, we may select a few conceptions. 
There is the conception of a great primal 
anthropomorphic Being, who was in the be- 
ginning, or, at least, about whose beginning 
legend is silent. He made all things, he 



26 HOMERIC HYMNS 

existed on earth (in some cases), teaching 
men the arts of life and rules of conduct, 
social and moral. In those instances he 
retired from earth, and now dwells on high, 
still concerned with the behaviour of the 
tribes. 

This is a lofty conception, but it is en- 
tangled with a different set of legends. This 
primal Being is mixed up with strange per- 
sons of a race earlier than man, half human, 
half bestial. Many things, in some cases al- 
most all things, are mythically regarded, not 
as created, but as the results of adventures 
and metamorphoses among the members of 
this original race. Now in New Zealand, 
Polynesia, Greece, and elsewhere, but not, to 
my knowledge, in the very most backward 
peoples, the place of this original race, " Old, 
old Ones," is filled by great natural objects. 
Earth, Sky, Sea, Forests, regarded as beings 
of human parts and passions. 

The present universe is mythically arranged 
in regard to their early adventures : the 
separation of sky and earth, and so forth. 



BARBARIC MYTHS 27 

Where this belief prevails we find little or 
no trace of the primal maker and master, 
though we do find strange early metaphysics 
of curiously abstract quality (Maoris, Zufiis, 
Polynesians). As far as our knowledge goes, 
Greek mythology springs partly from this 
stratum of barbaric as opposed to strictly 
savage thought. Ouranos and Gaea, Cronos, 
and the Titans represent the primal beings 
who have their counterpart in Maori and 
Wintu legend. But these, in the Greece of 
the Epics and Hesiod, have long been subor- 
dinated to Zeus and the Olympians, who are 
envisaged as triumphant gods of a younger 
generation. There is no Creator ; but Zeus 
— how, we do not know— has come to be 
regarded as a Being relatively Supreme, and 
as, on occasion, the guardian of morality. Of 
course his conduct, in myth, is represented 
as a constant violation of the very rules of 
life which he expects mankind to observe. 
I am disposed to look on this essential con- 
tradiction as the result of a series of mythical 
accretions on an original conception of Zeus 



28 HOMERIC HYMNS 

in his higher capacity. We can see how the 
accretions arose. Man never lived consist- 
ently on the level of his best original ideas : 
savages also have endless myths of Baiame 
or Daramulun, or Bunjil, in which these 
personages, though interested in human be- 
haviour, are puerile, cruel, absurd, lustful, 
and so on. Man will sport thus with his 
noblest intuitions. 

In the same way, in Christian Europe, we 
may contrast Dunbar's pious '' Ballat of Our 
Lady" with his "Kynd Kittok," in which 
God has his eye on the soul of an intemperate 
ale-wife who has crept into Paradise. " God 
lukit, and saw her lattin in, and leugh His 
heart sair." Examples of this kind of sportive 
irreverence are common enough ; their root 
is in human nature : and they could not be 
absent in the mythology of savage or of 
ancient peoples. To Zeus the myths of this 
kind would come to be attached in several 
ways. 

As a nature-god of the Heaven he marries 
the Earth. The tendency of men being to 



ZEUS 29 

claim descent from a God, for each family 
with this claim a myth of a separate divine 
amour was needed. Where there had ex- 
isted Totemism, or belief in kinship with 
beasts, the myth of the amour of a wolf, bull, 
serpent, swan, and so forth, was attached to 
the legend of Zeus. Zeus had been that 
swan, serpent, wolf, or bull. Once more, 
ritual arose, in great part, from the rites of 
sympathetic magic. 

This or that mummery was enacted by 
men for a magical purpose, to secure success 
in the chase, agriculture, or war. When 
the performers asked, "Why do we do thus 
and thus 7 " the answer was, " Zeus first did 
so," or Demeter, or Apollo did so, on a 
certain occasion. About that occasion a 
myth was framed, and finally there was 
no profligacy, cruelty, or absurdity of which 
the God was not guilty. Yet, all the time, 
he punished adultery, inhospitality, perjury, 
incest, cannibalism, and other excesses, of 
which, in legend, he was always setting the 
example. We know from Xenophanes, Plato, 



30 HOMERIC HYMNS 

and St. Augustine how men's^ consciences 
were tormented by this unceasing contradic- 
tion : this overgrowth of myth on the stock 
of an idea originally noble. It is thus that 
I would attempt to account for the contra- 
dictory conceptions of Zeus, for example. 

As to Apollo, I do not think that myth- 
ologists determined to find, in Apollo, some 
deified- aspect of Nature, have laid stress 
enough on his counterparts in savage myth. 
We constantly find, in America, in the 
Andaman Isles, and in Australia, that, sub- 
ordinate to the primal Being, there exists 
another who enters into much closer relations 
with mankind. He is often concerned with 
healing and with prophecy, or with the 
inspiration of conjurers or shamans. Some- 
times he is merely an underling, as in the 
case of the Massachusetts Kiehtan,^ and his 
more familiar subordinate, Hobamoc.^ But 
frequently this go-between of God and Man 
is (like Apollo) the Son of the primal Being 
(often an unbegotten Son) or his Messenger 

* Winslow, 1622. 



THE SON OF GOD 31 

(Andaman, Noongaburrah, Kurnai, Kamilaroi, 
and other Australian tribes). He reports 
to the somewhat otiose primal Being about 
men's conduct, and he sometimes super- 
intends the Mysteries. I am disposed to 
regard the prophetic and oracular Apollo 
(who, as the Hymn to Hermes tells us, alone 
knows the will of Father Zeus) as the Greek 
modification of this personage in savage 
theology. Where this Son is found in 
Australia, I by no means regard him as a 
savage refraction from Christian teaching 
about a mediator, for Christian teaching, in 
fact, has not been accepted, least of all by 
the highly conservative sorcerers, or shamans, 
or wirreenuns of the tribes. European ob- 
servers, of course, have been struck by (and 
have probably exaggerated in some instances) 
the Christian analogy. But if th'ey had been 
as well acquainted with ancient Greek as 
with Christian theology they would have 
remarked that the Andaman, American, and 
Australian "mediators" are infinitely more 
akin to Apollo, in his relations with Zeus 



32 HOMERIC HYMNS 

and with men, than to any Person about 
whom missionaries can preach. But the 
most devoted believer in borrowing will not 
say that, when the Australian mediator, 
Tundun, son of Mungun-gnaur, turns into 
a porpoise, the Kurnai have borrowed from 
our Hymn of the Dolphin Apollo. It is 
absurd to maintain that the Son of the God, 
the go-between of God and men, in savage 
theology, is borrowed from missionaries, 
while this being has so much more in 
common with Apollo (from whom he cannot 
conceivably be borrowed) than with Christ, 
The Tundun-porpoise story seems to have 
arisen in gratitude to the porpoise, which 
drives fishes inshore, for the natives to catch. 
Neither Tharamulun nor Hobamoc (Australian 
and American Gods of healing and sooth- 
saying), who appear to men as serpents, are 
borrowed from Asclepius, or from the Python 
of Apollo. The processes have been quite 
different, and in Apollo, the oracular son of 
Zeus, who declares his counsel to men, I am 
apt to see a beautiful Greek modification of 



APOLLO 33 

the type of the mediating Son of the primal 
Being of savage belief, adorned with many of 
the attributes of the Sun God, from whom, 
however, he is fundamentally distinct. Apollo, 
I think, is an adorned survival of the Son 
of the God of savage theology. He was not, 
at first, a Nature God, solar or not. This 
opinion, if it seems valid, helps to account, 
in part, for the animal metamorphoses of 
Apollo, a survival from the mental confusion 
of savagery. Such a confusion, in Greece, 
makes it necessary for the wise son of Zeus 
to seek information, as in the Hymn to 
Hermes, from an old clown. This medley of 
ideas, in the mind of a civilised poet, who 
believes that Apollo is all-knowing in the 
counsels of eternity, is as truly mythological 
as Dunbar's God who laughs his heart sore 
at an ale-house jest. Dunbar, and the author 
of the Hymn, and the savage with his tale of 
Tundun or Daramulun, have all quite contra- 
dictory sets of ideas alternately present to 
their minds; the mediaeval poet, of course, 
being conscious of the contradiction, which 



34 HOMERIC HYMNS 

makes the essence of his humour, such as it 
is. To Greece, in its loftier moods, Apollo 
was, despite his myth, a noble source of 
inspiration, of art, and of conduct. But the 
contradiction in the low myth and high 
doctrine of Apollo, could never be eradicated 
under any influence less potent than that of 
Christianity.* If this theory of Apollo's origin 
be correct, many pages of learned works on 
Mythology need to be rewritten. 

^ For authorities, see Mr. Howitt in ^^ Journal of the Anthro- 
pological Institute^ and my <* Making of Religion." Also Folk 
Lore^ December-March, 1898-99. 



THE HYMN TO HERMES 

THE Hymn to Hermes is remarkable for 
the corruption of the text, which appears 
even to present lacunae. The English reader 
will naturally prefer the lively and charming 
version of Shelley to any other. The poet 
can tell and adorn the story without visibly 
floundering in the pitfalls of a dislocated text. 
If we may judge by line 51, and if Greek 
musical tradition be correct, the date of the 
Hymn cannot be earlier than the fortieth 
Olympiad. About that period Terpander is 
said to have given the lyre seven strings (as 
Mercury does in the poem), in place of the 
previous four strings. The date of Terpander 
is dubious, but probably the seven-stringed 
lyre had long been in common use before 
the poet attributed the invention to Hermes. 

The same argument applies to the antiquity 

35 



36 HOMERIC HYMNS 



of writing, assigned by poets as the invention 
of various mythical and prehistoric heroes. 
But the poets were not careful archaeologists, 
and regarded anachronisms as genially as 
did Shakespeare or Scott. Moreover, the fact 
that Terpander did invent the seven chords 
is not beyond dispute historically, while, 
mythically, Apollo and Amphion are credited 
with the idea. That Hermes invented fire- 
sticks seems a fable^which robs Prometheus 
of the honour. We must not look for any 
kind of consistency in myth. 

The learned differ as to the precise purpose 
of the Hymn, and some even exclude the 
invention of the cithara. To myself it seems 
that the poet chiefly revels in a very familiar 
subject of savage humour (notably among the 
Zulus), the extraordinary feats and tricks of 
a tiny and apparently feeble and helpless 
person or animal, such as Brer Rabbit. The 
triumph of astuteness over strength (a triumph 
here assigned to the infancy of a God) is the 
theme. Hermes is here a rustic doublure of 
Apollo, as he was, in fact, mainly a rural 



HERMES yj 

deity, though he became the Messenger of 
the Gods, and the Guide of Souls outworn. 
In these respects he answers to the Australian 
Grogoragally, in his double relation to the 
Father, Boyma, and to men living and dead.^ 
As a go-between of Gods and men, Hermes 
may be a chublure of Apollo, but, as the 
Hymn shows, he aspired in vain to Apollo's 
oracular function. In one respect his be- 
haviour has a singular savage parallel. His 
shoes woven of twigs, so as not to show the 
direction in which he is proceeding, answer 
to the equally shapeless feather sandals of 
the blacks who ''go KurdaitchOf' that is, as 
avengers of blood. I have nowhere else found 
this practice as to the shoes, which, after all, 
cannot conceal the direction of the spoor 
from a native tracker.* The trick of driving 
the cattle backwards answers to the old 
legend that Bruce reversed the shoes of 

^ Manning, "Notes on the Aborigines of New Holland." 
Read before Royal Society of New South Wales, 1882. Notes 
taken down in 1845. Compare Mrs. Langloh Parker, More 
Australian Legendary Tales ^ "The L^end of the Flowers.'* 

* Spencer and Gillen, "Natives of Central Australia," 
p^ 651, s,v. 



38 HOMERIC HYMNS 

his horse when he fled from the court of 
Edward I. 

The humour of the Hymn is rather rustic : 
cattle theft is the chief joke, cattle theft by 
a baby. The God, divine as he is, feels his 
mouth water for roast beef, a primitive con- 
ception. In fact, throughout this Hymn 
we are far from the solemn regard paid 
to Apollo, from the wistful beauty of the 
Hymn to Demeter, and from the gladness 
and melancholy of the Hymn to Aphrodite. 
Sportive myths are treated sportively, as in 
the story of Ares and Aphrodite in the 
Odyssey. Myths contained all conceivable 
elements, among others that of humour, to 
which the poet here abandons himself. The 
statues and symbols of Hermes were inviolably 
sacred : as Guide of Souls he played the part 
of comforter and friend : he brought men 
all things lucky and fortunate : he made the 
cattle bring forth abundantly : he had the 
golden wand of wealth. But he was also 
tricksy as a Brownie or as Puck ; and that 
fairy aspect of his character and legend, he 



HUMOUR 39 



being the midnight thief whose maraudings 
account for the unexplained disappearances 
of things, is the chief topic of the gay and 
reckless hymn. Even the Gods, even angry 
Apollo, are moved to laughter, for over sport 
and playfulness, too, Greek religion throws 
her sanction. At the dishonesties of com- 
merce (clearly regarded as a form of theft) 
Hermes winks his laughing eyes (line 516). 
This is not an early Socialistic protest against 
"Commercialism." The early traders, like 
the Vikings, were alternately pirates and 
hucksters, as opportunity served. Every 
occupation must have its heavenly patron, 
its departmental deity, and Hermes protects 
thieves and raiders, ''minions of the moon," 
"clerks of St. Nicholas." His very birth 
is a stolen thing, the darkling fruit of a 
divine amour in a dusky cavern. // chasse 
de race} 

^ For the use of Hermes's tortoise-shell as a musical instru- 
ment without strings^ in early Anahuac, see Prof. Morse, in 
Appleton's Poptdar Science Monthly^ March 1899. 



THE HYMN TO APHRODITE 

npHE Hymn to Aphrodite is, in a literary 
^ sense, one of the most beautiful and 
quite the most Homeric in the collection. By 
*' Homeric *' I mean that if we found the 
adventure of Anchises occurring at length 
in the Iliad, by way of an episode, perhaps 
in a speech of iGneas, it would not strike us 
as inconsistent in tone, though occasionally 
in phrase. Indeed the germ of the Hymn 
occurs in Iliad, B. 820: "i£neas, whom 
holy Aphrodite bore to the embraces of 
Anchises on the knowes of Ida, a Goddess 
couching with a mortal/' Again, in E. 313, 
iEneas is spoken of as the son of Aphrodite 
and the neat-herd, Anchises. The celebrated 
prophecy of the future rule of the children 
of iEneas over the Trojans (Y. 307), pro- 
bably made, like many prophecies, after the 

40 



DATE 41 

event, appears to indicate the claim of a 
Royal House at Ilios, and is regarded as of 
later date than the general context of the 
epic. The iSneid is constructed on this 
hint ; the Romans claiming to be of Trojan 
descent through iCneas. The date of the 
composition cannot be fixed from considera- 
tions of the Homeric tone ; thus lines 238- 
239 may be a reminiscence of Odyssey, X. 
394, and other like suggestions are offered.^ 
The conjectures as to date vary from the 
time of Homer to that of the Cypria^ of 
Mimnermus (the references to the bitterness 
of loveless old age are in his vein) of 
Anacreon, or even of Herodotus and the 
Tragedians. The words crarlvfif irpecrlSeipa, 
and other indications are relied on for a 
late date : and there are obvious coincidences 
with the Hymn to Demeter, as in line 174, 
Demeter 109, f. Gemoll, however, takes this 
hymn to be the earlier. 

About the place of composition, Cyprus or 
Asia Minor, the learned are no less divided 

» Gemoll. 



42 HOMERIC HYMNS 

than about the date. Many of the grounds 
on which their opinions rest appear un- 
stable. The relations of Aphrodite to the 
wild beasts under her wondrous spell, for in- 
stance, need not be borrowed from Circe with 
her attendant beasts. If not of Homer's 
age, the Hymn is markedly successful as 
a continuation of the Homeric tone and 
manner. 

Modern Puritanism naturally *' condemns " 
Aphrodite, as it "condemns" Helen. But 
Homer is lenient; Helen is under the spell 
of the Gods, an unwilling and repentant tool 
of Destiny ; and Aphrodite, too, is driven by 
Zeus into the arms of a mortal. She is o/^o/i;, 
shamefast; and her adventure is to her a 
bitter sorrow (1991 200). The dread of 
Anchises— -a man is not long of life who lies 
with a Goddess — refers to a belief found from 
Glenfinlas to Samoa and New Caledonia, that 
the embraces of the spiritual ladies of the 
woodlands are fatal to men. The legend has 
been told to me in the Highlands, and to 
Mr. Stevenson in Samoa, while my cousin, 



ORIENTAL ELEMENTS 43 

Mr. J. ]. Atkinson, actually knew a Kaneka 
who died in three days after an amour like 
that of Anchises. The Breton ballad, Le 
Steur Natty turns on the same opinion. The 
amour of Thomas the Rhymer is a mediaeval 
analogue of the Idaean legend. 

Aphrodite has better claims than most 
Greek Gods to Oriental elements. Herodotus 
and Pausanias (i. xiv. 6, iii. 23, i) look on her 
as a being first worshipped by the Assyrians, 
then by the Paphians of Cyprus, and Phoeni- 
cians at Askelon, who communicated the cult 
to the Cythereans. Cyprus is one of her 
most ancient sites, and Ishtar and Ashtoreth 
are among her Oriental analogues. She 
springs from the sea — 

" The wandering waters knew her, the winds and the 
viewless ways, 
And the roses grew rosier, and bluer the sea-blue 
streams of the bays." 

But the charm of Aphrodite is Greek. Even 
without foreign influence, Greek polytheism 
would have developed a Goddess of Love, as 
did the polytheism of the North (Frigga) and 



44 HOMERIC HYMNS 

of the Aztecs. The rites of Adonis, the vernal 
year, are, even in the name of the hero, 
Oriental. ''The name Adonis is the Phoeni- 
cian Adon^ ' Lord.' " ^ " The decay and revival 
of vegetation '' inspires the Adonis rite, which 
is un-Homeric ; and was superfluous, where 
the descent and return of Persephone typified 
the same class of ideas. To whatever extent 
contaminated by Phoenician influence. Aphro- 
dite in Homer is purely Greek, in grace and 
happy humanity. 

The origins of Aphrodite, unlike the origins 
of Apollo, cannot be found in a state of low 
savagery. She is a departmental Goddess, 
and as such, as ruling a province of human 
passion, she belongs to a late development 
of religion. To Christianity she was a scandal, 
one of the scandals which are absent from 
the most primitive of surviving creeds. Poly- 
theism, as if of set purpose, puts every con- 
ceivable aspect of life, good or bad, under 
divine sanction. This is much less the case 

1 "Golden Bough," i. 279. Mannhardt, Aniike-Wdid-und 
FeidkulUt p. 274. 



EARLIEST RELIGION 45 

in the religion of the very backward races. 
We do not know historically, what the germs 
of religion were; if we look at the most 
archaic examples, for instance in Australia or 
the Andaman Islands, we find neither sacrifice 
nor departmental deities. 

Religion there is mainly a belief in a primal 
Being, not necessarily conceived as spiritual, 
but rather as an undying magnified Man, 
of indefinitely extensive powers. He dwells 
above " the vaulted sky beyond which lies the 
mysterious home of that great and powerful 
Being, who is Bunjil, Baiame, or Daramulun 
in different tribal languages, but who in all is 
known by a name the equivalent of the only 
one used by the Kurnai, which is Mungan- 
ngaur, or 'Our Father.'"* This Father is 
conceived of in some places as '' a very great 
old man with a long beard," enthroned on, 
or growing into, a crystal throne. Often he 
is served by a son or sons (Apollo, Hermes), 
frequently regarded as spiritually begotten ; 
elsewhere, looked on as the son of the wife 

' 'Rovfxii, Journal Anihrop, InsU^ xvi. p. 54. 



46 HOMERIC HYMNS 

of the deity, and as father of the tribe«^ 
Scandals connected with fatherhood, amorous 
intrigues so abundant in Greek mythology, are 
usually not reported among the lowest races. 
In one known case, the deity, Pundjel or 
Bunjil, takes the wives of Karween, who is 
changed into a crane.^ This is one. of the 
many savage aetiological myths which account 
for the peculiarities of animals as a result of 
metamorphosis, in the manner of Ovid. It 
has been connected with the l^end of Bunjil, 
who is thus envisaged, not as " Our Father " 
beyond the vault of heaven, who still inspires 
poets,' but as a wandering, shape-shifting 
medicine-man. 2^us, the Heavenly Father, 
of course appears times without number in 
the same contradictory aspect. 

But such anecdotes are either not common, 
or are not frequently reported, in the faiths 
of the most archaic of known races. Much 
more frequently we find the totemistlc con* 
ception. All the kindreds with animal names 

1 The Kanuii hold this belief. 

* Broagh Smyth, vol. i. p. 426. 

^ Journal Anthrop* Inst,^ zvi pp. 330-331. 



MYTHICAL CONTRADICTIONS 47 

(why adopted we do not know) are apt to 
explain these designations by descent from 
the animals selected, or by metamorphosis of 
the primal beasts into men. This collides 
with the other notions of descent from, or 
creation or manufacture out of clay, by the 
primal Being, ^' Father Ours." Such contra- 
dictions are nothing to the savage theologian, 
who is no reconciler or apologist. But when 
reconciliation and apology are later found to 
be desirable, as in Greece, it is easy to explain 
that we are descended both from Our Father, 
and from a swan, cow, ant, serpent, dog, wolf, 
or what you will. That beast was Our Father, 
say Father Zeus, in animal disguise. Thus 
Greek legends of bestial amours of a God are 
probably, in origin, not primitive, but scandals 
produced in the effort to reconcile contra- 
dictory myths. The result is a worse scandal, 
an accretion of more low myths about a 
conception of the primal Being which was, 
relatively, lofty and pure. 

Again, as aristocracies arose, the chief 
families desired to be sons of the Father in a 



48 HOMERIC HYMNS 

special sense : not as common men are. Her 
Majesty's lineage may thus be traced to 
Woden I Now each such descent required a 
separate divine amour, and a new scandalous 
story of Zeus or ApoUo, though Zeus may 
originally have been as celibate as the 
Australian Baiame or Noorele are, in some 
legends* Once more, syncretism came in as 
a mythopoeic influence* Say that several 
Australian nations, becoming more polite, 
amalgamated into a settled people* Then we 
should have several Gods, the chief Beings of 
various tribes, say Noorele, Bunjil, Mungan- 
ngaur, Baiame, Daramulun, Mangarrah, Mul- 
kari, Pinmeheal, The most imposing God of 
the dominant tribe might be elevated to the 
sovereignty of Zeus. But, in the new ad- 
ministration, places must be found for the 
other old tribal Gods, They are, therefore, 
set over various departments: Love, War, 
Agriculture, Medicine, Poetry, Commerce, 
while one or more of the sons take the places 
of Apollo and Hermes. There appears to 
be a very early example of syncretism in 



ORIGIN OF MYTHIC SCANDALS 49 

Australia. Daraniulun (Papang, Our Father) 
is " Master of All," on the coast, near Shoal- 
haven River. Baiame is " Master of All," far 
north, on the Barwan. But the locally inter- 
mediate tribe of the Wiraijuri, or Wiradthuri, 
have adopted Baiame, and reduced Dara- 
mulun to an exploded bugbear, a merely 
nominal superintendent of the Mysteries; 
and the southern Coast Murring have re- 
jected Baiame altogether, or never knew 
him, while making Daramulun supreme. 

One obvious method of reconciling various 
tribal Gods in a syncretic Olympus, is the 
genealogical. All are children of Zeus, for 
example, or grandchildren, or brothers and 
sisters. Fancy then provides an amour to 
account for each relationship. Zeus loved 
Leto, Leda, Europa, and so forth. Thus a 
God, originally innocent and even moral, 
becomes a perfect pattern of vice ; and the 
eternal contradiction vexes the souls of Xeno- 
phanes, Plato, and St. Augustine. Sacrifices, 
even human sacrifices, wholly unknown to the 
most archaic faiths, were made to ghosts of 



50 HOMERIC HYMNS 

men : and especially of kings, in the case of 
human sacrifice. Thence they were trans- 
ferred to Gods, and behold a new scandal, 
when men began to reflect under more civi- 
lised conditions. Thus all these legends of 
divine amours and sins, or most of them, 
including the wanton l^end of Aphrodite, 
and all the human sacrifices which survived 
to the disgrace of Greek religion, are really 
degrading accessories to the most archaic 
beliefs. They are products, not of the most 
rudimentary savage existence, but of the 
evolution through the lower and higher bar- 
barism. The worst features of savage ritual 
are different — ^taking the lines of sorcery, of 
cruel initiations, and, perhaps, of revival of 
the licence of promiscuity, or of Group Mar- 
riage. Of these things the traces are not 
absent from Greek faith, but they are com- 
paratively inconspicuous. 

Buffoonery, as we have seen, exists in all 
grades of civilised or savage rites, and was not 
absent from the popular festivals of the medi- 
aeval Church : religion throwing her mantle 



HESTIA 51 

over every human field of action, as over 
Folk Medicine. On these lines I venture to 
explain what seem to me the strange and re- 
pugnant elements of the religion of a people 
so refined, and so capable of high moral 
ideas, as the Greeks. Aphrodite is personified 
desire, but religion did not throw her mantle 
over desire alone ; the cloistered life, the 
fjrank charm of maidenhood, were as dear to 
the Greek genius, and were consecrated by 
the examples of Athene, Artemis, and Hestia. 
She presides over the pure element of the 
fire of the hearth, just as in the household 
did the daughter of the king or chief. Hers 
are the first libations at feasts (xxviii. 5), 
though in Homer they are poured forth to 
Hermes. 

We may explain the Gods of the minor 
hymns in the same way. Pan, for instance, 
as the son of Hermes, inherits the wild, 
frolicsome, rural aspect of his character. The 
Dioscuri answer to the Vedic Asvins, twin 
rescuers of men in danger on land or sea : 
perhaps the Evening and Morning Star. 



52 HOMERIC HYMNS 

Dionysus is another aspect of the joy of life 
and of the world and the vintaging. Moon 
and Sun, Selene and Helios, appear as quite 
distinct from Artemis and Apollo ; Gaea, the 
Earth, is equally distinct from Demeter. The 
Hymn to Ares is quite un-Homeric in char- 
acter, and is oddly conceived in the spirit of 
the Scottish poltroon, who cries to his friend, 
"Haud me, haud me, or I'll fecht!" The 
war-god is implored to moderate the martial 
eagerness of the poet. The original collector 
here showed lack of discrimination. At no 
time, however, was Ares a popular God in 
Greece ; in Homer he is a braggart and 
coward. 



THE HYMN. TO DEMETER 

T^HE beautiful Hymn to Demeter, an ex- 
^ ample of Greek religious faith in its most 
pensive and most romantic aspects, was found 
in the last century (1780), in Moscow. Inter 
puUos et porcos latitabat : the song of the rural 
deity had found its way into the haunts of the 
humble creatures whom she protected. A 
discovery even more fortunate, in 1857, led 
Sir Charles Newton to a little sacellum, or 
family chapel, near Cnidos. On a platform 
of rock, beneath a cliff, and looking to the 
Mediterranean, were the ruins of the ancient 
shrine : the votive offerings ; the lamps long 
without oil or flame ; the Curses, or Dirae, 
inscribed on thin sheets of lead, and directed 
against thieves or rivals. The head of the 
statue, itself already known, was also dis- 
covered. Votive offerings, cheap curses, 

53 



54 HOMERIC HYMNS 

objects of folk-lore rite and of sympathetic 
magic, — these are connected with the popu- 
lar, the peasant aspect of the religion of 
Demeter. She it is to whom pigs are sacri- 
ficed : _ who makes the fields fertile with 
scattered fragments of their flesh ; and her 
rustic efiigy, at Theocritus's feast of the 
harvest home, stands smiling, with corn a,nd 
poppies in her hands. 

But the Cnidian shrine had once another 
treasure, the beautiful melancholy statue of 
the seated Demeter of the uplifted eyes ; the 
mourning mother: the weary seeker forthe 
lost maiden : her child Persephone, j^ Far 
from the ruins above the sea, beneath the 
scorched seaward wall of rock : far from the 
aromatic fragrance of the rock - nourished 
flowers, from the bees, and the playful 
lizards, Demeter now occupies her place in 
the great halls of the British Museum. 
Like the Hymn, this melancholy and tender 
work of art is imperfect, but the sentiment is 
thereby rather increased than impaired. The 
ancients buried things broken with the dead. 



MOTHER AND MAID 55 

that the shadows of tool, or weapon, or vase 
might be set free, to serve the shadows of 
their masters in the land of the souls. Broken 
as they, too, are, the Hymn and the statue 
are ''free among the dead," and eloquent of 
the higher religion that, in Greece, attached 
itself to the lost Maiden and the sorrowing 
Mother. Demeter, in religipn, was more 
tjhian a fertiliser of. the fields: Kore, the 
Maiden, was more than the buried pig, or 
the seed sown to await its resurrection ; or 
the harvest idol, fashioned of corn-stalks : 
more even than a symbol of the winter sleep 
and vernal awakening of the year and the 
life of nature. She became the " dread Per- 
sephone " of the Odyssey, 

" A Queen over death and the dead." 

In her winter retreat below the earth she was 
the bride of the Lord of Many Guests,_and 
the ruler " of the souls of men outworn." In 
this office Odysseus in Homer knows her, 
though neither Iliad nor Odyssey recognises 
Kore as the maiden Spring, the daughter and 



56 HOMERIC HYMNS 

companion of Demeter as Goddess of Grain. 
Christianity, even, did not quite dethrone Per- 
sephone. She lives in two forms : first, as 
the harvest effigy made 'of corn-stalks bound 
together, the last gleanings ; secondly, as 
"the Fairy Queen Proserpina," who carried 



OM Head of Apollo. 

Rev. Demeter searcliing Tor Persephone. 



Thomas the Rhymer from beneath the Eildon 
Tree to that land which lies beyond the 
stream of slain men's blood, 

" For a' the bluid that's shed on earth 
Flows through the streams of that countrie." 

Thus tenacious of life has been the myth of 



BEAUTIFUL AND BIZARRE 57 

Mother and Maiden, a natural flower of the 
human heart, found, unborrowed, by the 
Spaniards in the maize-fields of Peru. Clearly 
the myth is a thing composed of many ele- 
ments, glad and sad as the waving fields of 
yellow grain, or as the Chthonian darkness 
under earth where the seed awaits new life 
in the new year. The creed is practical as 
the folk-lore of sympathetic magic, which half 
expects to bring good harvest luck by various 
mummeries ; and the creed is mystical as the 
hidden things and words unknown which 
assured Pindar and Sophocles of secure feli- 
city in this and in the future life. 

The creed is beautiful as the exquisite pro- 
file of the corn-tressed head of Persephone 
on Syracusan coins : and it is grotesque as 
the custom which bade the pilgrims to 
Eleusis bathe in the sea, each with the pig 
which he was about to sacrifice. The highest 
religious hopes, the meanest magical mum- 
meries are blended in this religion. That 
one element is earlier than the other we 
cannot say with much certainty. The ritual 



58 HOMERIC HYMNS 

aspect, as concerned with the happy future 
of the soul, does not appear in Iliad or 
Odyssey, where the Mysteries are not named. 
But the silence of Homer is never a safe 
argument in favour of his ignorance, any 
more than the absence of allusion to tobacco 
in Shakspeare is a proof that tobacco was, in 
his age, unknown. 

We shall find that a barbaric people, the 
Pawnees, hold a mystery precisely parallel 
to the Demeter legend : a Mystery necessarily 
unborrowed from Greece. The Greeks, 
therefore, may have evolved the legend long 
before Homer's day, and he may have known 
the story which he does not find occasion to 
tell. As to what was said, shown, and done 
in the Eleusinia, we only gather that there 
was a kind of Mystery Play on the sacred 
legend ; that there were fastings, vigils, sacri- 
fices, secret objects displayed, sacred words 
uttered ; and that thence such men as Pindar 
and Sophocles received the impression that 
for them, in this' and the future life, all was 
well, was well for those of pure hearts and 



THE SECRET 59 



hands. The " purity " may partly have been 
, ritual, but was certainly understood, also, as 
relating to excellence of life. Than such a 
faith (for faith it is) religion has nothing 
better to give. But the extreme diligence 
of scholars and archaeologists can tell us 
nothing more definite. The impressions on 
the souls of the initiated may have been 
caused merely by that dim or splendid re- 
ligious light of the vigils, and by association 
with sacred things usually kept in solemn 
sanctuaries. Again, mere buffoonery (as is 
common in savage Mysteries) brought the 
pilgrims back to common life when they 
crossed the bridge on their return to Athens ; 
just as the buffooneries of Baubo brought a 
smile to the sad lips of Demeter. Beyond 
this all is conjecture, and the secret may have 
been so well kept just because, in fact, there 
was no secret to keep.^ 

^ The most minute study of Lobeck's Aghophamus can tell 
us no more than this ; the curious may consult a useful short 
manual, Eieusis^ Ses Mysih^es^ Ses Ruines^ et son Musie^ by 
M. Demetrios Philios. Athens, 1896. M. Philios is the Director 
of the Eleusinian Excavations. 



6o HOMERIC HYMNS 

Till the end of the present century, myth- 
ologists did not usually employ the method 
of comparing Greek rites and legends with, 
first, the sympathetic magic and the fables of 
peasant folk-lore ; second, with the Mysteries 
and myths of contemporary savage races, of 
which European folk-lore is mainly a sur- 
vival. For a study of Demeter from these 
sides (a study still too much neglected in 
Germany) readers may consult Mannhardt's 
works, Mr. Frazer's "Golden Bough," and 
the present translator's " Custom and Myth," 
and "Myth, Ritual, and Religion/' Mr. 
Frazer, especially, has enabled the English 
reader to understand the savage and rural 
element of sympathetic magic as a factor in 
the Demeter myth. Meanwhile Mr. Pater 
has dealt with the higher sentiment, the more 
religious aspect, of the myth and the rites. 
I am not inclined to go all lengths with 
Mr. Frazer's ingenious and learned system, as 
will be seen, while regretting that the new 
edition of his "Golden Bough" is not yet 
accessible. 



MR. FRAZER 6i 



If we accept (which I do not entirely) Mr. 
Frazer's theory of the origin of the Demeter 
myth, there is no finer example of the Greek 
power of transforming into beauty the super- 
stitions of Barbarism. The explanation to 
which I refer is contained in Mr. J. G. Frazer's 
learned and ingenious work, "The Golden 
Bough." While mythologists of the schools 
of Mr. Max Mailer and Kuhn have usually 
resolved most Gods and heroes into Sun, 
Sky, Dawn, Twilight ; or, again, into ele- 
mental powers of Thunder, Tempest, Light- 
ning, and Night, Mr. Frazer is apt to see in 
them the Spirit of Vegetation. Osiris is a 
Tree Spirit or a Corn Spirit (Mannhardt, the 
founder of the system, however, took Osiris 
to be the Sun). Balder is the Spirit of the 
Oak. The oak, " we may certainly conclude, 
was one of the chief, if not the very chief 
divinity of the Aryans before the dispersion."* 
If so, the Aryans before the dispersion were 
on an infinitely lower religious level than 
those Australian tribes, whose chief divinity 

> "Golden Bough," ii. 292. 



62 HOMERIC HYMNS 

is not a gum-treei but a being named '' Our 
Father," dwelling beyond the visible heavens. 
When we remember the vast numbers of gods 
of sky or heaven among many scattered races, 
and the obvious connection of Zeus with the 
sky {sub Jove frigido), and the usually assigned 
sense of the name of Zeus, it is not easy to 
suppose that he was originally an oak. But 
Mr. Frazer considers the etymological con- 
nection of Zeus with the Sanscrit word for 
sky, an insufficient reason for regarding Zeus 
as, in origin, a sky-god. He prefers, it seems, 
to believe that, as being the wood out of 
which fire was kindled by some Aryan-speak- 
ing peoples, the oak may have come to be 
called " The Bright or Shining One " (Zeus, 
Jove), by the ancient Greeks and Italians.^ 
The Greeks, in fact, used the laurel (daphne) 
for making fire, not, as far as I am aware, 
the oak. Though the oak was the tree of 
Zeus, the heavens were certainly his province, 
and, despite the oak of Dodona, and the oak 
on the Capitol, he is much more generally 

» " Golden Bough," ii. 369. 



THE PIG 63 



connected with the sky than with the tree. 
In fact this reduction of Zeus, in origin, to 
an oak| rather suggests that the spirit of 
system is too powerful with Mr. Frazer. 

He makes, perhaps, a more plausible case 
for his reduction of dread Persephone to a 
Pig. The process is curious. Early agricul- 
tural man believed in a Corn Spirit, a spiritual 
essence animating the grain (in itself no very 
unworthy conception). But because, as the 
field is mown, animals in the corn are driven 
into the last unshorn nook, and then into the 
open, the beast which rushed out of the last 
patch was identified with the Corn Spirit in 
some animal shape, perhaps that of a pig ; 
many other animals occur. The pig has a 
great part in the ritual of Demeter. Pigs of 
pottery were found by Sir Charles Newton 
on her sacred ground. __The initiate in the 
Mysteries brought pigs to Eleusis, and bathed 
with them in the sea. The pig was sacrificed 
to her ; in fact (though not in our Hymn) 

• 

she was closely associated with pigs. '' We 
may now ask . . . may not the pig be nothing 



64 HOMERIC HYMNS 

but the Goddess herself in animal form ? " ^ 
She would later become anthropomorphic : a 
lovely Goddess, whose hair, as in the Hymn, 
is ''yellow as ripe corn." But the prior pig* 
could not be shaken off. At the Attic Thes- 
mophofia the women celebrated the Descent 
and Ascent of Persephone, — a "double" of 
Demeter. In this rite pigs and other things 
were thrown into certain caverns. Later, 
the cold remains of pig were recovered and 
placed on the altar. Fragments were scattered 
for luck on the fields with the seed-corn. A 
myth explained that a flock of pigs were 
swallowed by Earth when Persephone was 
ravished by Hades to the lower world, of 
which matter the Hymn says nothing. " In * 
short, the pigs were Proserpine."^ The eating 
of pigs at the Thesmophoria was "a par- 
taking of the body of. the God," though the 
partakers, one thinks, must have been totally 
unconscious of the circumstance. We must 
presume that (if this theory be correct) a 
very considerable time was needed for the 

» " Golden Bough," ii. 44. » Ibid., 46. 



PROSERPINE NO PIG 65 



evolution of a pig into the Demeter of the 
Hymn, and the change is quite successfully 
complete ; a testimony to the transfiguring 
power of the Greek genius. 

We may be inclined to doubt, however, 
whether the task before the genius of Greece, 
the task of making Proserpine out of. a 
porker, was really so colossal. The primitive 
mind is notoriously capable of entertaining, 
simultaneously, the most contradictory notions. 
Thus, in the Australian " Legend of Eerin," 
the mourners implore Byamee to accept the 
soul of the faithful Eerin into his Paradise, 
BuUimah. No doubt Byamee heard, yet 
Eerin is now a little owl of plaintive voice, 
which utters warning cries in time of peril.* 
No incongruity of this kind is felt to be a 
difficulty by the childlike narrators. Now I 
conceive that, starting with the relatively high 
idea of a Spirit of the Grain, early man was 
quite Capable of envisaging it both spiritu- 
ally and in zoomorphic form (accidentally 

^ Mrs. Langloh Parker, "More Australian Legends," pp. 
93-^ 

E 



"=r tarth, or *iroiher C^ain.- 

r^ of the anthropomorphic Lady of «^ 
H»n«t and tf. Con, Mother Bariey:^, 
^ popolar «oIk-Io« of Ae Con. Spirit 
(which found ntteranc* in the mirth^ 
''arvestina and in the nugic ritual for en 
soring fertiUty), followed on the line of th J 
pig. At some seasons, and in some cere^ 
monies, the pig represented the genius of 
the com : in general, the Lady of the Com 
was-Demeter. We reaUy need not believe 
that the two fonns of the genius of the 

com were ever ewsawB^ identiaed. Demeter 
never was a Pig ! * 

' TT«5 -irthnVomoqAic »iew or the G«iw of llie .»• 



THE PIG QUESTION 67 

''The Peruvians, we are told, believed all 
useful plants to be animated by a divine 
being who causes their growth/' says Mr. 
Frazer.* The genealogical table, then, in 
my opinion, is : — 



Divine Being of the Grain. 



(Anthrofom&rphised), (Zoomorphised), 

Mother of Corn. Pig, Horse, 

Demeter. and so on. 

Thus the Greek genius had other and 
better materials to work on, in evolving 
Demeter, than the rather lowly animal which 
is associated with her rites. If any one 
objects that animal gods always precede 
anthropomorphic gods in evolution, we reply 
that, in the most archaic of known races, 
the deities are represented in human guise 
at the Mysteries, though there are. animal 
Totems, and though, in myth, the deity 

and Religion," i. 213. See, too, "Golden Bough,'' I p. 351; 
Mr. Frazer also notes the Com Mother of Germany, and the 
Harvest Maiden of Balquhidder. 

^ ** Golden Bough," p. 351, citing from Mannhardt a Spanish 
tract of 1649. 



68 HOMERIC HYMNS 

may, and often does, assume shapes of bird 
or beast,^ 

Among rites of the backward races, none, 
perhaps, so closely resembles the Eleusinian 
Mysteries as the tradition of the Pawnees. 
Jn Attica, Hades, Lord of the Dead, ravishes 
away Persephone, the vernal daughter of 
Demeter. Demeter then wanders among^ 



men, and is hospitably received by Celeus, 
King of Eleusis. BafHed in her endeavour 
to make his son immortal, she demands a 
temple, where she sits in wrath, blighting 
the grain. She is reconciled by the resto- 
ration of her daughter, at the command of 
Zeus. But for a third of the year Perse- 
phone, having tasted a pomegranate seed in 
Hades, has to reign as Queen of the Dead, 
beneath the earth. Scenes from this tale 
were, no doubt, enacted at the Mysteries, 
with interludes of buffoonery, such as re- 
lieved most ancient and all savage Mysteries. 
The allegory of the year's death and re- 
newal probably afforded a text for some 

^ Howitt, on Mysteries of the Coast Murring {Journal 
Anthrop* Instit., vol. xiv.). 



PAWNEE MYSTERIES 69 

discourse, or spectacle, concerned with the 
future life. 

Among the Pawnees, not a mother and 
daughter, but two primal beings, brothers, 
named Manabozho and Chibiabos, are the 
chief characters. The Manitos (spirits or 
gods) drown Chibiabos. Manabozho mourns 
and smears his face with black, as Demeter 
wears black raiment. He laments Chibiabos 
ceaselessly till the Manitos propitiate him 
with gifts and ceremonies. They offer to him 
a cup, like the beverage prepared for Demeter, 
in the Hymn, by lamb^. He drinks it, is 
glad, washes ofiF the black stain of mourning, 
and is himself again, while Earth again is 
joyous. The Manitos restore Chibiabos to 
life ; but, having once died, he may not enter 
the temple, or " Medicine Lodge." He is 
sent to reign over the souls of the departed 
as does Persephone. Manabozho makes 
ofiFerings to Mesukkumikokwi, the *^ Earth 
Mother" of the Pawnees. The story is en- 
acted in the sacred dances of the Pawnees.^ 

1 De Soiet, " Oregon Mission," p. 359. Tanner's *' Narrative " 
(1830), pp. 192-193- 



70 HOMERIC HYMNS 

The Pawnee ideas have fallen, with sin- 

* 

gularly accurate coincidence, into the same 
lines as those of early Greece. Some 
moderns, such as M. Foucart, have revived 
the opinion of Herodotus, that the Mysteries 
were brought from Greece to Egypt. But, 
as the Pawnee example shows, similar natu- 
ral phenomena may anywhere beget similar 
myths and rites. In Greece the donnie was 
a nature myth, and a ritual in which it was 
enacted. That ritual was a form of sympa- 
thetic magic, and the myth explained the 
performances. The refinement and charm^ 
of the legend (on which Homer, as we saw, 
does not touch) is due to the unique genius ' 
of Greece. Demeter became thq deity most 
familiar to the people, nearest to their hearts 
and endowed with most temples ; every farm 
possessing her rural shrine. But the Chtho- 
nian, or funereal, aspect of Chibiabos, or of 
Persephone, is due to a mood very distinct 
from that which sacrifices pigs as embodi- 
ments of the Corn Spirit, if that be the real 
origin of the practice. 



THE GREEK REFINEMENT 71 

We should much misconceive the religious 
spirit of the Greek rite if we undertook to 
develop it all out an origin in sympathetic 
magic : which, of course, I do not understand 
Mr. Prazer to do. Greek scholars, again, 
are apt to view these researches into savage 
or barbaric origins with great distaste and 
disfavour. This is not a scientific . frame of 
mind. In the absence of such researches 
other purely fanciful origins have been in- 
vented by scholars, ancient or modern. It 
is necessary to return to the pedestrian facts, 
if merely in order to demonstrate the futility 
of the fancies. The result is in no way 
discreditable to Greece. Beginning, like other 
peoples, with the vague unrealised conception 
of the Corn Mother (an idea which could 
not occur befdre the agricultural stage of 
civilisation), the Greeks refined and elevated 
the idea into the Demeter of the Hymn, and 
of the Cnidian statue. To do this was the 
result of their unique gifts as a race. Mean- 
while the other notion of a Ruler of Souls, 
in Greece attached to Persephone, is found 



72 HOMERIC HYMNS 

among peoples not yet agricultural : nomads 
living on grubs, roots, seeds of wild grasses, 
and the products of the chase. Almost all 
men's ideas are as old as mankind, so far 
as we know mankind. 

Conceptions originally '' half*conscious," 
and purely popular, as of a Spirit of Vege- 
tation, incarnate, as it were, in each year's 
growth, were next handled by conscious 
poets, like the author of our Hymn, and 

.then are ''realised as abstract symbols, be* 
cause intensely characteristic examples of 
moral, or spiritual conditions." ^ Thus Deme- 
ter and Persephone, no longer pigs or Grain- 
Mothers, 'Mend themselves to the elevation 
and the correction of the sentiments of 
sorrow and awe, by the presentment to the 

• senses and imagination of an ideal expres- 
sion of them. Demeter cannot but seem the 
type of divine grief. Persephone is the 
Goddess of Death, yet with a promise of 
life to come." 

That the Eleusinia included an ethical 

* Pater, "Greek Studies," p. 9a 



MORALS IN MYSTERIES 73 

element seems undeniable. This one would 



think probable, a priori^ on the ground that 
Greek Mysteries are an embellished survival 
of the initiatory rites of savages, which do 
contain elements of morality. This I have 
argued at some length in ^' Myth, Ritual, 
and Religion." Many strange customs in 
some Greek Mysteries, such as the daubing 
of the initiate with clay, the use of the pofAfio^ 
(the Australian Tundun, a small piece of wood 
whirled noisily by a string), the general 
suggestion of a new life^ the flogging of boys 
at Sparta, their retreat, each with his in* 
structor (Australian kabbo^ Greek ii<rTCvf{Koi) 
to the forests, are precisely analogous to 
things found in Australia, America, and 
Africa. Now savage rites are often associ- 
ated with what we think gross cruelty, 
and, as in Fiji, with abandoned license, of 
which the Fathers also accuse the Greeks. 
But, among the Yao of Central Africa, 
the initiator, observes Mr. Macdonald, <' is 
said to give much good advice. His 
lectures condemn selfishness, and a selfish 



74 HOMERIC HYMNS 

person is called mwisichana, that is, 'un- 
initiated.' " * 

Among the Australians, Dampier, in 1688, 
observed the singular unselfish generosity of 
distribution of food to the old, the weak, 
and the sick. According to Mr. Howitt, the 
boys of the Coast Murring tribe are taught 
in the Mysteries "to speak the straight- 
forward truth while being initiated, and are 
warned to avoid various offences against 
propriety and morality." The method of 
instruction is bad, a pantoniimic representa-f 
tion of the sin to be avoided, but the inten- 
tion is excellent.' Among the Kurnai respect 
for the old, for unprotected women, the duty 
of unselfishness, and other ethical ideas are 
inculcated,' while certain food taboos prevail 
during the rite, as was also the case in the 
Eleusinia. That this moral idea of " sharing 
what they have with their friends" is not 
confined merely to the tribe, is proved by 
the experience of John Finnegan, a white 

* **Africana,"i. 13a 

^ Journal Anthrop. Instit, (1884), xiiL pp. 444, 45a 

• Op* cit,^ xiv. pp. 310, 316. 



MORAUTY NOT " TRIBAL " 75 

man lost near Moreton Bay early in this 
century. " At all times, whether they had 
much or little, fish or kangaroo, they always 
gave me as much as I could eat/' Even 
when the whites stole the fish of the natives, 
and were detected, ''instead of attempting 
to repossess themselves of the fish, they 
instantly set at work to procure more for 
us, and one or two fetched us as much 
dingowa as they could carry." ^ The first 
English settlers in Virginia, on the other 
hand, when some native stole a cup, burned 
down the whole town. 

Thus the morality of the savage is not 
merely tribal (as is often alleged), and is 
carried into practice, as well as inculcated, 
in some regions, not in all, during the 
Mysteries. 

For these reasons, if the Greek Mysteries 
be survivals of savage ceremonies (as there 
is no reason to doubt that they are), 
the savage association of moral instruction 
with mummeries might survive as easily as 

1 « New South Wales,'* by Barron Field, pp. 69, 122 (1825). 



76 HOMERIC HYMNS 

anything else. That it did survive is plain 
from numerous passages in classical authors.^ 
The initiate 'Mive a pious life in regard to 
strangers and citizens." They are to be 
'' conscious of no evil " : they are to " pro- 
tect such as have wrought no unrighteous- 
ness." Such precepts "have their root in 
the ethico-religious consciousness."^ It is 
not mere ritual purity that the Mysteries 
demand, either among naked Australians, or 
Yao, or in Greece. Lobeck did his best to 
minimise the testimony to the higher element 
in the Eleusinia, but without avail. The 
study of early, barbaric, savage, classical, 
Egyptian, or Indian religions should not be 
one-sided. Men have always been men, for 
good as well as for evil ; and religion, almost 
everywhere, is allied with ethics no less than 
it is overrun by the parasite of myth, and the 
survival of magic in ritual. The Mother and 
the Maid were ''Saviours" (Kipn ^^eipa), 

^ Aristophanes, Rana^ 445 et seq, ; Origen, c, Cels,^ iii. 59 ; 
Andocides, Myst,^ 31 ; Euripides, Bacch,^ 72 et seq. See 
Wobbermin, ReligiansgeschitlUhe Siudien^ pp. 36-44. 
• ' Wobbermin, op, cit, p. 38. 



ETHICS IN REUGION 77 

"holy" and "pure," despite contradictory 
legends.^ The tales of incest, as between 
Zeus and Persephone, are the result of the 
genealogical mania. The Gods were grouped 
in family-relationships, to account for their 
companionship in ritual, and each birth 
postulated an amour. None the less the 
same deities offered "salvation," of a sort, 
and were patrons of conduct. 

Greek religion was thus not destitute of 
certain chief elements in our own. But 
these were held in solution, with a host of 
other warring elements, lustful, cruel, or 
bufiFooning. These elements. Greece was 
powerless to shake off ; philosophers, by 
various expedients, might explain away the 
contradictory myths which overgrew the 
religion, but ritual, the luck of the State, and 
popular credulity, were tenacious of the whole 
strange mingling of beliefs and practices. 

« « 

* 

The view taken of the Eleusinia in this 

^ Wobbermin, op, cit, p. 34. 



78 HOMERIC HYMNS 

note is hardly so exalted as that of Dr. 
Hatch. "The main underlying conception 
of initiation was that there were elements 
in human life from which the candidate 
must purify himself before he could be fit 
to approach God." The need of purifica- 
tion, ritual and moral, is certain, but one 
is not aware of anything in the purely 
popular or priestly religion of Greece 
which exactly answers to our word "God" 
as used in the passage cited. Individuals, 
by dint of piety or of speculation, might 
approach the conception, and probably 
many did, both in and out of the philo- 
sophic schools. But traditional ritual and 
myth could scarcely rise to this ideal ; and 
it seems exaggerated to say of the crowded 
Eleusinian throng of pilgrims that "the race 
of mankind was lifted on to a higher plane 
when it came to be taught that only the 
pure in heart can see God."* The black 
native boys in Australia pass through a 

1 Hatch, << Hibbert Lectures," pp. 2&|, 285. 



DR. HATCirS VIEW 79 

purgative ceremony to cure them of selfish- 
ness, and afterwards the initiator points to 
the blue vault of sky, bidding them behold 
"Our Father, Mungan-ngaur." This is very 
well meant, and very creditable to untutored 
savages: and creditable ideas were not absent 
from the Eleusinia. But when we use the 
quotation, " Blessed are the ^ pure in heart, 
for they shall see God," our meaning, though 
not very definite, is a meaning which it would 
be hazardous to attribute to a black boy, — 
or to Sophocles. The idea of the New Life 
appears to occur in Australian Mysteries : a 
tribesman is buried, and rises at a given 
signal. But here the New Life is rather 
that of the lad admitted to full tribal privi- 
leges (including moral precepts) than that 
of a converted character. Confirmation, 
rather than conversion, is the analogy. 
The number of those analogies of ancient 
and savage, with Christian religion is re- 
markable. But even in Greek Mysteries 
the conceptions are necessarily not so 



8o HOMERIC HYMNS 

purely spiritual as in the Christian creed, 
of which they seem half-conscious and 
fragmentary anticipations. Or we may re- 
gard them as suggestions, which Christianity 
selected, accepted, and purified. 



HYMN TO DEMETER 

THE ALLEGED EGYPTIAN ORIGINS 

IN what has been said as to the Greek 
* Mysteries, I have regarded them as of 
native origin. I have exhibited rites of ana- 
logous kinds in the germ, as it were, among 
savage and barbaric communities. In Peru, 
under the Incas, we actually find Mama and 
Cora (Demeter and Kor6) as Goddesses of the 
maize (Acosta), and for rites of sympathetic 
magic connected with the production of 
fertile harvests (as in the Thesmophoria at 
Athens) it is enough to refer to the vast col- 
lection in Mr. Frazer's "Golden Bough." I 
have also indicated the closest of all known 
parallels to the Eleusinian in a medicine- 
dance and legend of the Pawnees. For 
other savage Mysteries in which a moral 

8i p 



82 HOMERIC HYMNS 

element occurs, I have quoted Australian and 
African examples. Thence I have inferred 
that the early Greeks might, and probably 
did, evolve their multiform mystic rites out 
of germs of such things inherited from their 
own prehistoric ancestors. No process, on 
the other hand, of borrowing from Greece 
can conceivably account for the Pawnee and 
Peruvian rites, so closely analogous to those 
of Hellas. Therefore I see no reason why, 
if Egypt, for instance, presents parallels to 
the Eleusinia, we should suppose that the 
prehistoric Greeks borrowed the Eleusinia 
from Egypt. These things can grow up, 
autochthonous and underived, out of the 
soil of human nature anywhere, granting 
certain social conditions. Monsieur Foucart, 
however, has lately argued in favour of an 
Egyptian origin of the Eleusinia.^ 

The Greeks naturally identified Demeter 
and Dionysus with Isis and Osiris. There 
were analogies in the figures and the legends, 

* Rtcherches sur POrigine et la Nature des Mysthres ifEUusU. 
Klinikseck. Paris, 1895. 



M, FOUCART 83 



and that was enough. So, had the Greeks 
visited America, they would have recognised 
Demeter in the Pawnee Earth Mother, and 
Persephone or Eubouleus in Chibiabos. To 
account for the similarities they would pro- 
bably have invented a fable of Pawnee visitors 
to Greece, or of Greek missionaries among 
the Pawnees, So they were apt to form a 
theory of an Egyptian origin of Dionysus 
and Demeter. 

M. Foucart, however, argues that agri- 
culture, corn-growing at least, canie into 
Greece at one stride, barley and wheat not 
being indigenous in a wild state. The 
Greeks, however, may have brought grain 
in their original national migration (the Greek 
words for grain and ploughing are common 
to other families of Aryan speech) or obtained 
it from Phoenician settlements. Demeter, 
however, in M. Foucart's theory, would be 
the Goddess of the foreigners who carried 
the grain first to Hellas. Now both the 
Homeric epics and the Egyptian monuments 
show us Egypt and Greece in contact in the 



84 HOMERia y^y^^S 

Greek prehistoric perioci- But it docs not 

exactly follow that the P^^istoric Greeks 

would adopt Egyptian gP^l or that the 

Thesmophoria, an Athenian harvestHrite of 

Demeter, was founded by colonists from 

Egypt, answering to the daughters of Danaua^ 

Egyptians certainly did not introduce the 

similar rite among the Khonds, or the Incas. 

The rites amid grow up without importation, 

as the result of the similarities of primitive 

fancy everywhere. If Isis is Lady of the 

Grain in Egypt, so is Mama in Peru, and 

Demeter need no more have been imported 

from Egypt than Mama. If Osiris taught 

the arts of life and the laws of society in 

Egypt, so did Daramulun in Australia, and 

Yehl in British Columbia. All the gods and 

culture heroes everywhere play this rdU in 

regions where importation of the idea from 
Egypt is utterly out of the question. Even 
in minute details, legends recur everywhere ; 
the phallus of a mutilated Australian being of 
the fabulous " Alcheringa time," is hunted for 

1 Herodotus, ii. 171. 



AUSTRAUA AND EGYPT 85 

by his wives ; exactly as Isis wanders in 
search of the phallus of the mutilated Osiris.^ 
Is anything in the Demeter legend so like 
the Isis legend as this Australian coincidence ? 
Yet the Arunta did not borrow it from 
Egypt.* The mere fact, again, that there 
were Mysteries both in Egypt and Greece 
proves nothing. There is a river in Mon- 
mouth, and a river in Macedon ; there are 
Mysteries in almost all religions. 

Again, it is argued, the Gods of the 
Mysteries in Egypt and Greece had secret 
names, only revealed to the initiated. So, 
too, in Australia, women (never initiated) and 
boys before initiation, know Daramulun only 
as Papang (Father).' The uninitiated among 
the Kurnai do not know the sacred name, 
Mungan-ngaur.* The Australian did not bor- 
row this secrecy from Egypt. Everywhere a 

^ spencer and Gillen, " Natives of Central Australia," p. 399. 
The myth is not very quotable. 

* Foucart, p. 19, quoting Philosophoumena, v. 7. M. Foucart, 
of course, did not know the Arunta parallel. 

* Journal Antkrop, Inst (1884), pp. 194, 195, " Ngarego and 
Wolgal Tribes of New South Wales.*' 

* Ibid. (1885), p. 313. 



86 HOMERIC HYMNS 

mystery is kept up about proper names. M. 
Foucart seems to think that what is practically 
universal, a taboo on names, can only have 
reached Greece by transplantation from 
Egypt.^ To the anthropologist it seems that 
scholars, in ignoring the universal ideas of 
the lower races, run the risk of venturing on 
theories at once superficial and untenable. 

M. Foucart has another argument, which 
does not seem more convincing, though it 
probably lights up the humorous or indecent 
side of the Eleusinia. Isocrates speaks of 
" good offices " rendered to Demeter by " our 
ancestors," which ''can only be told to the 
initiate." * Now these cannot be the kindly 
deeds reported in the Hymn, for these were 
publicly proclaimed. What, then, were the 
secret good offices ? In one version of the 
legend the hosts of Demeter were not Celeus 
and Metaneira, but Dusaules and Baubo. 
The part of Baubo was to relieve the gloom of 

^ For ample information on this head see Mr. Clodd's " Tom- 
Tit-Tot," and my *' Custom and Myth" (<* Cupid, Psyche, and 
the Sun Frog"). 

' Panegyr.y 28. 



BAUBO 87 



the Goddess, not by the harmless pleasantries 
of lambe^ in the Hymn, but by obscene 
gestures. The Christian Fathers, Clemens of 
Alexandria at least, make this a part of their 
attack on the Mysteries ; but it may be said 
that they were prejudiced or misinformed.^ 
But, says M. Foucart, an inscription has been 
found in Paros, wherein there is a dedication 
to Hera, Demeter Thesmophoros, Kore, and 
BabOf or Baubo. Again, two authors of the 
fourth century, Palaephatus and Asclepiades, 
cite the Dusaules and Baubo legend.^ 

Now the indecent gesture of Baubo was 
part of the comic or obscene folk-lore of 
contempt in Egypt, and so M. Foucart thinks 
that it was borrowed from Egypt with the 
Deineter legend.' Can Isocrates have referred 
to this good office ? — the amusing of Demeter 
by an obscene gesture 7 If he did, such 
gestures as Baubo's are as widely diffused as 
any other piece of folk-lore. In the centre of 

* Clem. Alex. ProtrepU^ ii. 77 et seq. 
' Harpocration, j. v. bM99A\rfi, 

' Cf, drcM-v/yrAXit, Hippon, 90, and Theophrastus, Charact. 
6, and Synesius, 213, c Liddell and Scott, j. v, A9aHp*a, 



88 HOMERIC HYMNS 

the Australian desert Mr. Carnegie saw a native 
make a derisive gesture which he thought had 
only been known to English schoolboys/ 
Again, indecent pantomimic dances, said to be 
intended to act as " object lessons " in things 
not to be done, are common in Australian 
Mysteries. Further, we do not know Baubo, 
or a counterpart of her, in the ritual of Isis, 
and the clay figurines of such a figure, in 
Egypt, are of the Greek, the Ptolemaic period. 
Thus the evidence comes to this : an indecent 
gesture of contempt, known in Egypt, is, at 
Eleusis, attributed to Baubo. This does not 
prove that Baubo was originally Egyptian.* 
Certain traditions make Demeter the mistress 
of Celeus.* Traces of a " mystic marriage," 
which also occur, are not necessarily Egyptian : 
the idea and rite are common. 

There remains the question of the sacred 
objects displayed (possibly statues, probably 
very ancient "medicine" things, as among 
the Pawnees) and sacred words spoken. 

' "Sand and Spinifex," 1899. ■ Foucart, pp. 45, 46. 

' Hymn, Orph., 41, 5-9. 



JOURNEY OF THE SOUL 89 

These are said by many authors to confirm 
the initiate in their security of hope as to a 
future life. Now similar instruction, as to 
the details of the soul's voyage, the dangers 
to avoid, the precautions to be taken, notori- 
ously occur in the Egyptian " Book of the 
Dead." But very similar fancies are reported 
from the Ojibbeways (Kohl), the Polynesians 
and Maoris (Taylor, Turner, Gill, Thomson), 
the early peoples of Virginia,^ the modern 
Arapaho and Sioux of the Ghost Dance rite, 
the Aztecs, and so forth. In all countries 
these details are said to have been revealed 
by men or women who died, but did not 
(like Persephone) taste the food of the dead ; 
and so were enabled to return to earth 1 The 
initiate, at Eleusis, were guided along a 
theatrically arranged pathway of the dead, 
into, a theatrical Elysium.^ Now as such 
ideas as these occur among races utterly 
removed from contact with Egypt, as they 
are part of the European folk-lore of the 
visits of mortals to fairyland (in which it is 

* Heriot, 1586. ' Foucart, pp. 56-59. 



90 HOMERIC HYMNS 

fatal to taste fairy food), I do not see that 
Eleusis need have borrowed such common 
elements of early belief from the Egyptians 
in the seventh century B.c.^ One might as 
well attribute to Egypt the Finnish legend 
of the descent of Wainamoinen into Tuonela ; 
or the experience of the aunt of Montezuma 
just before the arrival of Cortfes ; or the ex- 
pedition to fairyland of Thomas the Rhymer. 
It is not pretended by M. Foucart that the 
deiaHs of the ''Book of the Dead" were 
copied in Greek ritual ; and the general idea 
of a river to cross, of dangerous monsters to 
avoid, of perils to encounter, of precautions 
to be taken by the wandering soul, is nearly 
universal, where it must be unborrowed from 
Egypt, in Polynesian and Red Indian belief. 
As at Eleusis, in these remote tribes formulae 
of a preservative character are inculcated. 

The "Book of the Dead" was a guide- 
book of the itinerary of Egyptian souls. Very 
probably similar instruction was given to the 
initiate at Eleusis. But the Fijians also have 

^ Foucart, p. 64. 



PATH OF SHADES 91 

a regular theory of what is to be done and 
avoided on " The Path of the Shades," The 
shade is ferried by Ceba (Charon) over 
Wainiyalo (Lethe) ; he reaches the mystic 
pandanus tree (here occurs a rite) ; he meets, 
and dodges, Drodroyalo and the two devour- 
ing Goddesses; he comes to a spring, and 
drinks, and forgets sorrow at Wai-na-dula, 
the "Water of Solace." After half-a-dozen 
other probations and terrors, he reaches the 
Gods, " the dancing-ground and the white 
quicksand ; and then the young Gods dance 
before them and sing. . . ." ^ 

Now turn to Plutarch.* Plutarch com- 
pares the soul's mortal experience with that 
of the initiate in the Mysteries. '* There are 
wanderings, darkness, fear, trembling, shud- 
dering, horror, then a marvellous light : pure 
places and meadows, dances, songs, and holy 
apparitions." Plutarch might be summarising 

> Basil Thomson, " The Kalou-Vu " (Journal Anthrop, InsL, 
May 1S95, pp. 349-356). Mr. Thomson was struck by the 
Greek analogies, but he did not know, or does not allude to, 
Plutarch and the Golden Scroll. 

' Fragments, V. p. 9, Didot ; Foucart, p. 56, note. 



92 HOMERIC HYMNS 

the Fijian belief. Again, take the mystic 
golden scroll, found in a Greek grave at 
Petilia. It describes in hexameters the Path 
of the Shade : the spring and the white 
cypress on the left: *'Do not approach it. 
Go to the other stream from the Lake of 
Memory ; tell the Guardians that you are 
the child of Earth and of the starry sky, 
but that yours is a heavenly lineage ; and 
they will give you to drink of that water, 
and you shall reign with the other heroes." 

Tree, and spring, and peaceful place with 
dance, song, and • divine apparitions, all are 
Fijian, all are Greek, yet nothing is borrowed 
by Fiji from Greece. Many other Greek 
inscriptions cited by M. Foucart attest similar 
beliefs. Very probably such precepts as those 
of the Petilia scroll were among the secret 
instructions of Eleusis. But they are not 
so much Egyptian as human. Chibiabos is 
assuredly not borrowed from Osiris, nor the 
Fijian faith from the '* Book of the Dead." 
"Sacred things," not to be shown to man, 
still less to woman, date from the " medicine 



J PERSEPHONE SENDINO TRIPTOLEMOS 

OH HIS MISSION . 
rilnf luuiiditEJeuiis.-Tiow in AUieiin. 



ORIGIN OF MYSTERIES 93 

bag" of the Red Indian, the mystic tribal 
bundles of the Pawnees, and the churinga, 
and bark '' native portmanteaux/' of which 
Mr. Carnegie brought several from the Aus- 
tralian desert. 

For all Greek Mysteries a satisfactory 
savage analogy can be found. These spring 
straight from human nature : from the desire 
to place customs, and duties, and taboos 
under divine protection ; from the need of 
strengthening them, and the influence of the 
elders, by mystic sanctions ; from the need 
of fortifying and trying the young by pro- 
bations of strength, secrecy, and fortitude ; 
from the magical expulsion of hostile in- 
fluences ; from the sympathetic magic of 
early agriculture ; from study of the pro- 
cesses of nature regarded as personal ; and 
from guesses, surmises, visions, and dreams 
as to the fortunes of the wandering soul on 
its way to its final home. I have shown 
all these things to be human, universal, not 
sprung from one race in one region. Greek 
Mysteries are based on all these natural early 



94 HOMERIC HYMNS 

conceptions of life and death. The early 
Greeks, like other races, entertained these 
primitive, or very archaic ideas. Greece had 
no need to borrow from Egypt ; and, though 
Egypt was within reach, Greece probably 
developed freely her original stock of ideas 
in her own fashion, just as did the Incas, 
Aztecs, Australians, Ojibbeways, and the other 
remote peoples whom I have selected. The 
argument of M. Foucart, I think, is only good 
as long as we are ignorant of the universally 
diffused forms of religious belief which corre- 
spond to the creeds of Eleusis or of Egypt. 
In the Greek Mysteries we have the Greek 
guise, — solemn, wistful, hopeful, holy, and 
pure, yet not uncontaminated with archaic 
buffoonery, — of notions and rites, hopes and 
fears, common to all mankind. There is 
no other secret. 

The same arguments as I have advanced 
against Greek borrowing from Egypt, apply 
to Greek borrowing from Asia. Mr. Ramsay, 
following Mr« Robertson Smith, suggests that 
Leto, the mother of Apollo and Artemis, 



PHRYGIAN THEORY 95 

may be "the old Semitic AMat."* Then 
we have Leto and Artemis, as the Mother 
and the Maid (Kore) with their mystery play. 
'' Clement describes them " (the details) as 
" Eleusinian, for they had spread to Eleusis 
as the rites of Demeter and Kore crossing 
from Asia to Crete^ and from Crete to the 
European peninsula." The ritual ''remained 
everywhere fundamentally the same." Obvi- 
ously if the Eleusinian Mysteries are of 
Phrygian origin (Ramsay), they cannot also 
be of Egyptian origin (Foucart), In truth 
they are no more specially of Phrygian or 
Egyptian than of Pawnee or Peruvian origin. 
Mankind can and does evolve such ideas and 
rites in any region of the world.^ 

^ Herodotus, Alilat, i. 131, iii. 8. 

' '* Cities and Bishoprics of Phrygia," 1895, vol. i. pp. 91, 92. 



CONCLUSION 

** \ A /HAT has all this [arrago about savages 

' ' to do wth Dionysus ? " I conceive 

some scholar, or Uterary critic asking, if such an 

one looks into this ixwk. Certainly it would 

have been easier for me to atmund in j^thetic 

crittcism of the Hymns, and on the aspect of 

Greek literary art which they illustrate. But 

the Hymns, if read even through the pale 

medium of a translation, speak for themselves. 

Their beauties and defects as poetry are patent : 

patent, too, are the charm and geniality of the 

national character which they express. The 

glad Ionian gatherings ; the archaic humour ; 

the delight in life, and love, and nature ; the 

the sacred Hearth ; the 

ills, and streams with 

ill these make the poetic 

But all these need no 



UNIVERSAUTY 97 

pointing out to any reader. The poets can 
speak for themselves. 

On the other hand the confusions of sacred 
and profane ; the origins of the Mysteries ; the 
beginnings of the Gods in a mental condition 
long left behind by Greece when the Hymns 
were composed ; all these matters need eluci- 
dation. I have tried to elucidate them as 
results of evolution from the remote prehistoric 
past of Greece, which, as it seems, must in 
many points have been identical with the his- 
toric present of the lowest contemporary races. 
In the. same way, if dealing with ornament, I 
would derive the spirals, volutes, and concen- 
tric circles of Mycenaean gold work, from the 
identical motives, on the oldest incised rocks 
and kists of our Islands, of North and South 
America, and of the tribes of Central Australia, 
recently described by Messrs. Spencer and 
Gillen, and Mr. Carnegie. The material of the 
Mycenaean artist may be gold, his work may 
be elegant and firm, but he traces the selfsame 
ornament as the naked Arunta, with feebler 
hand, paints on sacred rocks or on the bodies 



98 HOMERIC HYMNS 

of his tribesmen. What is true of ornament 
is true of myth, rite, and belief. Greece only 
offers a gracious modification of the beliefs, 



rites, and myths of the races who now are 
" nearest the beginning," however remote 
from that unknown beginning they may be. 
To understand this is to come closer to a 
true conception of the evolution of Greek faith 
and art than we can reach by any other path. 
Yet to insist on this is not to ignore the 
unmeasured advance of the Greeks in deve- 
lopment of society and art. On that head 
the Hymns, like all Greek poetrj% bear their 
own free testimony. But, none the less, 
Greek religion and myth present features 
repellent to us, which derive their origin, 
not from savagery, but from the more crude 
horrors of the lower and higher barbarisms. 

Greek religion, Greek myth, are vast con- 
glomerates. We find a savage origin for 
Apollo, and savage origins for many of 
the Mysteries. But the cruelty of savage 
initiations has been purified away. On the 



WHAT COULD NOT LAST 99 

other hand, we find a barbaric origin for 
departmental gods, such as Aphrodite, and 
for Greek human sacrifices, unknown to the 
lowest savagery. Frpm savagery Zeus is 
probably derived; from savagery come the 
germs of the legends of divine amours in 
animal forms. But from barbarism arises 
the sympathetic magic of agriculture, which 
the lowest races do not practise. From the 
barbaric condition, not from savagery, comes 
Greek hero-worship, for the lowest races do 
not worship ancestral spirits. Such is the 
medley of prehistoric ideas in Greece, while 
the charm and poetry of the Hymns are due 
mainly to the unique genius of the fully deve- 
loped Hellenic race. The combination of 
good and bad, of ancestral rites and ideas, 
of native taste, of philosophical refinement 
on inherited theology, could not last ; the 
elements were too discordant. And yet it 

could not pass naturally away. The Greece 
of A.D. 300 

" Wandered between two worlds, one dead, 
The other powerless to be bom/' 



100 HOMERIC HYMNS 

without external assistance. That help was 
brought by the Christian creed, and, officially, 
Gods, rites, and myths vanished, while, un- 
officially, they partially endure, even to this 
day, in Romaic folk-lore. 



HOMERIC HYMNS 



SILVER STATBR OF CROTON (ABOUT 4OO B.C.). 



HYMN TO APOLLO 

WINDFUL, ever mindful, will I be of 
'■' ^ Apollo the Far-darter. Before him, as 
he fares through the hall of Zeus, the Gods 
tremble, yea, rise up all from their thrones 
as he draws near with his shining bended 
bow. But Leto alone abides by Zeus, the 
Lord of Lightning, till Apollo hath slackened 
his bow and closed his quiver. Then, taking 
with her hands from his mighty shoulders 



104 HOMERIC HYMNS 6-22 

the bow and quiver, she hangs them against 
the pillar beside his father's seat from a pin 
of gold, and leads him to his place and 
seats him there, while the father welcomes 
his dear son, giving him nectar in a golden 
cup ; then do the other Gods welcome him ; 
then they make him sit, and Lady Leto 
rejoices, in that she bore the Lord of the 
Bow, her mighty son. 

[Hail I O blessed Leto; mother of glorious 
children. Prince Apollo and Artemis the 
Archer; her in Ortygia, him in rocky Delos 
didst thou bear, couching against the long 
sweep of the Cynthian Hill, beside a palm 
tree, by the streams of Inopus.] 

How shall I hymn thee aright, howbeit 
thou art, in sooth, not hard to hymn ? * for to 
thee, Phoebus, everywhere have fallen all the 
ranges of song, both on the mainland, nurse 
of young kine, and among the isles ; to thee 
all the cliffs are dear, and the steep mountain 

* Callim., H. Apoll. 30. 

01/5* h x^P^f ff^^ ^oipop i4>' fv fUpw ^/Mp deUrei 
im yiip efhffJLPOt* rls Av od fia $oi/9oy delSoi ; 



LETO 

iifants, Ap<j1lo a 



23-42 HYMN TO APOLLO 105 

crests and rivers running onward to the salt 
sea, and beaches sloping to the foam, and 
havens of the deep ? Shall I tell how Leto 
bore thee first, a delight of men, couched by 
the Cynthian Hill in the rocky island, in sea- 
girt *Delos — on either hand the black wave 
drives landward at the word of the shrill 
winds — whence arising thou art Lord over all 
mortals ? 

Among them that dwell in Crete, and 
the people of Athens, and isle i^^gina, and 
Euboea famed for fleets, and iCgse and 
Peiresiae, and Peparethus by the sea-strand, 
and Thracian Athos, and the tall crests of 
Pelion, and Thracian Samos, and the shadowy 
mountains of Ida, Scyros, and Phocaea, and 
the mountain wall of Aigocane, and stab- 
lished Imbros, and inhospitable Lemnos, and 
goodly Lesbos, the seat of Makar son of 
iGolus, and Chios, brightest of all islands of 
the deep, and craggy Mimas, and the steep 
crests of Mykale, and gleaming Claros, and 
the high hills of iSsagee, and watery Samos, 
and tall ridges of Mycale, and Miletus, and 



io6 HOMERIC HYMNS 42-61 

Cos, a city of Meropian men, and steep CnidoSi 
and windy Carpathus, Naxos and Paros, and 
rocky Rheneia — so far in travail with the 
Archer God went Leto, seeking if perchance 
any land would build a house for her son. 

But the lands trembled sore, and were 
adread, and none, nay not the richest, dared 
to welcome Phoebus, not till Lady Leto set 
foot on Delos, and speaking winged words 
besought her : 

" Delos, would that thou wert minded to be 
the seat of my Son, Phoebus Apollo, and to 
let build him therein a rich temple ! No other 
God will touch thee, nor none will honour 
thee, for methinks thou art not to be well 
seen in cattle or in sheep, in fruit or grain, 
nor wilt thou grow plants unnumbered. But 
wert thou to possess a temple of Apollo the 
Far-darter; then would all men bring. thee 
hecatombs, gathering to thee, and ever wilt 
thou have savour of sacrifice . . . from 
others' hands, albeit thy soil is poor." 

Thus spoke she, and Delos was glad and 
answered her saying : 



s 



62-80 HYMN TO APOLLO 107 

" Leto, daughter most renowned of' mighty 
Coeus, right gladly would I welcome the 
birth of the Archer Prince, for verily of me 
there goes an evil report among men, and 
thus would I wax mightiest of renown. But 
at this Word, Leto, I tremble, nor will I hide 
it from thee, for the saying is that Apollo 
will be mighty of mood, and mightily will 
lord it over mortals • and immortals far 
and wide over the earth, the grain-giver. 
Therefore, I deeply dread in heart and soul 
lest, when first he looks upon the sunlight, 
he disdain my island, for rocky of soil am I, 
and spurn me with his feet and drive me 
down in the gulfs of the salt sea. Then 
should a great sea-wave wash mightily above 
my head for ever, but he will fare to another 
land, which so pleases him, to fashion him a 
temple and groves of trees. But in me would 
many-footed sea-beasts and black seals make 
their chambers securely, no men dwelling by 
me. Nay, still, if thou hast the heart. God- 
dess, to swear a great oath that here first he 
will build a beautiful temple, to be the shrine 



io8 HOMERIC HYMNS 81-99 

oracular of men — thereafter among all men 
let him raise him shrines, since his renown 
shall be the widest." 

So spake she, but Leto swore the great 
oath of the Gods : 

'' Bear witness, Earth, and the wide heaven 
above, and dropping water of Styx — the 
greatest oath and the most dread among the 
blessed Gods — that verily here shall ever be 
the fragrant altar and the portion of Apollo, 
and thee will he honour above all." 

When she had sworn and done that oath, 
then Delos was glad in the birth of the 
Archer Prince. But Leto, for nine days 
and nine nights continually was pierced 
with pangs of child-birth beyond all hope. 
With her were all the Goddesses, the good- 
liest, Dione and Rheia, and Ichnaean Themis, 
and Amphitrite of the moaning sea, and the 
other deathless ones — save white-armed Hera. 
Alone she wotted not of it, Eilithyia, the 
helper in difficult travail. For she sat on 
the crest of Olympus beneath the golden 
clouds, by the wile of white-armed Hera, 



I0O-II7 HYMN TO APOLLO 109 

who held her afar in jealous grudge, because 
even then fair-tressed Leto was about bearing 
her strong and noble son. 

But the Goddesses sent forth Iris from 
the fair-stablished isle, to bring Eilithyia, 
promising her a great necklet, golden with 
amber studs, nine cubits long. Iris they 
bade to call Eilithyia apart from white- 
armed Hera, lest even then the words of 
Hera might turn her from her going. But 
wind-footed swift Iris heard, and fleeted 
forth, and swiftly she devoured the space 
between. So soon as she came to steep 
Olympus, the dwelling of the Gods, she 
called forth Eilithyia from hall to door, 
and spake winged words, even all that the 
Goddesses of Olympian mansions had bidden 
her. Thereby she won the heart in Eili- 
thyia's breast, and forth they fared, like 
timid wild doves in their going. 

Even when Eilithyia, the ~ helper in sore 
travailing, set foot in Delos, then labour 
took hold on Leto, and a passion to bring 
to the birth. Around a palm tree she cast 



no HOMERIC HYMNS ii7-i34 

her arms, and set her knees on the soft 
meadow, while earth beneath smiled, and 
forth leaped the babe to light, and all the 
Goddesses raised a cry. Then, great Phoe- 
bus, the Goddesses washed thee in fair 
water, holy and purely, and wound thee 
in white swaddling bands, delicate, new 
woven,, with a golden girdle round thee. 
Nor did his mother suckle Apollo the golden- 
sworded, but Themis with immortal hands 
first touched his lips with nectar and sweet 
ambrosia, while Leto rejoiced, in that she 
had borne her strong son, the bearer of 
the bow. 

Then Phoebus, as soon as thou hadst tasted 
the food of Paradise, the golden bands were 
not proof against thy pantings, nor bonds 
could bind thee, but all their ends were 
loosened. Straightway among the Goddesses 
spoke Phoebus Apollo : '' Mine be the dear 
lyre and bended bow, and I will utter to 
men the unerring counsel of Zeus." 

So speaking, he began to fare over the 
wide ways of earth, Phoebus of the locks 



135-153 HYMN TO APOLLO iii 

unshorni Phoebus the Far-darter. Thereon 
all the Goddesses were in amaze, and all 
Delos blossomed with gold, as when a hill- 
top is heavy with woodland flowers, behold- 
ing the child of Zeus and Leto, and glad 
because the God had chosen her wherein 
to set his home, beyond mainland and isles, 
and loved her most at heart. 

But thyself, O Prince of the Silver Bow, 
far-darting Apollo, didst now pass over rocky 
Cynthus, now wander among temples and 
men. Many are thy fanes and groves, and 
dear are all the headlands, and high peaks 
of lofty hills, and rivers flowing onward to 
the sea; but with Delos, Phoebus, art thou 
most delighted at heart, where the long- 
robed lonians gather in thine honour, with 
children and shame-fast wives. Mindful of 
thee they delight thee with boxing, and dances, 
and minstrelsy in their games. Who so then 
encountered them at the gathering of the 
lonians, would say that they are exempt from 
eld and death, beholding them so gracious, 
and would be glad at heart, looking on the 



1 1 2 HOMERIC HYMNS 1 54-172 

men and fair-girdled women; and their much 
wealth, and their swift galleys. Moreover, 
there is this great marvel of renown im- 
perishable, the Delian damsels, hand-maidens 
of the Far-darter. They, when first they 
have hymned Apollo, and next Leto and 
Artemis the Archer, then sing in memory of 
the men and women of old time, enchanting 
the tribes of mortals. And they are skilled 
to mimic the notes and dance music of all 
men, so that each would say himself were 
singing, so well woven is their fair chant. 

But now come, be gracious, Apollo, be 
gracious, Artemis ; and ye maidens all, fare- 
well, but remember me even in time to come, 
when any of earthly men, yea, any .stranger 
that much hath seen and much endured, 
comes hither and asks : 

'' Maidens, who is the sweetest to you of 
singers here conversant, and in whose song 
are ye most glad ? " 

Then do you all with one voice make 
answer : 

"A blind man is he, and he dwells in 



173-189 HYMN TO APOLLO 113 

rocky Chios ; his songs will ever have the 
mastery, ay, in all time to come." 

But I shall bear my renown of you as far 
as I wander over earth to the fairest cities of 
men, and they will believe my report, for my 
word is true. But, for me, never shall I 
cease singing of Apollo of the Silver Bow, 
the Far-darter, whom fair-tressed Leto bore. 

O Prince, Lycia is thine, and pleasant 
Maeonia, and Miletus, a winsome city by the 
sea, and thou, too, art the mighty lord of 
sea-washed Delos. 



THE FOUNDING OF DELPHI 

The son of glorious Leto fares harping 
on his hollow harp to rocky Pytho, clad 
in his fragrant raiment that waxes not old, 
and beneath the golden plectrum winsomely 
sounds his lyre. Thence from earth to 
Olympus, fleet as thought, he goes to the 
House of Zeus, into the Consistory of the 
other Gods, and anon the Immortals bethink 
them of harp and minstrelsy. And all the 



114 HOMERIC HYMNS 189-207 

Muses together with sweet voice in antiphonal 
chant replying, sing of the imperishable gifts 
of the Gods, and the sufferings of men, all 
that they endure from the hands of the un- 
dying Gods, lives witless and helpless, men 
unavailing to find remede for death or buck- 
ler against old age. Then the fair-tressed 
Graces and boon Hours, and Harmonia, 
and Hebe, and Aphrodite, daughter of Zeus, 
dance, holding each by the wrist the other's 
hand, while among them sings one neither 
unlovely, nor of body contemptible, but 
divinely tall and fair, Artemis the Archer, nur- 
tured with Apollo. Among them sport Ares, 
and the keen-eyed Bane of Argos, while 
Phoebus Apollo steps high and disposedly, 
playing the lyre, and the light issues round 

4 

him from twinkling feet and fair-woven rai- 
ment. But all they are glad, seeing him so 
high of heart, Leto of the golden tresses, 
and Zeus the Counsellor, beholding their 
dear son as he takes his pastime among the 
deathless Gods. 
I How shall I hymn thee aright, howbeit 



208-226 HYMN TO APOLLO 115 

thou art, in sooth, not hard to hymn 7 Shall 
I sing of thee in love and dalliance ; how thou 
wentest forth to woo the maiden Azanian, 
with Ischys, peer of Gods, and Elation's son 
of the goodly steeds, or with Phorbas, son 
of Triopes, or Amarynthus, or how with 
Leucippus and Leucippus' wife, thyself on 
foot, he in the chariot . • . ? * Or how 
first, seeking a place of oracle for men, thou 
camest down to earth, far-darting Apollo ? 

On Pieria first didst thou descend from 
Olympus, and pass by Lacmus, and Emathia, 
and Enienae, and through Perrhaebia, and 
speedily camest to lolcus, and alight on 
Cenaeum in Euboea, renowned for galleys. 
On the Lelantian plain thou stoodest, but it 
pleased thee not there to stablish a temple 
and a grove. Thence thou didst cross Euri- 
pus, far-darting Apollo, and fare up the 
green hill divine, and thence camest speedily 
to Mycalessus and Teumesos of the bedded 
meadow grass, and thence to the place of 
woodclad Thebe, for as yet no mortals dwelt 

^ The Greek is corrupt, especially in line 213. 



ii6 HOMERIC HYMNS 226-244 

in Holy Thebe, nor yet were paths nor ways 
along Thebe's wheat-bearing plain, but all 
was wild wood. 

Thence forward journeying, Apollo, thou 
earnest to Onchestus, the bright grove of 
Poseidon. There the new-broken colt takes 
breath again, weary though he be with 
dragging the goodly chariot ; and to earth, 
skilled though he be, leaps down the 
charioteer, and fares on foot, while the 
horses for a while rattle along the empty car, 
with the reins on their necks, and if the car 
be broken in the grove of trees, their masters 
tend them there, and tilt the car and let it 
lie. Such is the rite from of old, and they 
pray to the King Poseidon, while the chariot 
is the God's portion to keep. 

Thence faring forward, far-darting Apollo, 
thou didst win to Cephisus of the fair streams, 
that from Lilaea pours down his beautiful 
waters, which crossing. Far-darter, and passing 
Ocalea of the towers, thou camest thereafter 
to grassy Haliartus. Then didst thou set foot 
on Telphusa, and to thee the land seemed 



245-263 HYMN TO APOLLO 117 

exceeding good wherein to stablish a temple 
and a grove. 

Beside Telphusa didst thou stand, and 
spake to her: "Telphusa, here methinketh 
to stablish a fair temple, an oracle for men, 
who, ever seeking for the word of sooth, 
will bring me hither perfect hecatombs, 
even they that dwell in the rich isle of 
Pelops, and all they of the mainland and sea- 
girt islands. To them all shall I speak the 
decree unerring, rendering oracles within 
my rich temple." 

So spake Phoebus, and thoroughly marked 
out the foundations, right long and wide. 
But at the sight the heart of Telphusa waxed 
wroth, and she spake her word : 

" Phoebus, far-darting Prince, a word shall 
I set in thy heart. Here thinkest thou to 
stablish a goodly temple, to be a place of 
oracle for men, that ever will bring thee 
hither perfect hecatombs — nay, but this 
will I tell thee, and do thou lay it up in 
thine heart. The never-ending din of swift 
steeds will be a weariness to thee, and the 



ii8 HOMERIC HYMNS 264-281 

watering of mules from my sacred springs. 
There men will choose rather to regard the 
well-wrought chariots, and the stamping of 
the swift-footed steeds, than thy great temple 
and much wealth therein. But an if thou — 
that art greater and better than I, O Prince, 
and thy strength is most of might — if thou wilt 
listen to me, in Crisa build thy fane beneath 
a glade of Parnassus. There neither will 
goodly chariots ring, nor wilt thou be vexed 
with stamping of swift steeds about thy well- 
builded altar, but none the less shall the 
renowned tribes of men bring their gifts to 
lepaeon, and delighted shalt thou gather the 
sacrifices of them who dwell around." 

Therewith she won over the heart of the 
Far-darter, even that to Telphusa herself 
should be honour in that land, and not to 
the Far-darter. 

Thenceforward didst thou fare, far-darting 
Apollo, and camest to the city of the over- 
weening Phlegyae, that reckless of Zeus dwelt 
there in a goodly glade by thq Cephisian 
mere. Thence fleetly didst thou speed to 



282-301 HYMN TO APOLLO 119 

the ridge of the hills, and earnest to Crisa 
beneath snowy Parnassus, to a knoll that 
faced westward, but above it hangs a cliff, 
and a hollow dell runs under, rough with 
wood, and even there Prince Phoebus Apollo 
deemed well to build a goodly temple, and 
spake, saying : '' Here methinketh to stablish 
a right fair temple, to be a place oracular 
to men, that shall ever bring me hither goodly 
hecatombs, both they that dwell in rich 
Peloponnesus, and they of the mainland and 
sea-girt isles, seeking here the word of sooth ; 
to them all shall I speak the decree unerring, 
rendering oracles within my wealthy shrine." 

So speaking, Phoebus Apollo marked out 
the foundations, right long and wide, and 
thereon Trophonius and Agamedes laid the 
threshold of stone, the sons of Erginus, dear 
to the deathless Gods. But round all the 
countless tribes of men built a temple with 
wrought stones to be famous for ever in 
song. 

Hard by is a fair-flowing stream, and 
there, with an arrow from his strong bow, 



I20 HOMERIC HYMNS 302-319 

did the Prince, the son of Zeus, slay the 
Dragoness, mighty and huge, a wild Etin, 
that was wont to wreak many woes on 
earthly men, on themselves, and their straight- 
stepping flocks, so dread a bane was she. 

[This Dragoness it was that took from 
golden-throned Hera and reared the dread 
Typhaon, not to be dealt with, a bane to 
mortals. Him did Hera bear, upon a time, 
in wrath with father 2^us, whenas Cronides 
brought forth from his head renowned 
Athene. Straightway lady Hera was angered, 
and spake among the assembled Gods : 

^'Listen to me, ye Gods, and Goddesses 
all, how cloud-collecting Zeus is first to begin 
the dishonouring of me, though he made me 
his wife in honour. And now, apart from 
me, he has brought forth grey-eyed Athene 
who excels among all the blessed Immortals. 
But he was feeble from the birth, among 
all the Gods, my son Hephaestos, lame and 
withered of foot, whom I myself lifted in my 
hands, and cast into the wide sea. But the 
daughter of Nereus, Thetis of the silver feet. 



320-333 HYMN TO APOLLO 121 

received him and nurtured him among her 
sisters. Would that she had done other 
grace to the blessed Immortals I 

" Thou evil one of many wiles, what other 
wile devisest thou ? How hadst thou the heart 
now alone to bear grey-eyed Athene ? Could 
I not have borne her 7 But none the less 
would she* have been called thine among 
the Immortals, who hold the wide heaven. 
Take heed now, that I devise not for thee 
some evil to come. Yea, now shall I use 
arts whereby a child of mine shall be born, 
excelling among the immortal Gods, without 
dishonouring thy sacred bed or mine, for 
verily to thy bed I will not come, but far 
from thee will nurse my grudge against the 
Immortal* Gods." 

So spake she, and withdrew from among 
the Gods with angered heart. Right so she 
made her. prayer, the ox-eyed lady Hera, 
striking the earth with her hand flatlings/ 
and spake her word : 

^ This action was practised by the Zulus in divination, and, 
curiously, by a Highlander of the last century, appealing to the 
dead Lovat not to see him wronged. 



122 HOMERIC HYMNS 334-353 

''Listen to me now, Earth, and wide 
Heavens above, and ye Gods called Titans, 
dwelling beneath earth in great Tartarus, ye 
from whom spring Gods and men ! List to 
me now, all of you, and give me a child 
apart from Zeus, yet nothing inferior to him 
in might, nay, stronger than he, as much as 
far-seeing Zeus is mightier than Cronus I " 

So spake she, and smote the ground with 
her firm hand. Then Earth, the nurse of 
life, was stirred, and Hera, beholding it, was 
glad at heart, for she deemed that her prayer 
would be accomplished. From that hour for 
a full year she never came to the bed of wise 
Zeus, nor to her throne adorned, whereon 
she was wont to sit, planning deep counsel, 
but dwelling in her temples, the homes of 
Prayers, she took joy in her sacrifices, the 
ox-eyed lady Hera. 

Now when her months and days were 
fulfilled, the year revolving, and the seasons 
in their course coming round, she bare a 
birth like neither Gods nor mortals, the dread 
Typhaon, not to be dealt with, a bane of men. 



353-370 HYMN TO APOLLO 123 

Him now she took, the ox-eyed lady Hera, 
and carried and gave to the Dragoness/ to 
bitter nurse a bitter fosterling, who received 
him, that ever wrought many wrongs among 
the renowned tribes of men.] 

Whosoever met the Dragoness, on him 
would she bring the day of destiny, before 
the Prince, far-darting Apollo, loosed at her 
the destroying shaft ; then writhing in strong 
anguish, and mightily panting she lay, roll- 
ing about the land. Dread and dire was the 
din, as she writhed hither and thither through 
the wood, and gave up the ghost, and Phoebus 
spoke his malison : 

"There do thou rot upon the fruitful 
earth ; no longer shalt thou, at least, live to 
be the evil bane of mortals that eat the fruit 
of the fertile soil, and hither shall bring per- 
fect hecatombs. Surely from thee neither 
shall Typhceus, nay, nor Chimaera of the 
evil name, shield death that layeth low, but 
here shall black earth and bright Hyperion 
make thee waste away." 

So he spake in malison, and darkness 



124 HOMERIC HYMNS 370-388 

veiled her eyes, and there the sacred strength 
of the sun did waste her quite away. Whence 
now the place is named Pytho, and men 
call the Prince " Pythian " for that deed, for 
even there the might of the swift sun made 
corrupt the monster.^ 

Then Phoebus Apollo was ware in his 
heart that the fair-flowing spring, Telphusa, 
had beguiled him, and in wrath he went to 
her, and swiftly came, and standing close by 
her, spoke his word: 

"Telphusa, thou wert not destined to be- 
guile my mind, nor keep the winsome lands 
and pour forth thy fair waters. Nay, here 
shall my honour also dwell, not thine alone." 

So he spoke, and overset a rock, with a 
shower of stones, and hid her streams, the 
Prince, far-darting Apollo. And he made 
an altar in a grove of trees, hard by the 
fair-flowing stream, where all men name him 
in prayer, "the Prince Telphusian," for that 
he shamed the streams of sacred Telphusa. 

Then Phoebus Apollo considered in his 

* A folk-etymology from ird^€cy=to rot. 



389-408 HYMN TO APOLLO 125 

heart what men he should bring in to be 
his ministers, and to serve him in rocky 
Pytho. While he was pondering on this, 
he beheld a swift ship on the wine-dark sea, 
and aboard her many men and good, Cretans 
from Minoan Cnossus, such as do sacrifice 
to the God, and speak the doom of Phoebus 
Apollo of the Golden Sword, what word so- 
ever he utters of sooth from the daphne in 
the dells of Parnassus. For barter and 
wealth they were sailing in the black ship 
to sandy Pylos, and the Pylian men. Anon 
Phoebus Apollo set forth to meet them, leap- 
ing into the sea upon the swift ship in the 
guise of a dolphin, and there he lay, a portent 
great and terrible. 

[Of the crew, whosoever sought in heart 
to comprehend what he was • . . On all 
sides he kept swaying to and fro, and shaking 
the timbers of the galley.] But all they sat 
silent and in fear aboard the ship, nor loosed 
the sheets, nor the sail of the black-prowed 
galley ; nay, even as they had first set the 
sails so they voyaged onward, the strong 



126 HOMERIC HYMNS 409-428 

south-wind speeding on the vessel from 
behind. First they rounded Malea, and 
passed the Laconian land and came to 
Helos, a citadel by the sea, and Taenarus, the 
land of Helios, that is the joy of mortals, 
where ever feed the deep-fleeced flocks of 
Prince Helios, and there hath he his glad 
demesne. There the crew thought to stay 
the galley, and land and consider of the 
marvel, and see ^Vhether that strange thing will 
abide on the deck of the hollow ship or leap 
again into the swell of the fishes' home. 
But the well-wrought ship did not obey the 
rudder, but kept ever on her way beyond 
rich Peloponnesus, Prince Apollo lightly 
guiding it by the gale. So accomplishing 
her course she came to Arene, and pleasant 
Arguphea, and Thryon, the ford of Alpheius, 
and well-builded Aepu, and sandy Pylos, and 
the Pylian men, and ran by Crounoi, and 
Chalcis, and Dyme, and holy Elis, where the 
Epeians bear sway. Then rejoicing in the 
breeze of Zeus, she was making for Pherae, 
when to them out of the clouds showed 



428-445 HYMN TO APOLLO 127 

forth the steep ridge of Ithaca, and Duli- 
chium, and Same, and wooded Zacynthus. 
Anon when she had passed beyond, all 
Peloponnesus, there straightway, off Crisa, 
appeared the wide sound, that bounds rich 
Peloponnesus. Then came on the west 
wind, clear and strong, by the counsel of 
Zeus, blowing hard out of heaven, that the 
running ship might swiftest accomplish her 
course over the salt water of the sea. 

Backward then they sailed towards the 
Dawn and the sun, and the Prince was their 
guide, Apollo, son of Zeus. Then came they 
to far-seen Crisa, the land . of vines, into the 
haven, while the sea-faring ship beached her- 
self on the shingle. Then from the ship leaped 
the Prince, far-darting Apollo, like a star at 
high noon, while the gledes of fire flew from 
him, and the splendour flashed to the heavens. 
Into his inmost Holy Place he went through 
the precious tripods, and in the midst he 
kindled a flame showering forth his shafts, 
and the splendour filled all Crisa,^ and the 

^ A similar portent is of recent belief in Maori tradition. 



128 HOMERIC HYMNS 445-464 

wives of the Crisaeans, and their fair-girdled 
daughters raised a wail at the rushing flight of 
Phoebus, for great fear fell upon all. Thence 
again to the galley he set forth and flew, fleet 
as a thought, in shape a man lusty and strong, 
in his first youth, his locks swathing his wide 
shoulders. Anon he spake to the seamen 
winged words : 

"Strangers, who are ye, whence sail ye 
the wet ways? Is it after merchandise, or 
do ye wander at adventure, over the salt 
sea, as sea-robbers use, that roam staking 
their own lives, and bearing bane to men 
of strange speech ? Why sit ye thus adread, 
not faring forth on the land, nor slackening 
the gear of your black ship ? Sure this is the 
wont of toilsome mariners, when they come 
from the deep to the land in their black 
ship, foredone with labour, and anon a long- 
ing for sweet food seizes their hearts." 

So spake he, and put courage in their 
breasts, and the leader of the Cretans an- 
swered him, saying : 

"Stranger, behold thou art no whit like 



465-482 HYMN TO APOLLO 129 

unto mortal men in shape or growth, but 
art a peer of the Immortals, wherefore all 
hail, and grace be thine, and all good things 
at the hands of the Gods. Tell me then 
truly that I may know indeed, what people 
is this, what land, what mortals dwell here ? 
Surely with our thoughts set on another goal 
we sailed the great sea to Pylos from Crete, 
whence we boast our lineage ; but now it 
is hither that we have come, maugre our 
wills, with our galley — another path and 
other ways — we longing to return, but some 
God has led us all unwilling to this place." 

Then the far -darting Apollo answered 
them : 

" Strangers, who dwelt aforetime round 
^ wooded Cnossus, never again shall ye return 
each to his pleasant city and his own house, 
and his wife, but here shall ye hold my 
rich temple, honoured by multitudes of men. 
Lo 1 I am the son of Zeus, and name myself 
Apollo, and hither have I brought you over 
the great gulf of the sea, with no evil intent. 
Nay, here shall ye possess my rich temple, 



I30 HOMERIC HYMNS 483-502 

held highest in honour among all men, and 
ye shall know the counsels of the Immortals, 
by whose will ye shall ever be held in 
renown. But now come, and instantly obey 
my worcj. First lower the Sails, and loose 
the sheets, and then beach the black ship 
on the land, taking forth the wares and gear 
of the trim galley, and build ye an altar on 
the strand of the sea. Thereon kindle fire, 
and sprinkle above in sacrifice the white 
barley-flour, and thereafter pray, standing 
around the altar. And whereas I first, in 
the misty sea, sprang aboard the swift ship 
in the guise of a dolphin, therefore pray to 
me as Apollo Delphinius, while mine shall 
ever be the Delphian altar seen from afar. 
Then take ye supper beside the swift black 
ship, and pour libations to the blessed Gods 
who hold Olympus. But when ye have dis- 
missed the desire of sweet food then with me 
do ye come, singing the Paean, till ye win 
that place where ye shall possess the rich 
teniple." 

So spake he, while they heard and obeyed 



503-520 HYMN TO APOLLO 131 



eagerly. First they lowered the sails, loosing 
the sheets, and lowering the mast by the 
forestays, they laid it in the mast-stead, and 
themselves went forth on the strand 6l the 
sea. Then forth from the salt sea to the 
mainland they dragged the fleet ship high 
up on the sands, laying long sleepers there- 
under, and they builded an altar on the sea- 
strand, and lit fire* thereon, scattering above 
white barley-flour in sacrifice, and, standing 
around the altar, they prayed as the God 
commanded. Anon they took supper beside 
the fleet black ship, and poured forth libations 
to the blessed Gods who hold Olympus. 
But when they had dismissed the desire of 
meat and drink they set forth on their way, 
and the Prince Apollo guided them, harp 
in hand, and sweetly he harped, faring with 
high and goodly strides. Dancing in his 
train the Cretans followed to Pytho, and the 
Paean they were chanting, the paeans of 
the Cretans in whose breasts the Muse hath 
put honey-sweet song. All unwearied they 
strode to the hill, and swiftly were got to 



132 HOMERIC HYMNS 521-537 



Parnassus and a winsome land, where they 
were to dwell, honoured of many among 
men. 

Apollo guided them, and showed his holy 
shrine and rich temple, and the spirit was 
moved in their breasts, and the captain of 
the Cretans spake, and asked the God, 
saying : 

"Prince, since thou hast led us far from 
friends and our own country, for so it* pleases 
thee, how now shall we live, we pray thee 
tell us. This fair land bears not vines, nor 
is rich in . meadows, wheref rom we might live 
well, and minister to men." 

Then, smiling, Apollo, the son of Zeus, 
spoke to them : 

" Foolish ones, enduring hearts, who desire 
cares, and sore toil, and all straits I A light 
word will I speak to you, do ye consider it. 
Let each one of you, knife in right hand, 
be ever slaughtering sheep that in abundance 
shall ever be yours, all the flocks that the 
renowned tribes of men bring hither to me. 
Yours it is to guard my temple, and receive 



538-546 HYMN TO APOLLO 133 



the tribes of men that gather hither, doing, 
above all, as my will enjoins. But if any 
vain word be spoken, or vain deed wrought, 
or violence after the manner of mortal men, 
then shall others be your masters, and hold 
you in thraldom for ever,^ I have spoken 
all, do thou keep it in thy heart." 

Even so, fare thou well, son of Zeus and 
Leto, but I shall remember both thee and 
another song. 

^ See Essay on this Hymn. 



II 

HERMES 

/^F Hermes sing, O Muse, the son of 
^^ Zeus and Maia, Lord of Cyllene, and 
Arcadia rich in sheep, the fortune-bearing 
Herald of the Gods, him whom Maia bore, 
the fair-tressed nymph, that lay in the arms 
of Zeus ; a shamefaced nymph was she, 
shunning the assembly of the blessed Gods, 
dwelling within a shadowy cave. Therein 
was CrbniOn wont to embrace the fair-tressed 
nymph in the deep of night, when sweet sleep 
held white-armed Hera, the immortal Gods 
knowing it not, nor mortal men. 

But when the mind of great Zeus was fulfilled, 
and over her the tenth moon stood in the sky, 
the babe was born to light, and all was made 
manifest ; yea, then she bore a child of many 
a wile and cunning counsel, a robber, a driver 

»34 



13-33 HERMES 135 

of the kine, a captain of raiders, a watcher of 
the night, a thief of the gates, who soon should 
show forth deeds renowned among the death- 
less Gods. Born in the dawn, by midday 
well he harped, and in the evening stole the 
cattle of Apollo the Far-darter, on that fourth 
day of the month wherein lady Maia bore 
him. Who, when he leaped from the im- 
mortal knees of his mother, lay not long in 
the sacred cradle, but sped forth to seek the 
cattle of Apollo, crossing the threshold of the 
high-roofed cave. There found he a tortoise, 
and won endless delight, for lo, it was Hermes 
that first made of the tortoise a minstrel. 
The creature met him at the outer door, as 
she fed on the rich grass an front of the 
dwelling, waddling along, at sight whereof 
the luck-bringing son of Zeus laughed, and 
straightway spoke, saying: 

"Lo, a lucky omen for me,' not by me to 
be mocked ! Hail, darling and dancer, friend 
of the feast, welcome art thou ! whence gatst 
thou the gay garment, a speckled shell, thou, 
a mountain-dwelling tortoise ? Nay, I will 



136 HOMERIC HYMNS 33-52 

carry thee within, and a boon shalt thou be 
to me, not by me to be scorned, nay, thou 
shalt first serve my turn. Best it is to bide 
at home, since danger is abroad. Living 
shalt thou be a spell against ill witchery, and 
dead, then a right sweet music-maker." 

So spake he, and raising in both hands the 
tortoise, went back within the dwelling, bear- 
ing the glad treasure. Then he choked the 
creature, and with a gouge of grey iron he 
scooped out the marrow of the hill tortoise. 
And as a swift thought wings through the 
breast of one that crowding cares are haunt- 
ing, or as bright glances fleet from the eyes, 
so swiftly devised renowned Hermes both 
deed and word. He cut to measure stalks 
of reed, and fixed them in through holes 
bored in the stony shell of the tortoise, and 
cunningly stretched round it the hide of an 
ox, and put in the horns of the lyre, and to 
both he fitted the bridge, and stretched seven 
harmonious chords of sheep-gut.^ 

^ In our illuslration both the lyre with a tortoise-shell for 
sounding-board, and the cithara, with no such sounding-board, 
are represented. Is it possible that '* the tuneful shell " was 



52-66 HERMES 137 

Then took he his treasure, when he had 
fashioned it, and touched the strings in turn 
with the plectrum^ and wondrously it sounded 
under his hand, and fair sang the God to the 
notes, improvising his chant as he played, like 
lads exchanging taunts at festivals. Of Zeus 
Cronides and fair-sandalled Maia he sang how 
they had lived in loving dalliance, and he 
told out the tale of his begetting, and sang 
the handmaids and the goodly halls of the 
Nymph, and the tripods in the house, and 
the store of cauldrons. So then he sang, 
but dreamed of other deeds; then bore he 
the hollow lyre and laid it in the sacred 
cradle, then, in longing for flesh of kine 
he sped from the fragrant hall to a place 
of outlook, with such a design in his heart 

primarily used ^vithoui chords, as an instrument for drumming 
upon? The drum, variously made, is the primitive musical 
instrument, and it is doubled whether any stringed instrument 
existed among native American races* But drawings in ancient 
Aztec MSB. (as Mr. Morse has recently observed) show the 
musidaa using a kind of drum made of a tortoise-shell, and some 
students have (probably with too much fancy) recognised a 
figure with a tortoise-shell fitted with chords, in Aztec MSS. 
It is possible enough that the early Greeks used the shell as a 
sort of drum, before some inventor (Hermes, in the Hymn) 
added chords and developed a stringed instrument Cf. p. 39. 



138 HOMERIC HYMNS 67-83 

as reiving men pursue in the dark of 
night. 

The sun had sunk down beneath earth 
into ocean, with horses and chariot, when 
Hermes came running to the shadowy hills 
of Pieria, where the deathless kine of the 
blessed Gods had ever their haunt ; there fed 
they on the fair unshorn meadows. From 
their number did the keen-sighted Argei- 
phontes, son of Maia, cut off fifty loud- 
lowing kine, and drove them hither and 
thither over the sandy land, reversing their 
tracks, and, mindful of his cunning, confused 
the hoof-marks, the front behind, the hind 
in front, and himself fared down again. 
Straightway he wove sandals on the sea- 
sand (things undreamed he wrought, works 
wonderful, unspeakable) mingling myrtle 
twigs and tamarisk, then binding together 
a bundle of the fresh young wood, he 
shrewdly fastened it for light sandals beneath 
his feet, leaves and all,^ — brushwood that the 

^ Such sandals are used to hide their tracks by Avengers 
of Blood among the tribes of Central Australia. 



84-IOI HERMES 139 

renowned slayer of Argos had plucked on 
his way from Pieria [being, as he was, in 
haste, down the long way]. 

Then an old man that was labouring a 
fruitful vineyard, marked the God faring 
down to the plain through grassy Onchestus, 
and to him spoke first the son of renowned 
Maia: 

" Old man that bowest thy shoulders over 
thy hoeing, verily thou shalt have wine enough 
when all these vines are bearing. . . . See 
thou, and see not ; hear thou, and hear not ; 
be silent, so long as naught of thine is 
harmed." 

Therewith he drave on together the sturdy 
heads of cattle. And over many a sha- 
dowy hill, and through echoing corries and 
flowering plains drave renowned Hermes. 
Then stayed for the more part his darkling 
ally, the sacred Night, and swiftly came 
morning when men can work, and sacred 
Selene, daughter of Pallas, mighty prince, 
clomb to a new place of outlook, and then 
the strong son of Zeus drave the broad- 



I40 HOMERIC HYMNS 102-1 1 8 

browed kine of Phoebus Apollo to the river 
Alpheius. Unwearied they came to the high- 
roofed stall and the watering-places in front 
of the fair meadow. There, when he had 
foddered the deep-voiced kine, he herded 
them huddled together into the byre, munch- 
ing lotus and dewy marsh marigold ; next 
brought he much wood, and set himself to 
the craft of fire-kindling. Taking a goodly 
shoot of the daphne, he peeled it with the 
knife, fitting it to his hand,^ and the hot 
vapour of smoke arose. [|!x>, it was Hermes 
first who gave fire, and the fire-sticks.] Then 
took he many dry faggots, great plenty, and 
piled them in the trench, and flame began to 
break, sending far the breath of burning fire. 
And when the force of renowned Hephaestus 
kept the fire aflame, then downward dragged 
he, so mighty his strength, two bellowing kine 
of twisted horn : close up to the fire he 
dragged them, and cast them both panting 
upon their backs to the ground. [Then 

^ This piece of wood is that in which the other is twirled to 
make fire by friction. 



ii8-i37 HERMES 141 

bending over them he turned them upwards 
and cut their throats]. . • task upon task, and 
sliced off the fat meat, pierced it with spits 
of wood, and broiled it, — flesh, and chine, 
the joint of honour, and blood in the bowels, 
all together ; — then laid all there in its place. 
The hides he stretched out on a broken rock, 
as even now they are used, such as are to 
be enduring : long, ^nd long after that ancient 
day.^ Anon glad Hermes dragged the fat 
portions on to a smooth ledge, and cut twelve 
messes sorted out by lot, to each its due meed 
he gave. Then a longing for the rite of the 
sacrifice of flesh came on renowned Hermes : 
for the sweet savour irked him, immortal 
as he was, but not even so did his strong 
heart yield.' . . . The fat and flesh he placed 
in the high-roofed stall, the rest he swiftly 
raised aloft, a trophy of his reiving, and, 
gathering dry faggots, he burned heads and 
feet entire with the vapour of flame. Anon 

^ Otherwise written and interpreted, " as even now the skins 
are there,*' that is, are exhibited as relics. 

■ " Der Zweite Halbvers is mir absolut unverstandlich ! ** — 
GemclL 



142 HOMERIC HYMNS 137-156 

when the God had duly finished all, he 
cast his sandals into the deep swirling pool 
of Alpheius, quenched the embers, and all 
night long spread smooth the black dust : 
Selene lighting him with her lovely light. 
Back to the crests of Cyllene came the God 
at dawn, nor blessed God, on that long way, 
nor mortal man encountered him ; nay, and 
no dog barked. Then Hermes, son of Zeus, 
bearer of boon, bowed his head, and entered 
the hall through the hole of the bolt, like 
mist on the breath of autumn. Then, stand- 
ing erect, he sped to the rich inmost chamber 
of the cave, lightly treading noiseless on the 
floor. Quickly to his cradle came glorious 
Hermes and wrapped the swaddling bands 
about his shoulders, like a witless babe, 
playing with the wrapper about his knees. 
So lay he, guarding his dear lyre at his 
left hand. But his Goddess mother the God 
did not deceive ; she spake, saying : 

"Wherefore, thou cunning one, and 
whence comest thou in the night, thou clad 
in shamelessness ? Anon, methinks, thou 



156-177 HERMES 143 

wilt go forth at. Apollo's hands with bonds 
about thy sides that may not be broken, 
sooner than be a robber in the glens. Go 
to, wretch, thy Father begat thee for a trouble 
to deathless Gods and mortal men.'* 

But Hermes answered her with words of 
guile: "Mother mine, why wouldst thou scare 
me so, as though I were a redeless child, 
with little craft in his heart, a trembling 
babe that dreads his mother's chidings ? 
Nay, but I will essay the wiliest craft to 
feed thee and me for ever. We twain are 
not to endure to abide here, of all the death- 
less Gods alone unapproached with sacrifice 
and prayer, as thou commandest. Better 
it is eternally to be conversant with Im- 
mortals, richly, nobly, well seen in wealth 
of grain, than to be homekeepers in a 
darkling cave. And for honour, I too will 
have my dues of sacrifice, even as Apollo. 
Even if my Father give it me not I will 
endeavour, for I am of avail, to be a captain 
of reivers. And if the son of renowned 
Leto make inquest for me, methinks some 



144 HOMERIC HYMNS 177-194 

worse thing will befall him. For to Pytho 
I will go, to break into his great house, 
whence I shall sack goodly tripods and 
cauldrons enough, and gold, and gleaming 
iron, and much raiment. Thyself, if thou 
hast a mind, shalt see it." 

So held they converse one with another, 
the son of Zeus of the iCgis, and Lady Maia. 
Then Morning the Daughter of Dawn was 
arising from the deep stream of Oceanus, 
bearing light to mortals, what time Apollo 
came to Onchestus in his . journeying, the 
gracious grove, a holy place of the loud 
Girdler of the Earth : there he found an 
old man grazing his ox, the stay of his vine- 
yard, on the roadside*^ Him first bespoke 
the son of renowned Leto. 

" Old man, hedger of grassy Onchestus ; 
hither am I come seeking cattle from Pieria, 
all the crook-horned kine out of my herd: 
my black bull was wont to graze apart 
from the rest, and my four bright-eyed 

^ This is not likely to be the sense, but sense the text gives 
none. Allen, Journal of Hellenic Studies ^ xvii. 1 1. 



195-213 HERMES 145 

hounds followed, four of them; wise as men 
and all of one. mind. These were left, the 
hounds and the bull, a marvel ; but the kine 
wandered away from their soft meadow and 
sweet pasture, at the going down of the sun. 
Tell me, thou old man of ancient days, if 
thou hast seen any man faring after these 
cattle?" 

Then to him the old man spake and 
answered : 

"My friend, hard it were to tell all that 
a man may see : for many wayfarers go by, 
some full of ill intent, and some of good : 
and it is difficult to be certain regarding each. 
Nevertheless, the whole day long till sunset 
I was digging about my vineyard plot, and 
methought I marked — but I know not surely 
— 2. child that went after the horned kine ; 
right young he was, and held a staff, and 
kept going from side to side, and backwards 
he drove the kine, their faces fronting him." 

So spake the old man, but Apollo heard, 
and went fleeter on his path. Then marked 
he a bitd long of wing, and anon he knew 



146 HOMERIC HYMNS 213-232 



that the thief had been the son of Zeus 
Cronion. Swiftly sped the Prince, Apollo, 
son of Zeus, to goodly Pylos, seeking the 
shambling kine, while his broad shoulders 
were swathed in purple cloud. Then 
the Far -darter marked the tracks, and 
spake : 

"Verily, a great marvel mine eyes behold 1 
These be the tracks of high-horned kine, 
but all are turned back to the meadow of 
asphodel. But these are not the footsteps 
of a man, nay, nor of a woman, nor of grey 
wolves, nor bears, nor lions, nor, methinks, 
of a shaggy-maned Centaur, whosoever with 
fleet feet makes such mighty strides ! Dread 
to ' see they are that backwards go, more 
dread they that go forwards." 

So speaking, the Prince sped on, Apollo, 
son of Zeus. To the Cyllenian hill he came, 
that is clad in forests, to the deep shadow of 
the hollow rock, where the deathless nymph 
brought forth the child of Zeus Cronion, A 
fragrance sweet was spread about the goodly 
hill, and many tall sheep were grazing the 



233-252 HERMES 147 

grass. Thence he went fleetly over the stone 
threshold into the dusky cave, even Apollo, 
the Far-darter. 

Now when the son of Zeus and Maia 
beheld Apollo thus in wrath for his kine, 
he sank down within his fragrant swaddling 
bands, being covered as piled embers of 
burnt tree-roots are covered by thick ashes, 
so Hermes coiled himself up, when he saw 
the Far - darter ; and curled himself, feet, 
head, and hands, into small space [sum- 
moning sweet sleep], though of a verity 
wide awake, and his tortoise-shell he kept 
beneath his armpit. But the son of Zeus 
and Leto marked them well, the lovely 
mountain nymph and her . dear son, a little 
babe, all wrapped in cunning wiles. Gazing 
round all the chamber of the vasty dwell- 
ing, Apollo opened three aumbries with the 
shining key ; full were they of nectar and 
glad ambrosia, and much gold and silver lay 
within, and much raiment of the Nymph, 
purple and glistering, such as are within the 
dwellings of the mighty Gods. Anon, when 



148 HOMERIC HYMNS 252-270 

he had searched out the chambers of the 
great hall, the son of Leto spake to renowned 
Hermes : 

" Child, in the cradle lying, tell me straight- 
way of my kine : or speedily between us 
twain will be unseemly strife. For 1 will 
seize thee and cast thee into murky Tartarus, 
into the darkness of doom where none is of 
avail. Nor shall thy father or mother redeem 
thee to the light : nay, under earth shalt thou 
roam, a reiver among folk fordone." 

Then Hermes answered with words of 
craft : " Apollo, what ungentle word hast thou 
spoken ? And is it thy cattle of the home- 
stead thou comest here to seek ? I saw them 
not, heard not of them, gave ear to no word 
of them : of them I can tell no tidings, nor 
win the fee of him who tells. Not like a 
lifter of cattle, a stalwart man, am I : no task 
is this of mine : hitherto I have other cares ; 
sleep, and mother's milk, and about my 
shoulders swaddling bands, and warmed 
baths. Let none know whence this feud 
arose ! And verily great marvel among the 



270-289 HERMES 149 

Immortals it would be, that a new-born child 
should cross the threshold after kine of the 
homestead ; a silly rede of thine. Yesterday 
was I born, my feet are tender, and rough 
is the earth below. But if thou wilt I shall 
swear the great oath by my father's head, 
that neither I myself am to blame, nor 
have I seen any other thief of thy kine : 
be kine what they may, for I know but by 
hearsay." 

So spake he with twinkling eyes, and 
twisted brows, glancing hither and thither, 
with long-drawn -whistling breath, hearing 
Apollo's word as a vain thing. Then lightly 
laughing spake Apollo the Far-darter : 

" Oh, thou rogue, thou crafty one ; verily 
methinks that many a time thou wilt break 
into stablished homes, and by night leave 
many a man bare, silently pilling through 
his house, such is thy speech to-day 1 And 
many herdsmen of the steadings wilt thou 
vex in the mountain glens, when in lust for 
flesh thou comest on the herds and sheep 
thick of fleece. Nay come, lest thou sleep 



ISO HOMERIC HYMNS 289-308 



the last and longest slumber, come forth 
from thy cradle, thou companion of black 
night ! For surely this honour hereafter thou 
shalt have among the Immortals, to be called 
for ever the captain of reivers." 

So spake Phoebus Apollo, and lifted the 
child, but even then strong Argus-bane had 
his device, and, in the hands of the God, 
let forth an Omen, an evil belly-tenant, with 
tidings of worse, and a speedy sneeze there- 
after. Apollo heard, and dropped renowned 
Hermes on the ground, then sat down before 
him, eager as he was to be gone, chiding 
Hermes, and thus he spoke : 

" Take heart, swaddling one, child of Zeus 
and Maia. By these thine Omens shall I 
find anon the sturdy kine, and thou shalt 
lead the way." 

So spake he, but swiftly arose Cyllenian 
Hermes, and swiftly fared, pulling about 
his ears his swaddling bands that were his 
shoulder wrapping. Then spake he : 

"Whither bearest thou me. Far-darter, of 
Gods most vehement ? Is it for wrath about 



308-328 HpRMES 151 

thy kine that thou thus provokest me ? Would 
that the race of kine might perish, for thy 
cattle have I not stolen, nor seen another 
steal, whatsoever kine may be ; I know but 
by hearsay, 1 1 But let our suit be judged 
before Zeus Cronion." 

Now were lone Hermes and the splendid 
son of Leto point by point disputing their 
pleas, Apollo with sure knowledge was right- 
eously seeking to convict renowned Hermes 
for the sake of his kine, but he with craft 
and cunning words sought to beguile, — the 
Cyllenian to beguile the God of the Silver 
Bow. But when the wily one found one as 
wily, then speedily he strode forward through 
the sand in front, while behind came the son 
of Zeus and Leto. Swiftly they came to 
the crests of fragrant Olympus, to father Cro- 
nion they came, these goodly sons of Zeus, 
for there were set for them the balances of 
doom. Quiet was snowy Olympus, but they 
who know not decay or death were gather- 
ing after gold-throned Dawn. Then stood 
Hermes and Apollo of the Silver Bow before 



152 HOMERIC HYMNS 329-348 



the knees of Zeus, the Thunderer, who in- 
quired of his glorious Son, saying : 

" Phoebus, whence drivest thou such mighty 
spoil, a new-born babe like a Herald? A 
mighty matter this, to come before the gather- 
ing of the Gods ! " 

Then answered him the Prince, Apollo the 
Par-darter : 

" Father, anon shalt thou hear no empty 
tale ; tauntest thou me, as though I were 
the only lover of booty ? This boy have 
I found, a finished reiver, in the hills of 
Cyllene, a long way to wander ; so fine a 
knave as I know not among Gods or men, 
of all robbers on earth. My kine he stole 
from the meadows, and went driving them at 
eventide along the loud sea shores, straight 
to Pylos. Wondrous were the tracks, a 
thing to marvel on, work of a glorious god. 
For the black dust showed the tracks of 
the kine making backward to the mead of 
asphodel ; but this child intractable fared 
neither on hands nor feet, through the sandy 
land, but this other strange craft had he. 



349-368 HERMES 153 

to tread the paths as if shod on with oaken 
shoots.* While he drove the kine through 
a land of sand, right plain to discern were 
all the tracks in the dust, but when he had 
crossed the great tract of sand, straightway 
on hard ground his traces and those of the 
kine were ill to discern. But a mortal man 
beheld him, driving straight to Pylos the 
cattle broad of brow. Now when he had 
stalled the kine in quiet, and confused his 
tracks on either .side the way, he lay dark as 
night in his cradle, in the dusk of a shadowy 
cave. The keenest eagle could not have spied 
him, and much he rubbed his eyes, with 
crafty purpose, and bluntly spake his word : 

" I saw not, I heard not aught, nor learned 
another's tale ; nor tidings could I give, nor 
win reward of tidings*" 

Therewith Phoebus Apollo sat him down, 
but another tale did Hermes tell, among the 
Immortals, addressing Cronion, the master of 
all Gods : 

"Father Zeus, verily the truth will I tell 

* " As if one walked with trees instead of feet." — Affen, 



154 HOMERIC HYMNS 369-388 

thee : for true am I, nor know the way of 
falsehood. To-day at sunrise came Apollo to 
our house, seeking his shambling kine. No 
witnesses of the Gods brought he, nor no 
Gods who had seen the fact. But he bade 
me declare the thing under duress, threaten- 
ing oft to cast me into wide Tartarus, for he 
wears the tender flower of glorious youth, 
but I was born but yesterday, as well him- 
self doth know, and in naught am I like 
a stalwart lifter of kine. Believe, for thou 
givest thyself out to be my father, that may 
I never be well if I drove home the kine, 
nay, or crossed the threshold. This I say 
for sooth ! The Sun I greatly revere, and 
other gods, and Thee I love, and htm I dread. 
Nay, thyself knowest that I am not to blame ; 
and thereto I will add a great oath : by these 
fair-wrought porches of the Gods I am guilt- 
less, and one day yet I shall avenge me on 
him for this pitiless accusation, mighty as he 
is ; but do thou aid the younger 1 " 

So spake Cyllenian Argus -bane, and 
winked, with his wrapping on his arm : he 



389-407 HERMES 155 

did not cast it down. But Zeus laughed 
aloud at the sight of his evil-witted child, 
so well and wittily he pled denial about the 
kine. Then bade he them both be of one 
mind, and so seek the cattle, with Hermes 
as guide to lead the way, and show without 
guile where he had hidden the sturdy kine. 
The Son of Cronos nodded, and glorious 
Hermes obeyed, for lightly persuadeth the 
counsel of Zeus of the Mg\s. 

Then sped both of them, the fair children 
of Zeus, to sandy Pylos, at the ford of 
Alpheius, and to the fields they came, and 
the stall of lofty roof, where the booty was 
tended in the season of darkness. There 
anon Hermes went to the side of the 
rocky cave, and began driving the sturdy 
cattle into the light. But the son of Leto, 
glancing aside, saw the flayed skins on the 
high rock, and quickly asked renowned 
Hermes : 

" How wert thou of avail, oh crafty one, 
to flay two kine ; new-born and childish as 
thou art ? For time to come I dread thy 



156 HOMERIC HYMNS 407-427 



might : no need for thee to be growing long, 
thou son of Maia ! " ^ 

[So spake he, and round his hands twisted 
strong bands of withes, but they at his feet 
were soon intertwined, each with other, and 
lightly were they woven over all the kine of 
the field, by the counsel of thievish Hermes, 
but Apollo marvelled at that he saw.] 

Then the strong Argus-bane with twinkling 
glances looked down at the ground, wishful 
to hide his purpose. But that harsh son 
of renowned Leto, the Far-darter, did he 
lightly soothe to his will ; taking his lyre in 
his left hand he tuned it with the plectrum: 
and wondrously it rang beneath his hand. 
Thereat Phoebus Apollo laughed and was glad, 
and the winsome note passed through to his 
very soul as he heard. Then Maia's son took 
courage, and sweetly harping with his harp 
he stood at Apollo's left side, playing his pre- 
lude, and thereon followed his winsome voice. 

1 The passage which follows (409-414) is too corrupt to 
admit of any but conjectural rendering. Probably Apollb twisted 
bands, which fell off Hermes, turned to growing willows, and 
made a bower over the kine. See Mr. Allen, op. cit. 



427-443 HERMES 157 

He sang the renowns of the deathless Gods, 
and the dark Earth, how all things were at 
the first, and how each God gat his portion. 

To Mnemosyne first of Gods he gave the 
meed of minstrelsy, to the Mother of the 
Muses, for the Muse came upon the Son 
of Maia. 

Then all the rest of the Immortals, in 
order of rank and birth, did he honour, the 
splendid son of Zeus, telling duly all the 
tale, as he struck the lyre on his arm. But 
on Apollo's heart in his breast came the 
stress of desire, who spake to him winged 
words : 

"Thou crafty slayer of kine, thou com- 
rade of the feast ; thy song is worth the 
price of fifty oxen 1 Henceforth, methinks, 
shall we be peacefully made at one. But, 
come now, tell me this, thou wily Son of 
Maia, have these marvels been with thee even 
since thy birth, or is it that some immortal, 
or some mortal man, has given thee the 
glorious gift and shown thee song divine ? 
For marvellous is this new song in mine ears, 



158 HOMERIC HYMNS 444-464 



such as, methinks, none hath known, either of 
men, or of Immortals who have mansions in 
Olympus, save thyself, thou reiver, thou Son 
of Zeus and Maia ! What art is this, what 
charm against the stress of cares? What a 
path of song 1 for verily here is choice of all 
three things, joy, and love, and sweet sleep. 
For truly though I be conversant - with the 

_ * 

Olympian Muses, to whom dances are a 
charge, and the bright minstrel hymn, and 
rich song, and the lovesome sound of flutes, 
yet never yet hath aught else been so dear to 
my heart, dear as the skill in the festivals 
of the Gods. I marvel. Son of Zeus, at this, 
the music of thy minstrelsy. But now since, 
despite thy youth, thou hast such glorious 
skill, to thee and to thy Mother I speak this 
word of sooth : verily, by this shaft of cor- 
nel wood, I shall lead thee renowned and for- 
tunate among the Immortals, and give thee 
glorious gifts, nor in the end deceive thee." 

Then Hermes answered him with cunning 
words : 

"Shrewdly thou quest ionest me, Far-darter, 



465-484 HERMES 159 

nor do I grudge thee to enter upon mine art. 
This day shalt thou know it : and to thee 
would I fain be kind in word and will : but 
within thyself thou. well knowest all things, 
for first among the Immortals, Son of Zeus, 
is thy place. Mighty art thou and strong, 
and Zeus of wise counsels loves thee well 
with reverence due, and hath given thee 
lionour and goodly gifts/ Nay, they tell that 
thou knowest soothsaying, Far-darter, by the 
voice of Zeus : for from Zeus are all oracles, 
wherein I myself now know thee to be all- 
wise. Thy province it is to know what so 
thou wilt. Since, then, thy heart bids thee 
play the lyre, harp thou and sing, and let 
joys be thy care, taking this gift from me ; 
and to me, friend, gain glory. Sweetly sing 
with my shrill comrade in thy hands, that 
knoweth speech good and fair and in order 
due. Freely do thou bear it hereafter into 
the glad feast, and the winsome dance, and 
the glorious revel, a joy by night and day. 
Whatsoever skilled hand shall inquire of it 
artfully and wisely, surely its voice shall teach 



i6o HOMERIC HYMNS 488-503 

him all things joyous, being easily played by 
gentle practice, fleeing dull toil. But if an 
unskilled hand first impetuously inquires of 
it, vain and discordant shall the false notes 
sound. But thine it is of nature to know 
what things thou wilt : so to thee will I give 
this lyre, thou glorious son of Zeus. But we 
for our part will let graze thy cattle of the 
field on the pastures of hill and plain, thou 
Far-darter. So shall the kine, consorting 
with the bulls, bring forth calves male and 
female, great stor«, and no need there is that 
thou, wise as thou art, should be vehement 
in anger." 

So spake he, and held forth the lyre that 
Phoebus Apollo took, and pledged his shining 
whip in the hands of Hermes, and set him 
over the herds. Gladly the son of Maia 
received it ; while the glorious son of Leto, 
Apollo, the Prince, the Far-darter, held the 
lyre in his left hand, and tuned it orderly with 
the plectrum. Sweetly it sounded to his hand, 
and fair thereto was the song of the God. 

Thence anon the twain turned the kine to 



503-522 



HERMES 161 



the rich meadow, but themselves, the glorious 
children of Zeus, hastened back to snow-clad 
Olympus, rejoicing in the lyre : ay, and Zeus, 
the counsellor, was glad of it. [Both did he 
make one in love, and Hermes loved Leto's 
son constantly, even as now, since when in 
knowledge of his love he pledged to the Far- 
darter the winsome lyre, who held it on 
his arm and played thereon.] But Hermes 
withal invented the skill of a new art, the 
far-heard music of the reed pipes. 

Then spake the son of Leto to Hermes 
thus: 

" I fear me. Son of Maia, thou leader, thou 
crafty one, lest thou steal from me both my 
lyre and my bent bow. For this meed thou 
hast from Zeus, to establish the ways of barter 
among men on the fruitful earth. Where- 
fore would that thou shpuldst endure to 
swear me the great oath of the Gods, with a 
nod of the head or by the showering waters 
of Styx, that thy doings shall ever to my 
heart be kind and dear." 

Then, with a nod of his head, did Maia's 



i62 HOMERIC HYMNS S23-S34 

son vow that never would he steal the posses- 
sions o( the Far-darter, nor draw nigh his 
strong dwelling. And Leto's son made vow 
and band of love and alliance, that none other 
among the tiods should be dearer of Gods 
or men the seed of Zeus. [And I shall 
make, with thee, a perfect token of a Cove- 
nant of all Gods and all men, loyal to my 
heart and honoured.] ^ " Thereafter shall 
I give thee a fair wand of wealth and fortun«f 
a golden wand, three-pointed, which shall 
guard thee harmless, accomplishing all things 
good of word and deed that it is mine to 
learn from the voice of Zeus.* But as 
touching the art prophetic, oh best of fos- 
terlings of Zeus, concerning which thou in- 
quirest, for thee it is not fit to leam that 

some Isldng 

re seems to be a leference [o the cadutiiu oF Hermes, 
ime have compaced to the forked Divining Rod. Tlie 
; corrupt and obscure. To mj'self it seems that, when 
the lyre {463-495], Hermes was hinting at his wish 
ve in exchange the gift of prophecy. If so, these 
I are all disjointed, and 511, with wliat follows, should 
;ei 49S, where Hermes maltes the gift of the lyre. 



S3S-SS4 HERMES 163 

art, nay, nor for any other Immortal. That 
lies in the mind of Zeus alone. Myself did 
make pledge, and promise, and strong oath, 
that, save me, none other of the eternal 
Gods should know the secret counsel of 
Zeus. And thou, my brother of the Golden 
Wand, bid me not tell thee what awful pur- 
poses is planning the far-seeing Zeus. 

'' One mortal shall I harm, and another shall 
I bless, with many a turn of fortune among 
hapless men. Of mine oracle shall he have 
profit whosoever comes in the wake of wings 
and voice of birds of omen : he shall have 
profit of mine oracle : him I will not deceive. 
But whoso, trusting birds not ominous, ap- 
proaches mine oracle, to inquire beyond my 
will, and know more than the eternal Gods, 
shall come, I say, on a bootless journey, yet 
his gifts shall I receive. Yet another thing 
will I tell thee, thou Son of renowned Maia 
and of Zeus of the ^Egis, thou bringer of 
boon; there be certain Thriae, sisters born, 
three maidens rejoicing in swift wings. Their 
heads are sprinkled with white barley flour. 



164 HOMERIC HYMNS 51S-S69 

and they dwell beneath a glade of Parnassus, 
apart they dwell, teachers of soothsaying. 
This art I learned while yet a boy I tended 
the kine, and my Father heeded not. Thence 
they flit continually hither and thither, feed- 
ing on honeycombs and bringing all things 
to fulfilment. They, when they are full of 
the spirit of soothsaying, having eaten of 
the wan honey, delight to speak forth the 
truth. But if they be bereft of the sweet 
food divine, then lie they all confusedly. 
These I bestow on thee, and do thou, in- 
quiring clearly, delight thine own heart, and 
if thou instruct any man, he will often hearken 
to thine oracle, if he have the good fortune.^ 
These be thine, O Son of Maia, and the 
cattle of the field with twisted horn do thou 
tend, and horses, and toilsome mules. . • • 
And be lord over the burning eyes of lions, 
and white-toothed swine, and dogs, and sheep 

^ It appears from Philochorus that the prophetic lots were 
called thria. They are then personified, as the prophetic 
Sisters, the Thriae. The white flour on their locks may be the 
grey hair of old age : we know, however, a practice of divining 
with grain among an early agricultural people, the Hurons. 



570-580 HERMES 165 

that wide earth nourishes, and over all flocks 
be glorious Hermes lord. And let him alone 
be herald appointed to Hades, who, though 
he be giftless, will give him highest gift of 
honour." 

With such love, in all kindness, did Apollo 
pledge the Son of Maia, and thereto Cronion 
added grace. With all mortals and immortals 
he consorts. Somewhat doth he bless, but 
ever through the dark night he beguiles the 
tribes of mortal men. 

Hail to thee thus. Son of Zeus and Maia, 
of thee shall I be mindful and of another 
lay. 



Ill 



APHRODITE 

' I ELL me, Muse, of the deeds of golden 
* Aphrodite, the Cyprian, who rouses 
sweet desire among the Immortals, and 
vanquishes the tribes of deathly men, and 
birds that wanton in the air, and all beasts, 
even all the clans that earth nurtures, and 
all in the sea. To all are dear the deeds of 
the garlanded Cyprian. 

Yet three hearts there be that she cannot 
persuade or beguile : the daughter of Zeus 
of the i£gis, grey-eyed Athene: not to her 
are dear the deeds of golden Aphrodite, but 
war and the work of Ares, battle and broil, 
and the mastery of noble arts. First was 
she to teach earthly men the fashioning of 
war chariots and cars fair -wrought with 

i66 



14-31 APHRODITE 167 

bronze. And she teaches to tender maidens 
in the halls all goodly arts, breathing skill 
into their minds. Nor ever doth laughter- 
loving Aphrodite conquer in desire Artemis 
of the Golden Distaifi rejoicing in the sound 
of the chase, for the bow and arrow are 
her delight, and slaughter of the wild beasts 
on the hills: the lyre, the dance, the clear 
hunting halloo, and shadowy glens, and cities 
of righteous men. 

Nor to the revered maiden Hestia are 
the feats of Aphrodite a joy, eldest daughter 
of crooked - counselled Cronos [youngest, 
too, by the design of Zeus of the i£gis], 
that lady whom both Poseidon and Apollo 
sought to win. But she would not, nay 
stubbornly she refused; and she swore a 
great oath fulfilled, with her hand on the 
head of Father Zeus of the i£gis, to be 
a maiden for ever, that lady Goddess. And 
to her Father Zeus gave a goodly meed 
of honour, in lieu of wedlock; and in mid- 
hall she sat her down choosing the best 
portion : and in all temples of the Gods is 



i68 HOMERIC HYMNS 31-45 

she honoured, and among all mortals is chief 
of Gods.* 

Of these she cannot win or beguile the 
hearts. But of all others there is none, of 
blessed Gods or mortal men, that hath 
escaped Aphrodite. Yea, even the heart 
of Zeus the Thunderer she led astray; of 
him that is greatest of all, and hath the 
highest lot of honour. Even his wise wit 
she hath beguiled at her will, and lightly 
laid him in the arms of mortal women ; 
Hera not wotting of it, his sister and his 
wife, the fairest in goodliness of beauty 
among the deathless Goddesses. To highest 
honour did they beget her, crooked-counselled 
Cronos and Mother Rheia ; and Zeus of 
imperishable counsel made her his chaste 
and duteous wife. 

But into Aphrodite herself Zeus sent sweet 

^ Hestia, deity of the sacred hearth, is, in a sense, the 
Cinderella of the Gods, the youngest daughter, tending the holy 
fire. The legend of her being youngest yet eldest daughter 
of Cronos may have some reference to this position. ''The 
hearth-place shall belong to the youngest son or daughter," 
in Kent. See " Costumal of the Thirteenth Century," with much 
learning on the subject, in Mr. Elton's "Origins of English 
History," especially p. 190. 



45-64 APHRODITE 169 

desire, to lie in the arms of a mortal man. 
This wrought he so that anon not even she 
might be unconversant with a mortal bed, 
and might not some day with sweet laughter 
make her boast among all the Gods, the 
smiling Aphrodite, that she had given the 
Gods to mortal paramours, and they for 
deathless Gods bare deathly sons, and that 
she mingled Goddesses in love with mortal 
men. Therefore Zeus sent into her heart 
sweet desire of Anchises, who as then was 
pasturing his kine on the steep hills of many- 
fountained Ida, a man in semblance like 
the Immortals. Him thereafter did smiling 
Aphrodite see and love, and measureless 
desire took hold on her heart. To Cyprus 
wended she, within her fragrant shrine : even 
to Paphos, where is her sacred garth and 
odorous altar. Thither went she in, and shut 
the shining doors, and there the Graces 
laved and anointed her with oil ambrosial, 
such as is on the bodies of the eternal Gods, 
sweet fragrant oil that she had by her. Then 
clad she her body in goodly raiment, and 



lyo HOMERIC HYMNS 6s-«i 

prinked herself with gold, the smiling Aphro- 
dite ; then sped to Troy, leaving fragrant 
Cyprus, and high among the clouds she 
swiftly accomplished her way. 

To many-fountained Ida she came, mother 
of wild beasts, and made straight for the 
steading through the mountain, while behind 
her came fawning the beasts, grey wolves, 
and lions fiery-eyed, and bears, and swift 
pards, insatiate pursuers of the roe-deer. 
Glad was she at the sight of them, and sent 
desire into their breasts, and they went 
coupling two by two in the shadowy dells. 
But she came to the well-builded shielings,^ 
and him she found left alone in the shielings 
with no company, the hero Anchises, graced 
with beauty from the Gods. All the rest 
were faring after the kine through the grassy 
pastures, but he, left lonely at the shielings, 
walked up and down, harping sweet and 
shrill. In front of him stood the daughter 
of Zeus, Aphrodite, in semblance and stature 
like an unwedded maid, lest he should be 

^ Shielings are places of summer abode in pastoral regions. 



8I-IOI APHRODITE . 171 

adread when he beheld the Goddess. And 
Anchises marvelled when he beheld her, her 
height, and beauty, and glistering raiment. 
For she was clad in vesture more shining 
than the flame of fire, and with twisted 
armlets and glistering ear-rings of flower- 
fashion. About her delicate neck were 
lovely jewels, fair and golden : and like the 
moon's was the light on her fair breasts, and 
love came upon Anchises, and he spake 
unto her : 

" Hail, Queen, whosoever of the Immortals 
thou art that comest to this house ; whether 
Artemis, or Leto, or golden Aphrodite, or 
high-born Themis, or grey-eyed Athene. Or 
perchance thou art one of the Graces come 
hither, who dwell friendly with the Gods, 
and have a name to be immortal ; or of the 
nymphs that dwell in this fair glade, or in 
this fair mountain, and in the well-heads of 
rivers,. and in grassy dells. But to thee on 
some point of outlook, in a place far seen, 
will I make an altar, and offer to thee goodly 
victims in every season, ^ut for thy part 



172 HOMERIC HYMNS 101-117 

be kindly, and grant me to be a man pre- 
eminent among the Trojans, and give goodly 
seed of children to follow me; but for me, 
let me live long, and see the sunlight, and 
come to the limit of old age, being ever in 
all things fortunate among men." 

Then Aphrodite the daughter of Zeus 
answered him : 

''Anchises, most renowned of men on 
earth, behold no Goddess am I, — why liken- 
est thou me to the Immortals ? — Nay, mortal 
am I, and a mortal mother bare me, and my 
father is famous Otreus, if thou perchance 
hast heard of him, who reigns over strong- 
warded Phrygia, Now I well know both 
your tongue and our own, for a Trojan nurse 
reared me in the hall, and nurtured me ever, 
from the day when she took me at my 
mother's hands, and while I was but a little 
child. Thus it is, thou seest, that I well 
know thy tongue as well as my own. But 
even now the Argus-slayer of the Golden 
Wand hath ravished me away from the 
choir of Artemis, the Goddess of the Golden 



117-136 APHRODITE 173 

Dista£F, who loves the noise of the chase. 
Many nymphs, and maids beloved of many 
wooers, were we there at play, and a great 
circle of people was about us withal. But 
thence did he bear me away, the Argus-slayer, 
he of the Golden Wand, and bore me over 
much tilled land of mortal men, and many 
wastes untilled and uninhabited, where wild 
beasts roam through the shadowy dells. So 
fleet we passed that I seemed not to touch 
the fertile earth with my feet. Now Hermes 
said that I was bidden to be the bride of 
Anchises, and mother of thy goodly children. 
But when he had spoken and shown the 
thing, lo, instantly he went back among the 
immortal Gods, — the renowned Slayer of 
Argus. But I come to thee, strong necessity 
being laid upon me, and by Zeus I beseech 
thee and thy good parents, — for none ill 
folk may get such a son as thee, — by them 
I implore thee to take me, a maiden as I 
am and untried in love, and show me to 
thy father and thy discreet mother, and to 
thy brothers of one lineage with thee. No 



174 HOMERIC HYMNS 136-155 

unseemly daughter to these, and sister to 
those will I be, but well worthy ; and do thou 
send a messenger swiftly to the Phrygians 
of the dappled steeds, to tell my father of 
my fortunes, and my sorrowing mother : gold 
enough and woven raiment will they send, 
and many and goodly gifts shall be thy meed. 
Do thou all this, and then busk the winsome 
wedding-feast, that is honourable among both 
men and immortal Gods." - 

So speaking, the Goddess brought sweet 
desire into his heart, and love came upon 
Anchises, and he spake, and said : 

'' If indeed thou art mortal and a mortal 
mother bore thee, and if renowned • Otreus 
is thy father, and if thou art come hither 
by the will of Hermes, the immortal Guide, 
and art to be called my wife for ever, then 
neither mortal man nor immortal God shall 
hold me from my desire before I lie with 
thee in love, now and anon ; nay, not even 
if Apollo the Faf-darter himself were to send 
the shafts of sorrow from the silver bow ! 
Nay, thou lady like the Goddesses, willing 



156-172 APHRODITE 175 

were I to go down within the house of 
Hades, if but first I had climbed into thy 
bed." 

So spake he and took . her hand ; while 
laughter-loving Aphrodite turned, and crept 
with fair downcast eyes towards the bed. It 
was strewn for the Prince, as was of wont, 
with soft garments : and above it lay skins of 
bears and deep-voiced lions that he had slain 
in the lofty hills. When then they twain 
had gone up into the well-wrought bed, first 
Anchises took from her body her shining 
jewels, brooches, and twisted armlets, earrings 
and chains : and he loosed her girdle, and 
unclad her of her glistering raiment, that he 
laid on a silver-studded chair. Then through 
the Gods' will and design, by the immortal 
Goddess lay the mortal man, not wotting 
what he did. 

Now in the hour when herdsmen drive 
back the kine and sturdy sheep to the stead- 
ing from the flowery pastures, even then the 
Goddess poured sweet sleep into Anchises, 
and clad herself in her goodly raiment. 



176 HOMERIC HYMNS 173-191 

Now when she was wholly clad, the lady 
Goddess, her head touched the beam of the 
lofty roof: and from her cheeks shone forth 
immortal beauty, — even the beauty of fair- 
garlanded Cytherea. Then she aroused him 
from sleep, and spake, and said : 

'' Rise, son of Dardanus, why now slum- 
berest thou so deeply ? Consider, am I even 
in aspect such as I was when first thine eyes 
beheld me ? " 

So spake she, and straightway he started 
up out of' slumber and was adread, and 
turned his eyes away when he beheld the 
neck and the fair eyes of Aphrodite. His 
goodly face he veiled again in a cloak, and 
imploring her, he spake winged words : 

"Even so soon as mine eyes first be- 
held thee. Goddess, I knew thee for divine : 
but not sooth didst thou speak to me. 
But by Zeus of the iEgis I implore thee, 
suffer me not to live a strengthless shadow 
among men, but pity me : for no man lives 
in strength that has couched with immortal 
Goddesses." 



I92-208 APHRODITE 177 

Then answered him Aphrodite, daughter 
of Zeus : 

'' Anchises, most renowned of mortal men, 
take courage, nor fear overmuch. For no 
fear is there that thou shalt suffer scathe 
from me, nor from others of the blessed 
Gods, for dear to the Gods art thou. And 
to thee shall a dear son be born, and bear 
sway among the Trojans, and children's chil- 
dren shall arise after him continually. Lo, 
iC^NEAS shall his name be called, since dread 
sorrow held me when I came into the bed 
of a mortal man. And of all mortal men 
these who spring from thy race are always 
nearest to the immortal Gods in beauty and 
stature; witness how wise-counselling Zeus 
carried away golden-haired Ganymedes, for 
his beauty's sake, that he might abide with 
the Immortals and be the cup-bearer of the 
Gods in the house of Zeus, a marvellous thing 
to behold, a mortal honoured among all the 
Immortals, as he draws the red nectar from 
the golden mixing-bowl. But grief incur- 
able possessed the heart of Tros, nor knew 

M 



178 HOMERIC HYMNS 208-225 

he whither the wild wind had blown his dear 
son away, therefore day by day he lamented 
him continually till Zeus took pity upon him, 
and gave him as a ransom of his son high- 
stepping horses that bear the immortal Gods. 
These he gave him for a gift, and the Guide, 
the Slayer of Argus, told all these things by 
the command of Zeus, even how Ganymedes 
should be for ever exempt from old age and 
death,, even as are the Gods, Now when his 
father heard this message of Zeus he rejoiced 
in his heart and lamented no longer, but was 
gladly charioted by the wind-fleet horses. 

" So too did Dawn of the Golden Throne 
carry off Tithonus, a man of your lineage, 
one like unto the Immortals. Then went 
she to pray to Cronion, who hath dark 
clouds for his tabernacle, that her lover 
might be immortal and exempt from death 
for ever. Thereto Zeus consented and 
granted her desire, but foolish of heart was 
the Lady Dawn, nor did she deem it good 
to ask for eternal youth for her lover, and 
to keep him unwrinkled by grievous old age. 



226^245 APHRODITE 179 

Now so long as winsome youth was his, in 
joy did he dwell with the Golden-throned 
Dawn, the daughter of Morning, at the 
world's end beside the streams of Oceanus, 
but so soon as grey hairs began to flow 
from his fair head and goodly chin, the Lady 
Dawn held aloof from his bed, but kept and 
cherished him in her halls, giving him food 
and ambrosia and beautiful raiment. But 
when hateful old age had utterly overcome 
him, and he could not move or lift his limbs, 
to her this seemed the wisest counsel ; she 
laid him in a chamber, and shut the shining 
doors, and his voice flows on endlessly, and 
no strength now is his such as once there 
was in his limbs. Therefore I would not 
have thee to be immortal and live for ever 
in such fashion among the deathless Gods, 
but if, being such as thou art in beauty and 
form, thou couldst live on, and be called 
my lord, then this grief would not over- 
shadow my heart. 

" But it may not be, for swiftly will piti- 
less old age come upon thee, old age that 



i8o HOMERIC HYMNS 245-063 

standeth close by mortal men; wretched 
and weary, and detested by the Gods: but 
among the immortal Gods shall great blame 
be mine for ever, and all for love of thee. 
For the Gods were wont to dread my words 
and wiles wherewith I had subdued 'all the 
Immortals to mortal women in love, my 
purpose overcoming them all ; for now, 
lo you, my mouth will no longer suffice 
to speak forth this boast among the Im- 
mortals,^ for deep and sore hath been my 
folly, wretched and not to be named ; and 
distraught have I been who carry a child 
beneath my girdle, the child of a mortal. 
Now so soon as he sees the light of the sun 
the deep-bosomed mountain nymphs will 
rear him for me; the nymphs who haunt 
this great and holy mountain, being of the 
clan neither of mortals nor of immortal Gods. 
Long is their life, and immortal food do 
they eat, and they join in the goodly dance 
with the immortal Gods. With them the 

' Reading x^^^^f ^'* Edgar renders '* no longer will my 
mouth ope to tell," &c. 



263-282 APHRODITE 181 

Sileni and the keen-sighted Slayer of Argus 
live in dalliance in the recesses of the 
darkling caves. At their birth there sprang 
up pine trees or tall-crested oaks on the 
fruitful earth, flourishing and fair, and on 
the lofty mountain they stand, and are called 
the groves of the immortal Gods, which in no 
wise doth man cut down with the steel. But 
wheti the fate of death approaches, first do 
the fair trees wither on the ground, and the 
bark about them moulders, and the twigs 
fall down, and even as the tree perishes so 
the soul of the nymph leaves the light of 
the sun. 

"These nymphs will keep my child with 
them and rear him; and him when first he 
enters on lovely youth shall these Goddesses 
bring hither to thee, and show thee. But to 
thee, that I may tell thee all my mind, will 
I come in the fifth year bringing my son. At 
the sight of him thou wilt be glad when thou 
beholdest him with thine eyes, for he will be 
divinely fair, and thou wilt lead him straight- 
way to windy Ilios. But if any mortal 



l82 HOMERIC HYMNS 282-394 

man asketh of thee what mother bare this 
thy dear son, be mindful to answer him as 
I command : say that he is thy son by one 
of the flower-faced nymphs who dwell in 
this forest-clad mountain, but if in thy folly 
thou speakest out, and boastest to have been 
the lover of fair-garlanded Cytherea, then 
2^us in his wrath will smite thee with the 
smouldering thunderbolt. Now all is told 
to thee: do thou be wise, and keep thy 
counsel, and speak not my name, but revere 
the wrath of the Gods/' 

So spake she, and soared up into the windy 
heaven. 

Goddess, Queen of well-stablished Cyprus, 
having given thee honour due, I shall pass on 
to another hymn. 



Otp. lieail of Persephone. Xev, Victorious Chariot. 

IV 

HYMN TO DEMETER 

/~\ F fair-tressed Demeter, Demeter holy 
^■^ Goddess, I begin to sing : of her and her 
slim*ankled daughter whom Hades snatched 
away, the gift o( wide-beholding Zeus, but 
Demeter knew it not, she that bears the 
Seasons, the giver of goodly crops. For 
her daughter was playing with the deep- 
bosomed maidens of Oceanus, and was gather- 
ing flowers — roses, and crocuses, and fair 



i84 - HOMERIC HYMNS 6-24 



\ 



violets in the soft meadow, and lilies, and 
hyacinths, and the narcissus which the earth 
brought forth as a snare to the fair-faced 
maiden, by the counsel of Zeus and to 
pleasure the Lord with many guests. Won- 
drously bloomed the flower, a marvel for all 
to see, whether deathless gods or deathly 
men. From its root grew forth a hundred 
blossoms, and with its fragrant odour the 
wide heaven above and the whole earth 
laughed, and the salt wave of the sea. Then 
the maiden marvelled, and stretched forth 
both her hands to seize the fair plaything, but 
the wide-wayed earth gaped in the Nysian 
plain, and up rushed the Prince, the host 
of many guests, the many-named son of 
\ Cronos, with his immortal horses. Maugre 
her will he seized her, and drave her off 
weeping in his golden chariot, but she shrilled 
aloud, calling on Father Cronides, the highest 
of gods and the best. 

But no immortal god or deathly man 

heard the voice of her, save 

the daughter of Persasus, Hecate of the 



24-42 HYMN TO DEMETER 185 

shining head-tire, as she was thinking deli- 
cate thoughts, who heard the cry from her 
cave [and Prince Helios, the glorious son 
of Hyperion], the maiden calling on Father 
Cronides. But he far off sat apart from 
the gods in his temple haunted- by prayers, 
receiving goodly victims from mortal men. 
By the design of Zeus did the brother of Zeus 
lead the maiden away, the lord of many, the 
host of many guests, with his deathless horses ; 
right sore against her will, even he of many 
names the son of Cronos. Now, so long as 
the Goddess beheld the earth, and the starry 
' heaven, and the tide of the teeming sea, and 
the rays of the sun, and still hoped to behold 
her mother dear, and the tribes of the eternal 
gods ; even so long, despite her sorrow, hope 
warmed her high heart ; then rang the moun- 
tain peaks, and the depths of the sea to her 
immortal voice, and her lady mother heard 
her. Then sharp pain caught at her heart, 
and with her hands she tore the wimple 
about her ambrosial hair, and cast a dark 
veil about her shoulderSi and then sped she 



l86 HOMERIC HYMNS 45-62 

like a bird over land and sea in her great 
yearning ; but to her there was none that 
would tell the truth, none, either of Gods, 
or deathly men, nor even a bird came nigh 
her, a soothsaying messenger. Thereafter 
for nine days did Lady Deo roam the earth, 
with torches burning in her hands, nor ever 
in her sorrow tasted she of ambrosia and 
sweet nectar, nor laved her body in the 
baths. But when at last the tenth mom 
came to her with the light, Hecate met her, 
a torch in her hands, and spake a word of 
tidings, and said : 

"Lady Demeter, thou that bringest the 
Seasons, thou giver of glad gifts, which of 
the heavenly gods or deathly men hath 
ravished away Persephone, and brought thee 
sorrow : for I heard a voice but I saw not 
who the ravisher might be? All this I say 
to thee for sooth." 

So spake Hecate, and the daughter of 
fair-tressed Rheie answered her not, but 
swiftly rushed on with her, bearing torches 
burning in her hands. So came they to 



62-79 HYMN TO DEMETER 187 

Helios that watches both for gods and men, 
and stood before his car, and the lady 
Goddess questioned him : 

" Helios, be pitiful on me that am a 
goddess, if ever by word or deed I gladdened 
thy heart. My daughter, whom I bore, a 
sweet plant and fair to see ; it was her shrill 
voice I heard through the air unharvested, 
even as of one violently entreated, but I sa>fr 
her not with my eyes. But do thou that 
lobkest down with thy rays from the holy air 
upon all the land and sea, do thou tell me 
truly concerning my dear child, if thou didst 
behold her ; who it is that hath gone off and 
ravished her away from me against her will, 
who is it of gods or mortal men 7 ** 

So spake she, and Hyperionides answered 
her: 

*' Daughter of fair-tressed Rheia, Queen* 
Demeter, thou shalt know it ; for greatly do 
I pity and revere thee in thy sorrow for 
thy slim-ankled child. There is none other 
guilty of the Immortals but Zeus himself that 
gathereth the clouds, who gave thy daughter 



i88 HOMERIC HYMNS go^ 

to Hades, his own brother, to be called his 
lovely wife ; and Hades has ravished her away 
in his chariot, loudly shrilling, beneath the 
dusky gloom. But, Goddess, do thou cease 
from thy long lamenting. It behoves not 
thee thus vainly to cherish anger unassuaged. 
No unseemly lord for thy daughter among 
the Immortals is Aidoneus, the lord of many, 
fhine own brother and of one seed with thee, 
and for his honour he won, since when 
was made the threefold division, to be lord 
among those with whom he dwells." 

So spake he, and called upon his horses, 
and at his call they swiftly bore the fleet 
chariot on like long-winged birds. But grief 
more dread and bitter fell upon her, and 
wroth thereafter was she with Cronion that 
hath dark clouds for his dwelling. She held 
apart from the gathering of the Gods and 
from tall Olympus, and disfiguring her form 
for many days she went among the cities 
and rich fields of men. Now no man knew 
her that looked on her, nor no deep-bosomed 
woman, till she came to the dwelling of 



96-113 HYMN TO DEMETER 189 

Celeus, who then was Prince of fragrant 
Eleusis. There sat she at the wayside in 
sorrow of heart, by the Maiden Well whence 
the townsfolk were wont to draw water. 
In the shade she sat; above her grew a 
thick olive-tree ; and in fashion she was 
like an ancient crone who knows no more 
of child-bearing and the gifts of Aphro- 
dite, the lover of garlands. Such she was 
as are the nurses of the children of doom- 
pronouncing kings. Such are the house- 
keepers in their echoing halls. 

Now the daughters of Celeus beheld her 
as they came to fetch the fair-flowing water, 
to carry thereof in bronze vessels to their 
father's home. Four were they, like unto 
goddesses, all in the bloom of youth, Calli- 
dice, and Cleisidice, and winsome Demo, and 
Callithoe the eldest of them all, nor did they 
know her, for the Gods are hard to be known 
by mortals, but they stood near her and 
spake winged words : 

"Who art thou and whence, old woman, 
of ancient folk, and why wert thou wandering 



190 HOMERIC HYMNS 1 13-132 

apart from the town, nor dost draw nigh to 
the houses where are women of thine own 
age, in the shadowy halls, even such as thou, 
and younger women, too, who may kindly 
entreat thee in word and deed?" 

So spake they, and the lady Goddess 
answered : 

** Dear children, whoever ye be, of woman* 
kind I bid you hail, and I will tell you my 
story. Seemly it is to answer your ques-- 
tions truly, Deo is my name that my lady 

« 

mother gave me ; but now, look you, from 
Crete am I come hither over the wide ridges 
of the sea, by no will of my own, nay, by 
violence have sea-rovers brought me hither 
under duress, who thereafter touched with 
their swift ship at Thoricos where the women 
and they themselves embarked on land. 
Then were they busy about supper beside 
the hawsers of the ship, but my heart heeded 
not delight of supper ; no, stealthily setting 
forth through the dark land I fled from 
these overweening masters, that they might 
not sell me whom they had never bought 



133-152 HYMN TO DEMETER 191 

and gain my price. Thus . hither have I 
come in my wandering, nor know I at all 
what land is this, nor who they be that dwell 
therein. But to you may all they that hold 
mansions in Olympus give husbands and 
lords, and such children to bear as parents 
desire ; but me do ye maidens pity in your 
kindness, till I come to the house of woman 
or of man, that there I may work zealously 
for them in such tasks as fit a woman of my 
years. I could carry in mine arms a new- 
born babe, and nurse it well, and keep the 
house, and strew my master's bed within the 
well-builded chambers, and teach the maids 
their tasks." 

So spake the Goddess, and straightway 
answered her the maid unwed, Callidice, 
the fairest of the daughters of Celeus : 

'' Mother, what things soever the Gods do 
give must men, though sorrowing, endure, 
for the Gods are far stronger than we ; but 
this will I tell thee clearly and soothly, 
namely, what men they are who here have 
most honour, and who lead the people, and by 



192 HOMERIC HYMNS 152-171 



their counsels and just, dooms do safeguard 
the bulwarks of the city. Such are wise 
Triptolemus, Diocles, Polyxenus, and noble 
Eumolpus, and Dolichus, and our lordly 
father. All their wives keep their houses, and 
not one of them would at first sight contemn 
thee and thrust thee from their halls, but 
gladly they will receive thee : for thine aspect 
is divine. So, if thou wilt, abide here, that 
we may go to the house of my father, and 
tell out all this tale to my mother, the deep- 
bosomed Metaneira, if perchance she will bid 
thee come to our house and not seek the 
homes of others. A dear son born in her 
later years is nurtured in the well*builded 
hall, a child of many prayers and a welcome. 
If thou wouldst nurse him till he comes 
to the measure of youth, then whatsoever 
woman saw thee should envy thee ; such gifts 
of fosterage would my mother give thee." 

So spake she and the Goddess nodded 
assent. So rejoicing they filled their shining 
pitchers with water and bore them away. 
Swiftly they came to the high hall of their 



1 71-198 HYMN TO DEMETER 193 

father, and quickly they told their mother 
what they had heard and seen, and speedily 
she bade them run and call the strange 
woman, offering goodly hire. Then as deer 
or calves in the season of Spring leap 
along the meadow, when they have had 
their fill of pasture^ so lightly they kilted 
up the folds of their lovely kirtles, and ran 
along the hollow chariot-way, while their 
hair danced on their shoulders, in colour 
like the crocus flower. They found the 
glorious Goddess at the wayside, even where 
they had left her, and anon they led her 
to their father's house. But she paced be- 
hind in heaviness of heart, her head veiled, 
and the dark robe floating about her 
slender feet divine. Speedily they came to 
the house of Celeus, the fosterling of Zeus, 
and they went through the corridor where 
their lady mother was sitting by the door- 
post of the well-wrought hall, with her child 
in her lap, a young blossom, and the girls 
ran up to her, but the Goddess stood 
on the threshold, her head touching the 

N 



194 HOMERIC HYMNS 198^^09 

''oof-beam, and she filled the doorway with 
*he light divine. Then wonder, and awe 
and pale fear seized the mother, and she 
gave place from her high seat, and bade the 
Goddess be seated. But Demeter the bearer 
of the Seasons, the Giver of goodly gifts 
would not sit down upon the shining high 
seat. Nay, in silence she waited, casting 
down her lovely eyes, till the wise lambe set 
for her a well-made stool, and cast over it a 
glistering fleece.* Then sat she down and 
held the veil before her face : long in sorrow 
and silence sat she so, and spake to no man 
nor made any sign, but smileless she sat, nor 
tasted meat nor drink, wasting with long 
desire for her deep-bosomed daughter. 

So abode she till wise lambe with jests and 
many mockeries beguiled the lady, the holy 
one, to smile and laugh and hold a happier 
heart, and pleased her moods even thereafter. 
Then Metaneira filled a cup of sweet wine 
and offered it to her, but she refused it 
saying, that it was not permitted for her to 

^ kXiffftAt seems to answer io fauteuil^ dl^pot to tabouret. 



209-226 HYMN TO DEMETER 195 

drink red wine ; but she bade them mix meal 
and water with the tender herb of mint, and 

give it to her to drink* Then Metaneira 

« 

made a potion and gave it to the Goddess 
as she bade, and Lady Deo took it. and 
made Ubation, and to them fair-girdled 
Metaneira said: 

''Hail, lady, for methinks thou art not of 
mean parentage, but goodly born, for grace 
and honour shine in thine eyes as in the 
eyes of doom-dealing kings. But the gifts 
of the Gods, even in sorrow, we men of 
necessity endure, for the yoke is laid upon 
our necks ; yet now that thou art come 
hither, such things as I have shall be thine. 
Rear me this child that the- Gods have given 
in my later years and beyond my liope ; 
and he is to me a child of many prayers. 
If thou rear him, and he come to the mea- 
sure of youth, verily each woman that sees 
thee will envy thee, such shall be my gifts 
of fosterage." 

Then answered her again Demeter. of the 
fair garland : 

" And mayst thou too, lady, fare well, and 



196 HOMERIC HYMNS 226-241 

the Gods give thee all things good. Gladly 
will I receive thy child that thou biddest 
me nurse. Never, methinks, by the folly of 
his nurse shall charm or sorcery harm him ; 
for I know an antidote stronger than the wild 
wood herb, and a goodly salve I know for 
the venomed spells." 

So spake she, and with her immortal hands 
she placed the child on her fragrant breast, 
and the mother was glad at heart. So in 
the halls she nursed the goodly son of 
wise Celeus, even Demophoon, whom deep^ 
breasted Metaneira bare, and he grew like 
a god, upon no mortal food, nor on no 
mother's milk. For Demeter anointed him 
with ambrosia as though he had been a 
son of a God, breathing sweetness over him, 
and keeping him in her bosom. So wrought 
she by day, but at night she was wont to 
hide him in the force of fire like a brand, 
his dear parents knowing it not.^ Nay, to 

^ M. Lef(^bure suggests to me that this is a trace of Phoenician 
influence: compare Moloch's sacrifices of children, and '* pass- 
ing through the fire/* Such rites, however, are frequent in 
Japan, Bulgaria, India, Polynesia, and so on. See "The Fire 
Walk" in my "Modem Mythology." 



241-259 HYMN TO DEMETER 197 

them it was great marvel how flourished he 
and grew like the Gods to look upon. And, 
verily, she would have made him exempt 
from eld and death for ever, had not fair- 
girdled Metaneira, in her witlessness, spied on 
her in the night from her fragrant chamber. 
Then wailed she, and smote both her thighs, 
in terror for her child, and in anguish 
of heart, and lamenting she spake winged 
words : '' My child Demophoon, the stranger 
is concealing thee in the heart of the fire; 
bitter sorrow for me and lamentation." 

So spake she, wailing, and the lady God- 
dess heard her. Then in wrath did the fair- 
garlanded Demeter snatch out of the fire 
with her immortal hands and cast upon the 
ground that woman's dear son, whom be- 
yond all hope she had borne in the halls. 
Dread was the wrath of Demeter, and anon 
she spake to fair-girdled Metaneira. ''Oh 
redeless and uncounselled race of men, that 
know not beforehand the fate of coming 
good or coming evil. For, lo, thou hast 
wrought upon thyself a bane incurable, by 



198 HOMERIC HYMNS 259-277 

thine own witlessness ; for by the oath of the 
Gods, the relentless water of Styx, I would 
have made thy dear child deathless and 
exempt from age for ever, and would have 
given him glory imperishable. But now in 
nowise may he escape the Fates and death, 
yet glory imperishable will ever be his, since 
he has lain on my knees and slept within 
my arms ; [but as the years go round, and in 
his day, the sons of the Eleusinians will ever 
wage war and dreadful strife one upon the 
other.] Now I am the honoured Demeter, 
the greatest good and gain of the Immortals 
to deathly men. But, come now, let all the 
people build me a great temple and an altar 
thereby, below the town, and the steep wall, 
above Callichorus on the jutting rock. But 
the rites I myself will prescribe, that in time 
to come ye may pay them duly and appease 
my power." 

Therewith the Goddess changed her shape 
and height, and cast off old age, and beauty 
breathed about her, and the sweet scent was 
breathed from her fragrant robes, and afar 



278-295 HYMN TO DEMETER 199 

shone the light from th$ deathless body of 
the Goddess, the yellow hair flowing about 
her shoulders, so that the goodly house was 
filled with the splendour as of levin fire, and 
forth from the halls went she. 

But anon the knees of the woman were 
loosened, and for long time she was speech- 
less, nay, nor did she even mind of the 
child, her best beloved, to lift him from the 
floor. But the sisters of the child heard 
his pitiful cry, and leapt from their fair- 
strewn beds ; one of them, lifting the child 
in her hands, laid it in her bosom ; and 
another lit fire, and the third ran with 
smooth feet to take her mother forth from 
the fragrant chamber, 'then gathered they 
about the child, and bathed and ' clad him 
lovingly, yet his mood was not softened, for 
meaner nurses now and handmaids held 
him. 

They the long night through were adoring 
the renowned Goddess, trembling with fear, 
but at the dawning they told truly to mighty 
Celeus all that the Goddess had commanded ; 



200 HOMERIC HYMNS 297-313 

even Demeter of the goodly garland. Thereon 
he called into the market-place the many 
people, and bade them make a rich temple, 
and an altar to fair-tressed Demeter, upon 
the jutting rock. Then anon they heard 
and obeyed his voice, and as he bade they 
builded. And the child increased in strength 
by the Goddess's will. 

Now when they had done their work, and 
rested from their labours, each man started 
for his home, but yellow-haired Demeter, 
sitting there apart from all the blessed Gods, 
abode, wasting away with desire for her deep- 
bosomed daughter. Then the most dread 
and terrible of years did the Goddess bring 
for mortals upon the fruitful earth, nor did 
the earth send up the seed, for Demeter of 
the goodly garland concealed it. Many 
crooked ploughs did the oxen drag through 
the furrows in vain, and much white barley 
fell fruitless upon the land. Now would the 
whole race of mortal men have perished 
utterly from the stress of famine, and the 
Gods that hold mansions in Olympus would 



3I3-330 HYMN TO DEMETER 201 

have lost the share and renown of gift and 
sacrifice, if Zeus had not conceived a counsel 
within his heart. 

First he roused Iris of the golden wings 
to speed forth and call the fair-tressed 
Demeter, the lovesome in beauty. So spake 
Zeus, and Iris obeyed Zeus, the son of 
Cronos, who hath dark clouds for his 
tabernacle, and swiftly she sped adown the 
space between heaven and earth. Then 
came she to the citadel of fragrant Eleu- 
sis, and in the temple she found Demeter ' 
clothed in dark raiment, and speaking wingM 
words addressed her : " Demeter, Father 
Zeus, whose counsels are imperishable, bids 
thee back unto the tribes of the eternal 
Gods. Come thou, then, lest the word of 
Zeus be of no avail." So spake she in her 
prayer, but the Goddess yielded not. There- 
after the Father sent forth all the blessed 
Gods, all of the Immortals, and coming one 
by one they bade Demeter return, and gave 
her many splendid gifts, and all honours that 
she might choose among the immortal Gods. 



202 HOMERIC HYMNS 331-347 

But none availed to persuade by turning 
her mind and her angry heart, so stub- 
bornly she refused their sayings. For she 

* 

deemed no more for ever to enter fragrant 
Olympus, and no more to allow the earth 
to bear her fruit, until her eyes should be- 
hold her fair-faced daughter. 

But when far-seeing Zeus, the lord of the 
thunder-peal, had heard the thing, he sent to 
Erebus the slayer of Argos, the God of the 
golden wand, to win over Hades with soft 
words, and persuade him to bring up holy 
Persephone into the light, and among the 
Gods, from forth the murky gloom, that so 
her mother might behold her, and that her 
anger might relent. And Hermes disobeyed 
not, but straightway and speedily went forth 
beneath the hollow places of the earth, 
leaving the home of Olympus, That King 
he found within his dwelling, sitting on a 
couch with his chaste bedfellow, who sorely 
grieved for desire of her mother, that still 
was cherishing a fell design against the ill 
deeds of the Gods. Then the strong slayer 



348-366 HYMN TO DEMETER 203 

of Argos drew near and spoke : " Hades of 
the dark locks, thou Prince of men out-worn, 
Father Zeus bade me bring the dread Perse- 
phone forth from Erebus among the Gods, 
that her mother may behold her, and relent 
from her anger and terrible wrath against 
the Immortab, for now she contrives a 
mighty deed, to destroy the feeble tribes of 
earth-born men by withholding the seed 
under the earth. Thereby the honours of 
the Gods are minished, and fierce is her 
wrath, nor mingles she with the Gods, 
but sits apart within the fragrant temple in 
the steep citadel of Eleusis." 

So spake he, and smiling were the brows 
of Aidoneus, Prince of the dead, nor did 
he disobey the commands of King Zeus, 
as speedily he bade the wise Persephone : 
"Go, Persephone, to thy dark -mantled 
mother, go with a gentle spirit in thy 
breast, nor be thou beyond all other folk 
disconsolate. Verily I shall be no unseemly 
lord of thine among the Immortals, I that 
am the brother of Father Zeus, and whilst 



204 HOMERIC HYMNS 367-384 

thou art here shalt thou be mistress over all 
that lives and moves, but among the Im- 
mortals shalt thou have the greatest renown. 
Upon them that wrong thee shall vengeance 
be unceasing, upon them that solicit not 
thy power with sacrifice, and pious deeds, 
and every acceptable gift." ^ *' 

So spake he, and wise Persephone was 
glad ; and joyously and swiftly she arose, 
but the God himself, stealthily looking around k 
her, gave her sweet pomegranate seed to 
eat, and this he did that she might not 
abide for ever beside revered Demeter of the 
dark mantle.^ Then openly did Aidoneus, 
the Prince of all, get ready the steeds be- 
neath the golden chariot, and she climbed up 
into the golden chariot, and beside her the 
strong Slayer of Argos took reins and whip 
in hand, and drove forth from the halls, and 
gladly sped the horses twain. Speedily they 
devoured the long way ; nor sea, nor rivers, 
nor grassy glades, nor cliffs, could stay the 
rush of the deathless horses ; nay, far above 

^ An universally diffused belief declares that whosoever tastes 
the food of the dead may never return to earth. 



385-405 HYMN TO DEMETER 205 

them they cleft the deep air in their course. 
Before the fragrant temple he drove them, 
and checked them where dwelt Demeter of 
the goodly garland, who, when she beheld 
them, rushed forth like a ^aenad down a 
dark mountain woodland.^ 

[But Persephone on the other side rejoiced 
to see her mother dear, and leaped to meet 
her ; but the mother said, '' Child, in Hades 
hast thou eaten any food 7 for if thou hast 
not] then with me and thy father the son 
of Cronos, who has dark clouds for his 
tabernacle, shalt thou ever dwell honoured 
among all the Immortals. But if thou hast 
tasted food, thou must return again, and 
beneath the hollows of the earth must dwell 
in Hades a third portion of the year; yet 
two parts of the year thou shalt abide with 
me and the other Immortals. When the 
earth blossoms with all manner of fragrant 
flowers, then from beneath the murky gloom 
shalt thou come again, a mighty marvel to 

^ The lines in brackets merely state the probable meaning 
of a dilapidated passage. 



2o6 HOMERIC HYMNS 405-424 

Gods and to mortal men. Now tell me .by 
what wile the strong host of many guests 
deceived thee ? . . . " 

Then fair Persephone answered her august 
mother: ^'Behq^d, I shall tell thee all the 
truth without fail. I leaped up for joy when 
boon Hermes, the swift messenger, came from 
my father Cronides and the other heavenly 
Gods, with the message that I was to return 
out of Erebus, that so thou mightest behold 
me, and cease thine anger and dread wrath 
against the Immortals. Thereon Hades him- 
self compelled me to taste of a sweet pome- 
granate seed against my will. And now I 
will tell thee how, through the crafty device 
of .Cronides my father, he ravished me, and 
bore me away beneath the hollows of the 
earth. All that thou askest I will tell thee. 
We were all playing in the lovely meadows, 
Leucippe and Phaino, and Electra, and 
v7 lanthe, and Melit6, and Iach6, and Rhodeia, 
and Callirhoe, and Melobosis, and Tuch£, and 
flower-faced Ocyroe, and Chraesis, and lan- 
eira, and Acast6, and Admetfi, and Rhodope, 



424-443 HYMN TO DEMETER 207 



and Plouto, and winsome Calypso, and Styx, 
and Urania, and beautiful Galaxaurfi. We 
were playing there, and plucking beautiful 
blossoms with our hands ; crocuses mingled, 
and iris, and hyacinth, and/oses, and lilies, 
a marvel to behold, and narcissus, that the 
wide earth bare, a wile for my undoing. 
Gladly was I gathering th|em when the earth 
gaped beneath, and therefrom leaped the 
mighty Prince, the host of many guests, and 
he bare me against my will despite my grief 
beneath the earth, in his golden chariot ; and 
shrilly did I cry. This all is true that I tell 
thee/' 

So the livelong day in oneness of heart did 
they cheer each other with love, and their 
minds ceased from sorrow, and great gladness 
did either win from other* Then came to 
them Hekatd of the fair wimple, and often 
did she kiss the holy daughter of Demeter, 
and from that day was her queenly com- 
rade and handmaiden ; but to them for a 
messenger did far-seeing Zeus of the loud 
thunder-peal send fair-tressed Rhea to bring 




2o8 HOMERIC HYMNS 443-460 

dark-mantled Demeter among the Gods, with 
pledge of what honour she might choose 
among the Immortals. He vowed that her 
daughter, for the third part of the revolving 
year, should dwell beneath the murky gloom, 
but for the other two parts she should abide 
with her mother and the other gods. 

Thus he spake, and the Goddess disobeyed 
not the commands of Zeus. Swiftly she sped 
down from the peaks of Olympus, and came 
to fertile Rarion ; fertile of old, but now no 
longer fruitful ; for fallow and leafless it lay, 
and hidden was the white barley grain by 
the device of fair-ankled Demeter. None the 
less with the growing of the Spring the 
land was to teem with tall ears of corn, and 
the rich furrows were to be heavy with 
corn, and the corn to be bound in sheaves. 
There first did she land from the unharvested 
ether, and gladly the Goddesses looked on 
each other, and rejoiced in heart, and thus 
first did Rhea of the fair wimple speak to 
Demeter : 

" Hither, child ; for he calleth thee, far- 



461-479 HYMN TO DEMETER 209 



seeing Zeus, the lord of the deep thunder, 
to come among the Gods, and has promised 
thee such honours as thou wilt, and hath 
decreed that thy child, for the third of the 
rolling year, shall dwell beneath the murky 
gloom, but the. other two parts with her 
mother and the rest of the Immortals. So 
doth he promise that it shall be and thereto 
nods his head ; but come, my child, obey, 
and be not too unrelenting against the Son 
of Cronos, the lord of the dark cloud. 
And anon do thou increase the grain that 
bringeth life to men." 

So spake she, and Demeter of the fair 
garland obeyed. Speedily she sent up the 
grain from the rich glebe, and the wide 
earth was heavy with leaves and flowers : 
and she hastened, and showed the thing to 
the kings, the dealers of doom ; to Trip- 
tolemus and Diodes the charioteer, and 
mighty Eumolpus, and Celeus the leader 
of the people ; she showed them the manner 
of her rites, and taught .them her goodly 
mysteries, holy mysteries which none may 



2IO HOMERIC HYMNS 479-496 

violate, or search into, or noise abroad, for 
the great curse from the Gods restrains the 
voice. Happy is he among deathly men 
who hath beheld these things I and he that 
is uninitiate, and hath no lot in them, hath 
never equal lot in death beneath the murky 
gloom. 

Now when the Goddess had given in- 
struction in all her rites, they went to 
Olympus, to the gathering of the other Gods. 
There the Goddesses dwell beside Zeus the 
lord of the thunder, holy and revered are 
they. Right happy is he among mortal men 
whom they dearly love; speedily do they 
send as a guest to his lofty hall Plutus, who 
giveth wealth to mortal men. But come thou 
that boldest the land of fragrant Eleusis, 
and sea-girt Paros, and rocky Antron, come, 
Lady Deo 1 Queen and giver of goodly gifts, 
and bringer of the Seasons ; come thou 
and thy daughter, beautiful Persephone, and 
of your grace grant me goodly substance 
in requital of my song ; but I will mind 
me of thee, and of other minstrelsy. 



TO APHRODITE 

I SHALL sing of the revered Aphrodite, the 
* golden-crowned, the beautiful, who hath 
for her portion the mountain crests of sea- 
girt Cyprus. Thither the strength of the 
west wind moistly blowing carried her amid 
soft foam over the wave of the resounding 
sea. Her did the golden - snooded Hours 
gladly welcome, and clad her about in 
immortal raiment, and on her deathless head 
set a well-wrought crown, fair and golden, 
and in her ears put earrings of orichalcum 
and of precious gold. Her delicate neck 
and white bosom they adorned with chains 
of gold, wherewith are bedecked the golden- 
snooded Hours themselves, when they come 
to the glad dance of the Gods in the dwelling 
of the Father. Anon when they had thus 



an 



212 HOMERIC HYMNS 14-21 

adorned her in all goodliness they led her to 
the Immortals, who gave her greeting when 
they beheld her, and welcomed her with 
their hands ; and each God prayed that he 
might lead her home to be his wedded wife, 
so much they marvelled at the beauty of the 
fair-garlanded Cytherean. Hail, thou of the 
glancing eyes, thou sweet winsome Goddess, 
and grant that I bear off the victory in 
this contest, and lend thou grace to my 
song, while I shall both remember thee and 
another singing. 



DrONVSUS SAILING IN HIS SACAED SHIP 
{InUrior Dtsign on a Kyltx bf Exttiat in Munich. ) 

VI 

TO DIONYSUS 

/CONCERNING Dionysus the son of re- 
^-^ nowned Semele shall I sing ; how once 
he appeared upon the shore of the sea un< 
harvested, on a jutting headland, in form 



214 HOMERIC HYMNS 3-19 



like a man in the bloom of youth, with his 
beautiful dark hair waving around him, and 
on his strong shoulders a purple robe. Anon 
came in sight certain men that were pirates ; 
in a well-wrought ship sailing swiftly on the 
dark seas : Tyrsenians were they, and 111 
Fate was their leader, for they beholding him 
nodded each to other, and swiftly leaped 
forth, and hastily seized him, and set him 
aboard their ship rejoicing in heart, for they 
deemed that he was the son of kings, the 
fosterlings of Zeus, and they were minded to 
bind him with grievous bonds. But him the 
fetters held not, and the withes fell far from 
his hands and feet.* There sat he smiling 
with his dark eyes, but the steersman saw 
it, and spake aloud to his companions : 
" Fools, what God have ye taken and bound ? 
a strong God is he, our trim ship may not 
contain him. Surely this is Zeus, or Apollo 

^ This appears to answer to the difficult passage about the 
bonds of Apollo falling from the limbs of Hermes {Hermes, 
404, 405). Loosing spells were known to the VikingSi and the 
miracle occurs among those of Jesuits persecuted under Queen 
Elizabeth. 



19-36 TO DIONYSUS 215 

of the Silver Bow, or Poseidon ; for he is 
nowise like mortal man, but like the Gods 
who have mansions in Olympus. Nay, come 
let us instantly release him upon the dark 
mainland, nor lay ye your hands upon 
him, lest, being wroth, he rouse against us 
masterful winds and rushing storm." 

So spake he, but their captain rebuked 
him with a hateful word : " Fool, look thou 
to the wind, and haul up the sail, and 
grip to all the gear, but this fellow will be 
for men to meddle with. Methinks he will 
come to Egypt, or to Cyprus, or to the 
Hyperboreans, or further far ; and at the 
last he will tell us who his friends are, 
and concerning his wealth, and his brethren, 
for the God has delivered him into our 
hands." 

So spake he, and let raise the mast and 
hoist the mainsail, and the wind filled the 
sail, and they made taut the ropes all round. 
But anon strange matters appeared to them : 
first there flowed through all the swift black 
ship a sweet and fragrant wine, and the 



2i6 HOMERIC HYMNS 36-55 

ambrosial fragrance arose, and fear fell 
upon all the mariners that beheld it. And 
straightway a vine stretched hither and 
thither along the sail, hanging with many a 
cluster, and dark ivy twined round the mast 
blossoming with (lowers, and gracious fruit 
and garlands grew on all the thole-pins; 
and they that saw it bade the steersman 
drive straight to land. Meanwhile within 
the ship the God changed into the shape of 
a lion at the bow ; and loudly he roared, 
and in midship he made a shaggy bear : 
such marvels he showed forth : there stood 
it raging, and on the deck glared the lion 
terribly. Then the men fled in terror to 
the stern, and there stood in fear round 
the honest pilot. But suddenly sprang 
forth the lion and seized the captain, and 
the men all at once leaped overboard into 
the strong sea, shunning dread doom, and 
there were changed into dolphins. But the 
God took pity upon the steersman, and 
kept him, and gave him all good fortune, 
and spake, saying, "Be of good courage. 



55-59 ^^ DIONYSUS 217 



Sir, dear art thou to me, and I am Dionysus 
of the noisy rites whom Cadmeian Semele 
bare to the love of Zeus/' Hail, thou child 
of beautiful Semele, none that is mindless 
of thee can fashion sweet minstrelsy. 



VII 



TO ARES 

A RES, thou that excellest in might, thou 
^^ lord of the chariot of war, God of the 
golden helm, thou mighty of heart, thou 
shield-bearer, thou safety of cities, thou that 
smitest in mail ; strong of hand and un- 
wearied valiant spearman, bulwark of Olym- 
pus, father of victory, champion of Themis ; 
thou tyrannous to them that oppose thee 
with force ; thou leader of just men, thou 
master of manlihood, thou that whirlest thy 
flaming sphere among the courses of the 
seven stars of the sky, where thy fiery steeds 
ever bear thee above the third orbit of 
heaven ; do thou listen to me, helper of 
mortals. Giver of the bright bloom of 
youth. Shed thou down a mild light from 
above upon this life of mine, and my 

ai8 



11-17 TO ARES 219 

martial strength, so that I may be of avail 
to drive away bitter cowardice from my 
head, and to curb the deceitful rush of my 
soul, and to restrain the sharp stress of 
anger which spurs me on to take part in 
the dread din of battle. But give me 
heart, O blessed one, to abide in the pain- 
less measures of peace, avoiding the battle- 
cry of foes and the compelling fates of 
death. 



VIII 

- • _ 

TO ARTEMIS 

OING thou of Artemis, Muse, the sister of 
^^ the Far-darter ; the archer Maid, fellow- 
nursling with Apollo, who waters her .steeds 
in the reedy wells of Meles, then swiftly 
drives her golden chariot through Smyrna 
to Claros of the many-clustered vines, where 
sits Apollo of the Silver Bow awaiting the 
far-darting archer maid. And hail thou 
thus, and hail to all Goddesses in my song, 
but to thee first, and beginning from thee, 
will I sing, and so shall pass on to another 
lay. 



IX 



TO APHRODITE 

I SHALL sing of Cytherea, the Cyprus- 
^.. born, who gives sweet gifts to mortals, 
and ever on her face is a winsome smile, and 
ever in her hand a winsome blossom. Hail 
to thee. Goddess, Queen of fair-set Salamis, 
and of all Cyprus, and give to me song 

r . . . . • .... . . , 

desirable, while I shall be mindful of thee 
and of another song. 



aax 



TO ATHENE 

OF Pallas Athene, the saviour of cities, I 
begin to sing ; dread Goddess, who 
with Ares takes keep of the works of war, 
and of falling cities, and battles, and the 
battle din. She it is that saveth the hosts 
as they go and return from the fight. Hail 
Goddess, and give to us happiness and good 
fortune. 



aaa 



4 

XI <- 



TO HERA 

I SING of golden-throned Hera, whom 
Rhea bore, an immortal queen in beauty 
pre-eminent, the sister and the bride of loud- 
thundering Zeus, the lady renowned, whom 
all the Blessed throughout high Olympus 
honour and revere no less than Zeus whose 
delight is the thunder. 



923 



XII 
TO DEMETER 

OF fair-tressed Demeter the holy Goddess 
I begin to sing; of her and the 
Maiden, the lovely Persephone. Hail God* 
desSy and save this city and inspire my 
song. 



9»4 



XIII 
TO THE MOTHER OF THE GODS 

SING for me, clear-voiced Muse, daughter 
of great Zeus, the mother of all Godsi 
and all mortals, who is glad in the sound 
of rattles and drums, and in the noise of 
flutes, and in the cry of wolves and fiery- 
eyed lions, and in the echoing hills, and 
the woodland haunts ; even so hail to thee 
and to Goddesses all in my song. 



995 



XIV 
TO HERACLES THE LION-HEART 

OF Heracles the son of Zeus will I sing, 
mightiest of mortals, whom Alcmena 
bore in Thebes of the fair dancing places, 
for she had lain in the arms of Cronion, 
the lord of the dark clouds. Of old the 
hero wandered endlessly over land and sea, 
at the bidding of Eurystheus the prince, 
and himself wrought many deeds of fate- 
ful might, and many he endured ; but no>v 
in the fair haunts of snowy Olympus he 
dwells in joy, and hath white-ankled Hebe 
for his wife. Hail prince, son of Zeus, and 
give to us valour and good fortune. 



8a6 



XV 



TO ASCLEPIUS 



\ . /^F the healer of diseases, Asclepius, I 

fl ^^ begin to sing, the son of Apollo, whom 

s. fair Coronis bore in the Dotian plain, the 

D, daughter of King Phlegyas ; a great joy to 

i« men was her son, and the soother of evil 

a, pains. Even so do thou hail, O Prince, I 

«, pray to thee in my song. 

e- 

« 

le 

id 



997 



XVI 
TO THE DIOSCOURI 

/^F Castor and Polydeuces do thou sing, 
^^ shrill Muse, the Tyndaridae, sons of 
Olympian Zeus, whom Lady Leda bore be- 
neath the crests of Taygetus, having been 
secretly conquered by the desire of Cro- 
nion of the dark clouds. Hail, ye sons of 
Tyndarus, ye cavaliers of swift steeds. 



aa8 



XVII 
TO HERMES 

iSING of Cyllenian Hermes, slayer of 
Argus, prince of Cyllene and of Arcadia 
rich in sheep, the boon messenger of the 
Immortals. Him did Maia bear, the modest 
daughter of Atlas, to the love of Zeus. 
The company of the blessed Gods she 
shunned, and dwelt in a shadowy cave 
where Cronion was wont to lie with the 
fair-tressed nymph in the dark of night, 
while sweet sleep possessed white- armed 
Hera, and no Immortals knew it, and no 
deathly men. Hail to thee, thou son of 
Zeus and Maia, with thee shall I begin and 
pass on to another song. Hail, Hermes, 
Giver of grace, thou Guide, thou Giver of 

good things. 

999 



XVIII 
TO PAN 

TELL me, Muse, concerning the dear son 
of Hermes, the goat-footed, the twy- 
horned, the lover of the din of revel, who 
haunts the wooded dells with dancing 
nymphs that tread the crests of . the steep 
cliffs, calling upon Pan the pastoral God of 
the long wild hair. Lord is he of every 
snowy crest and mountain peak and rocky 
path. Hither and thither he goes through 
the thick copses, sometimes being drawn to 
the still waters, and sometimes faring through 
the lofty crags he climbs the highest peak 
whence the flocks are seen below ; ever he 
ranges over the high white hills, and ever 
among the knolls he chases and slays the 
wild beasts, the God, with keen eye, and 
at evening returns piping from the chase, 



TAN 
.rd Shepherd's Ctouk 



15-34 ^^ ^^^ 231 

I.I.. . ■ ^ ■■'- 

breathing sweet strains on the reeds. In 
song that bird cannot excel him which, 
among the leaves of the blossoming spring- 
tide, pours forth her plaint and her honeys 
sweet song. With him then the mountain 
nymphs, the shrill singers, go wandering 
with light feet, and sing at the side of the 
dark water of the well, while the echo 
moans along the mountain crest, and the 
God leaps, hither and thither, and goes into 
the midst, with many a step of the dance. 
On his back he wears the tawny hide of 
a lynx, and his heart rejoices with shrill 
songs in the soft meadow where crocus 
and fragrant hyacinth bloom all mingled 
amidst the grass. They sing of the blessed 
Gods and of high Olympus, and above all 
do they sing of boon Hermes, how he is 
the fleet herald of all the . Gods, and how 
he came to many-fountained Arcadia, the 
mother of sheep, where is his Cyllenian 
demesne, and there he, God as he was, 
shepherded the fleecy sheep, the thrall of a 
mortal man ; for soft desire had come upon 



232 HOMERIC HYMNS 34-49 

him to wed the fair-haired daughter of 
Dryops, and the glad nuptials he accom- 
plished, and to Hermes in the hall she 
bare a dear son. From his birth he was 
a marvel to behold, goat-footed, twy-horned, 
a loud speaker, a sweet laugher. Then the 
nurse leaped up and fled when she saw his 
wild face and bearded chin. But him did 
boon Hermes straightway take in his hands 
and bear, and gladly did he rejoice at 
heart. Swiftly to the dwellings of the 
Gods went he, bearing the babe hidden 
in the thick skins of mountain hares ; there 
sat he down by Zeus and the other Im- 
mortals, and showed his child, and all the 
Immortals were glad at heart, and chiefly 
the Bacchic Dionysus. Pan they called the 
babe to name : because he had made glad 
the hearts of all of them. Hail then to 
thee, O Prince, I am thy suppliant in song, 
and I shall be mindful of thee and of 
another lay. 



XIX 
TO HEPH^STUS 

O ING, shrill Muse, of Hephaestus renowned 
^ in craft, who with grey-eyed Athene 
taught goodly works to men on earth, even 
to men that before were wont to dwell in 
mountain caves like beasts ; but now, being 
instructed in craft by the renowned crafts- 
man Hephaestus, lightly the whole year 
through they dwell happily in their own 
homes. Be gracious, Hephaestus, and grant 
me valour and fortune. 



833 



TO APOLLO 

pHCEBUS, to thee the swan sings shrUl 
'^ to the beating of his wings, as he lights 
on the bank of the whirling pools of the 
river Peneus ; and to thee with his shrill 
lyre does the sweet-voiced minstrel sing 
ever, both first and last. Even so hail 
thou, Prince, I beseech thee in my song. 



a34 



XXI 
TO POSEIDON 

/CONCERNING Poseidon, a great God, I 
^^ begin to sing : the shaker of the land 
and of the sea unharvested ; God of the 
deep who holdeth Helicon and wide JEgd&. 
A double meed of honour have the Gods 
given thee, O Shaker of the Earth, to be 
tamer of horses and saviour of ships. Hail 
Prince, thou Girdler of the Earth, thou 
dark-haired God, and with kindly heart, O 
blessed one, do thou befriend the mariners. 



835 



XXII 
TO HIGHEST ZEUS 

TO Zeus the best of Gods will I sing; the 
best and the greatest, the far-beholding 
lord who bringeth all to an end, who holdeth 
constant counsel with Themis as she reclines 
on her couch. Be gracious, far-beholding 
son of Cronos, thou most glorious and 
greatest. 



836 



XXIII 
TO HESTIA 

IIESTIA, that guardest the sacred house 
* ^ of the Prince, Apollo the Far-darter, in 
goodly Pytho, ever doth the oil drop dank 
from thy locks. Come thou to this house 
with a gracious heart, come with counselling 
Zeus, and lend grace to my song. 



a37 



XXIV 
TO THE MUSES AND APOLLO 

rj^ROM the Muse I shall begin and from 
^ Apollo and Zeus. For it is from the 
Muses and far-darting Apollo that minstrels 
and harpers are upon the earth, but from 
Zeus come kings. Fortunate is he whom- 
soever the Muses love, and sweet flows his 
voice from his lips. Hail, ye children of 
Zeus, honour ye my lay, and anon I shall 
be mindful of you and of another hymn. 



938 



XXV 
TO DIONYSUS 

/^F ivy-tressed uproarious Dionysus I 
? ^^ begin to sing, the splendid son of 
Zeus and renowned Semele. Him did the 
• fair-tressed nymphs foster, receiving him from 
the king and father in their bosoms, and 
heedfully they nurtured him in the glens 
of Nysfi. . By his father's will he waxed 
strong in the fragrant cavern, being num- 
bered among the Immortals. Anon when 
the Goddesses had bred him up to be the 
god of many a hymn, then went he wander- 
ing in the woodland glades, draped with ivy 
and laurel, and the nymphs followed with 
him where he led, and loud rang the wild 
woodland. Hail to thee, then, Dionysus of 
the clustered vine, and grant to us to come 
gladly again to the season of vintaging, yea, 

and afterwards for many a year to come. 

939 



XXVI 
TO ARTEMIS 

I SING of Artemis of the Golden DistaflF, 
Goddess of the loud chase, a maiden 
revered, the slayer of stags, the archer, very 
sister of Apollo of the golden blade. She 
through the shadowy hills and the windy . 
headlands rejoicing in the chase draws her^ 
golden bow, sending forth shafts of sorro^nr. 
Then tremble the crests of the lofty moun- 
tains, and terribly the dark woodland rings 
with din of beasts, and the earth shudders, 
and the teeming sea. Meanwhile she of the 
stout heart turns about on every side slaying 
the race of wild beasts. Anon when the 
Archer Huntress hath taken her delight, and 
hath gladdened her heart, she slackens her 
bended bow, and goes to the great hall 

of her dear Phoebus Apollo, to the rich 

340 



14-22 TO ARTEMIS 241 

Delphian land ; and arrays the lovely dance 
of Muses and Graces. There hangs she up 
her bended bow and her arrows, and all 
graciously clad about she leads the dances, 
first in place, while the others utter their im- 
mortal voice in hymns to fair-ankled Leto, 
hqw she bore such children pre-eminent 
among the Immortals in counsel and in 
deed. . Hail, ye children of Zeus and fair- 
tressed Leto, anon will I be mindful of you 
and of another hymn. 



XXVII 
TO ATHENE 

/^F fairest Athene, renowned Goddess, I 

^^ begin to sing, of the Grey-eyed, the 

wise ; her of the relentless heart, the maiden 

revered, the succour of cities, the strong . 

Tritogeneia. Her did Zeus the counsellor 

himself beget from his holy head, all armed 

for war in shining golden mail, while in 

awe did the other Gods behold it. Quickly 

did the Goddess leap from the immortal 

head, and stood before Zeus, shaking her 

sharp spear, and high Olympus trembled in 

dread beneath the strength of the grey-eyed 

Maiden, while earth rang terribly around, 

and the sea was boiling with dark waves, 

and suddenly brake forth the foam. Yea, 

and the glorious son of Hyperion checked 

for long his swift steeds, till the maiden 

24a 



I5-I8 TO ATHENE 243 

took from her immortal shoulders her divine 
armour, even Pallas Athene : and Zeus the 
counsellor rejoiced. Hail to thee, thou 
child of aegis-bearing Zeus, anon shall I be 
mindful of thee and of another lay. 



XXVIIl 
TO HESTIA 

IlESTIA, thou that in the lofty halls of 
^ ^ all immortal Gods, and of all men that 
go on earth, hast obtained an eternal place 
and the foremost honour, splendid is thy 
glory and thy gift, for there is no banquet 
of mortals without thee, none where, Hestia, 
they be not wont first and last to make to 
thee oblation of sweet wine. And do thou, 
O slayer of Argus, son of Zeus and Maia, 
messenger of the blessed Gods, God of the 
golden wand. Giver of all things good, do 
thou with Hestia dwell in the fair mansions, 
dear each to other ; with kindly heart befriend 
us in company with dear and honoured 
Hestia. [For both the twain, well skilled in 

844 



II-I4 TO HESTIA 245 

all fair works of earthly men, consort with 
wisdom and youth.] Hail daughter of 
Cronos, thou and Hermes of the golden 
wand, anon will I be mindful of you and 
of another lay. 



XXIX 

TO EARTH, THE MOTHER 

OF ALL 

/CONCERNING Earth, the mother of all, 
^^ shall I sing, firm Earth, eldest of Gods, 
that nourishes all things in the world ; all 
things that fare on the sacred land, all things 
in the sea, all flying things, all are fed out of 
her store. Through thee, revered Goddess, 
are men happy in their children and fortu- 
nate in their harvest. Thine it is to give or 
to take life from mortal men. Happy is he 
whom thou honourest with favouring heart ; 
to him all good things are present innumer- 
able : his fertile field is laden, his meadows 
are rich in cattle, his house filled with all 
good things. Such men rule righteously in 
cities of fair women, great wealth and riches 

are theirs, their children grow glorious in 

246 



13-19 TO EARTH 247 



fresh delights : their maidens joyfully dance 
and sport through the soft meadow flowers 
in floral revelry. Such are those that thou 
honourest, holy Goddess, kindly spirit. Hail, 
Mother of the Gods, thou wife of starry 
Ouranos, and freely in return for my ode 
give me sufficient livelihood. Anon will I 
be mindful of thee and of another lay. 



XXX 
. TO HELIOS 

DEGIN, O Muse Calliope, to sing of Helios 
^-^ the child of Zeus, the splendid Helios 
whom dark-eyed Euryphaessa bore to the 
son of Earth and starry Heaven. For 
Hyperion wedded Euryphaessa, his own 
sister, who bore him goodly children, the 
rosy-armed Dawn, and fair-tressed Selene, 
and the tireless Helios, like unto the Im- 
mortals, who from his chariot shines on 
mortals and on deathless Gods, and dread 
is the glance of his eyes from his golden 
helm, and bright rays shine forth from 
him splendidly, and round his temples the 
shining locks flowing down from his head 
frame round his far-seen face, and a goodly 
garment wrought delicately shines about his 
body in the breath of the winds, and 

848 



14-19 TO HELIOS 249 

stallions speed beneath him when he, cha- 
rioting his horses and golden-yoked car, 
drives down through heaven to ocean. 
Hail, Prince, and of thy grace grant me 
livelihood enough ; beginning from thee I 
shall sing the race of - heroes half divine, 
whose deeds the Goddesses have revealed 
to mortals. 



XXXI 
TO THE MOON 

YE Muses, sing of the fair-faced, wide* 
winged Moon ; ye sweet-voiced daugh- 
ters of Zeus son of Cronos, accomplished 
in song I The heavenly gleam from her 
immortal head circles the earth, and all 
beauty arises under her glowing light, and 
the lampless air beams from her golden 
crown, and the rays dwell lingering when 
she has bathed her fair body in the ocean 
stream, and clad her in shining raiment, 
divine Selene, yoking her strong-necked glit- 
tering steeds. Then forward with speed 
she drives her deep-maned horses in the 
evening of the mid-month when her mighty 
orb is full; then her beams are brightest 
in the sky as she waxes, a token and a 

signal to mortal men. With her once was 

950 



I4-20 TO THE MOON 251 



Cronion wedded in love, and she conceived, 
and brought forth Pandia the maiden, pre- 
eminent in beauty among the immortal 
Gods. Hail, Queen, white-armed Goddess, 
divine Selene, gentle of heart and fair of 
tress. Beginning from thee shall I sing the 
renown of heroes, half divine whose deeds 
do minstrels chant from their charmed lips ; 
these ministers of the Muses. 



XXXII 
TO THE DIOSCOURI 

^INO> fair-glancing Muses, of the sons of 
^ Zeus, the Tyndaridae, glorious children 
of fuir-ankled Leda, Castor the tamer of 
ntccdd and faultless Polydeuces, These, 
ttftor wedlock with Cronion of the dark 
(tUnulH, she bore beneath the crests of Tay- 
^rtim, that mighty hill, to be the saviours 
of curthly men, and of swift ships when the 
wintry breezes rush along the pitiless sea. 
Thou men from their ships call in prayer 
wllh Hucrifice of white lambs when they 
nunmt the vessel's deck. But the strong 
wind and the wave of the sea drive down 
their Hhip beneath the water ; when sud- 
denly appear the sons of Zeus rushing 
thr()U){h the air with tawny wings, and 

Htrui({htway have they stilled the tempests of 

15a 



The Diosairi coming to Ihe feast ol the Theoxenia 



15-19 TO THE DIOSCOURI 253 

evil winds, and have lulled the waves in 
the gulfs of the white salt sea : glad signs 
are they to mariners, an ending of their 
labour : and men see it and are glad, and 
cease from weary toil. Hail ye, Tyndaridae, 
ye knights of swift steeds, anon will I be 
mindful of you and of another lay. , 



XXXIII 

TO DIONYSUS 

OOME say that Semele bare thee to Zeus 
^ the lord of thunder in Dracanon, and 
some in windy Icarus, and some in Naxos, 
thou seed of Zeus, Eiraphiotes ; and others 
by the deep-swelling river Alpheius, and 
others, O Prince, say that thou wert born 
in Thebes. Falsely speak they all : for the 
Father of Gods and men begat thee far 
away from men, while white-armed Hera 
knew it not. There is a hill called Nys£, 
a lofty hill, flowering into woodland, far 
away from Phoenicia, near the streams of 
^gyptus. . . . 

'< And to thee will they raise many statues in 
the temples : as these thy deeds are three, so 
men will sacrifice to thee hecatombs every 
three years." * 

^ There is a gap in the text Three deeds of Dionysus must 
have been narrated, then follows the comment of Zeus. 

a54 



I6-2I TO DIONYSUS 255 

So spake Zeus the counsellor, and nodded 
with his head. Be gracious, Eiraphiotes, thou 
wild lover, from thee, beginning and ending 
with thee, we minstrels sing: in nowise is 
it possible for him who forgets thee to be 
mindful of sacred song. Hail to thee, 
Dionysus Eiraphiotes, with thy mother 
Semele, whom men call Thyone. 



THE END 



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1991